José Antonio Sainz Alfaro Videos
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Giuseppe Verdi José Antonio Sainz Alfaro Ibarra Escobar Liber Rosen Orfeón Donostiarra 1874
Buy the album on the Halidon Music Store: (http•••) Stream it on Spotify: (http•••) Apple Music & iTunes: (http•••) These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact •••@•••. The HalidonMusic Sync Licensing platform is now live at (http•••) Subscribe to our newsletter and get a 50% discount for 10 days: (http•••) Orquesta Reino de Aragón & Orfeón Donostiarra Conductor: José Antonio Sainz Alfaro Soloists: David Menéndez, Ana Ibarra, Carmen Solis, Sergio Escobar Giuseppe Verdi Requiem Kyrie Dies Irae Tuba Mirum Mors Stupebit Liber Scriptus Quid Sum Miser Rex Tremendae Recordare Ingemisco Confutatis Lacrimosa Offertorium Sanctus Agnus Dei Lux Aeterna Libera Me The Messa da Requiem is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, an Italian poet and novelist whom Verdi admired. The first performance, at the San Marco church in Milan on 22 May 1874, marked the first anniversary of Manzoni's death. The work was at one time referred to as the "Manzoni Requiem". Considered too operatic to be performed in a liturgical setting, it is usually given in concert form of around 90 minutes in length. Musicologist David Rosen calls it "probably the most frequently performed major choral work composed since the compilation of Mozart's Requiem". #verdi #giuseppe verdi #requiem
ORFEÓN DONOSTIARRA Director: JOSÉ ANTONIO SÁINZ ALFARO Órgano: GERARDO RIFÓN XX JORNADAS DE MÚSICA CORAL RELIGIOSA 2022 Organiza: CORAL DE TORRELAVEGA Coordina: MANUEL EGUSQUIZA Colabora: Concejalía de Cultura Ayuntamiento de Torrelavega Iglesia de Ntra. Sra. de La Asunción de Torrelavega. 2 de abril 2022
Gustav Mahler Claudio Abbado Eteri Gvazava Anna Larsson Larsson Schlicht Shore Sabine Meyer Emmanuel Pahud Gutman Alban Berg Albrecht Mayer Blacher Wolfram Wolfram Christ Arturo Toscanini Busch Lucerne Festival Orchestra Salzburg Festival Orfeón Donostiarra Berliner Philharmoniker Busch Quartet 1938 1943 1993 2003
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor Chapters: 0:00 Gustav Mahler: Symphony No. 2 "Resurrection" 1:37 I. Allegro maestoso 22:26 II. Andante moderato 32:18 III. [Scherzo] In ruhig fließender Bewegung 43:38 IV. Urllicht. Sehr feierlich, aber schlicht 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola). Lucerne en fête What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else." The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
Mozart Ainhoa Zubillaga Orfeón Donostiarra Teatro Principal 2008
"MISA en Do KV.317, de la CORONACIÓN". 2.Credo. W.A.Mozart ORQUESTA FILARMONÍA ORFEÓN DONOSTIARRA Soprano: ELENA BARBÉ Mezzo: AINHOA ZUBILLAGA Tenor: JOSÉ LUÍS SOLA Barítono: JESÚS M. GARCÍA AREJULA Dir: JOSÉ ANTONIO SÁINZ ALFARO Concierto de navidad 2008 Teatro Principal. Vitoria (Álava) 16 de diciembre de 2008 Video realizado por Julio Menor. Sonido directo de videocámara.