Lina Ramann Videos
deutsche Musikpädagogin und Musikschriftstellerin
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Letzte Aktualisierung
2024-05-04
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Maciej Pikulski Schubert Liszt Lina Ramann Ros 2020
Maciej Pikulski plays Schubert - Liszt "Ständchen" S.560/7 long version, with additional cadenza « for Lina Ramann », edition Bärenreiter Recorded in 2020, Musikene, San Sebastian, Basque Country, Spain Audio: Juan Antonio Ros Noriega Video: Jon Ros Aramburu www.maciej-pikulski.org
Franz Liszt wrote his Elegy no. 2 in 1877. The work was dedicated to Lina Ramann. Structure: Elegy no. 2 (violin & piano arr.), S. 131bis Performed by Mauro Tortorelli. Enjoy 3 hours of the best Classical music. It's a perfect relaxing music background to sleep, chill out, study, work, read, concentrate. Soothing Classical Instrumental music to boost brain power, energy, productivity and creativity. I hope you will love it as much as I do!
One of Liszt's darkest pieces. The harmonies are based on augmented triads while the melody line makes extensive reference to the G lydian mode. The harmonies, which are very different from those found in his earlier works, give a very dark and almost morbid feel to the piece, reflecting the depressions which Liszt experienced at this late stage of his life. On July 2, 1881, Liszt fell down the stairs of the Hotel in Weimar. Though friends and colleagues had noted swelling in Liszt's feet and legs when he had arrived in Weimar the previous month, Liszt had up to this point been in reasonably good health, and his body had retained the slimness and suppleness of earlier years. The accident, which immobilised him for eight weeks, changed this. A number of ailments manifested—dropsy, asthma, insomnia, a cataract of the left eye and chronic heart disease. The last-mentioned eventually contributed to Liszt's death. He became increasingly plagued with feelings of desolation, despair and death—feelings which he expressed in his works from this period. As he told Lina Ramann, "I carry a deep sadness of the heart which must now and then break out in sound." This piece is an enigma to me. Very easy, yet at the same time, very difficult. Anybody can play the notes correctly, but how you play them determins the mood. Played by: Bertrand Giraud
Franz Liszt Chopin Lina Ramann Alice Sara Ott 1849 2019
Performer : Hubert BORDE Piano Steinway M 170 Recorded in Club Studio Arty, Paris 9e 14 October 2019 La troisième consolation, en Ré b, est la plus célèbre et éclipse (bien à tort !) les cinq autres. Elle est fortement marquée de l'influence de Chopin, dont la disparition à 38 ans en 1849 a grandement peiné et bouleversé Franz Liszt. Elle suit le modèle bien connu des nocturnes romantiques (Field, Chopin) : une effusion lyrique sur des cercles harmonieux que trace la main gauche en triolet à la basse. Elle demande une bonne mise en place des rythmes 3 pour 2 et 3 pour 4. Pour la quasi cadenza finale, j'ai choisi de répéter le petit motif un grand nombre de fois (au lieu de quatre, comme on le fait habituellement !) jusqu'à l'annihilation du son smorzando, comme le recommande Liszt, d'après le Liszt Pädagogium de Lina Ramann (qui renferme de très précieux conseils d'interprétation issus de l'enseignement oral du pianiste de légende), et comme le fait, par exemple, la pianiste germano-japonaise Alice Sara Ott.
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- Zeitleiste: Komponisten (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): R...