Gaetano Pugnani Videos
italienischer Violinist und Komponist
- Violine
- Oper, Sinfonie
- Italien
- Komponist, Konzertmeister, Geiger
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2024-04-30
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Yossif Ivanov Ivanov Fritz Kreisler Pugnani Itamar Golan Stradivari 1699 2013
Universal violin hit from the great Viennese violin master. Fritz Kreisler : Prelude & Allegro in the style of Pugnani Piano : Itamar Golan Violin : 1699 "Lady Tennant" Stradivari Brussels, Royal Conservatory, March 16th 2013
Bach Schumann Beethoven Dvořák Rameau Dandrieu Kalivodová Pugnani Kreisler Janků Paganini Lukáš 1900 2021
Absolventský online koncert ZUŠ Hostivař 21. 6. 2021, 19:00 PROGRAM: 1/ Luka BORSKÝ, violoncello / ze třídy Barbory Soukupové J. S. Bach - Gigue (Suita č. 1 G dur) 2/ Karolína KEJZLAROVÁ, klavír / ze třídy Niny Leovac R. Schumann - Skladbička (z cyklu Album pro mládež, op. 68 č. 5) 3/ Zuzana HAVLÍČKOVÁ, housle / ze třídy Radky Preislerové L. van Beethoven - Moderato (Sonatina G dur) J. S. Bach - Menuet G dur Egli Prifti, klavírní doprovod 4/ Tereza BUBENÍČKOVÁ, housle / ze třídy Radky Preislerové G. F. Händel - Gavotte e moll A. Dvořák: Romantický kus č.1 Egli Prifti, klavírní doprovod 5/ Barbora KOZLÍKOVÁ, zobcová flétna / ze třídy Hany Stejskalové V. Bachtíková - Tanec na hradě Lemberku - U Zdislaviny studánky - Masopustní veselí v Jablonném (z cyklu Krajem paní Zdislavy) Denisa Ulmanová, klavírní doprovod 6/ Natalija GELTNEROVÁ, housle / ze třídy Radky Preislerové J. Ph. Rameau - La Villageoise Egli Prifti, klavírní doprovod 7/ Nora HÄUSLEROVÁ, akordeon / ze třídy Romana Poláka A. F. Bečvářovský - Rondo 8/ Anežka MATĚJKOVÁ, basová zobcová flétna / ze třídy Petra Svobody J. F. Dandrieu - Rondo Hana Fišerová, klavírní doprovod 9/ Kateřina TOLMANOVÁ, altová zobcová flétna / ze třídy Petra Svobody W. A. Mozart - Árie z opery Kouzelná flétna Hana Fišerová, klavírní doprovod 10/ Nikita KALIVODOVÁ, housle / ze třídy Zuzany Kožinové Pugnani - F. Kreisler - Preludium a Allegro Zuzana Selčanová, klavírní doprovod 11/ Šárka VLČKOVÁ, housle / ze třídy Romana Janků N. Paganini - Cantabile 12/ Jonáš ELSNIC, violoncello / ze třídy Lukáše Vaňka J. B. Barrierie - Sonáta X. - 3. věta Lukáš Vaněk, violoncello 13/ Jakub ELSNIC, akordeon / ze třídy Michala Poláka W. A. Mozart - Sonáta A dur K331, Rondo (Turecky pochod) Děkujeme všem, kteří umožnili vznik tohoto videa a blahopřejeme absolventům!
Lionel Tertis Pugnani Alexander Mackenzie Oskar Nedbal Gerald Walenn Arnold Bax Frank Bridge Gustav Holst Benjamin Dale York Bowen Ralph Vaughan Williams William Walton Paul Hindemith Shore Montagnana Albert Sammons Edward Elgar Bohemian Quartet Griller Quartet Proms 1717 1876 1900 1906 1920 1928 1930 1937 1949 1950 1975
Lionel Tertis plays his own arrangement of Pugnani's 'Prelude and Allegro,' recorded on 8 December 1930 with piano by Ethel Hobday. From Wikipedia: Lionel Tertis, CBE (29 December 1876 – 22 February 1975) was an English violist. He was one of the first viola players to achieve international fame and a noted teacher. Tertis was born in West Hartlepool, the son of Polish-Jewish immigrants. He first studied violin in Leipzig, Germany and at the Royal Academy of Music (RAM) in London. There he was encouraged by the principal, Alexander Mackenzie, to take up the viola instead. Under the additional influence of Oskar Nedbal, he did so and rapidly became one of the best known violists of his time, touring Europe and the US as a soloist. As Professor of Viola at the RAM (from 1900), he encouraged his colleagues and students to compose for the instrument, thereby greatly expanding its repertoire. In 1906, Tertis was temporarily in the famous Bohemian Quartet to replace the violist/composer Oskar Nedbal and later he took the viola position in the Gerald Walenn Quartet. Composers such as Arnold Bax, Frank Bridge, Gustav Holst, Benjamin Dale, York Bowen, Ralph Vaughan Williams, and William Walton wrote pieces for him. The Walton piece was his Viola Concerto; however, Tertis did not give the world premiere as he found it difficult to comprehend at the time; that honour went to Paul Hindemith. His pupil Bernard Shore took on the second performance at the Proms in August 1930. Tertis first performed the work a month later at the International Society for Contemporary Music festival in Liège. Over the next three years he gave five more performances of the concerto. He owned a 1717 Montagnana from 1920 to 1937 which he found during one of his concert tours to Paris in 1920, and took a chance in acquiring. According to his memoirs, it was 'shown to me in an unplayable condition, without bridge, strings or fingerboard.... No case was available – it was such a large instrument 17 1/8 inches – so my wife came to the rescue by wrapping it in her waterproof coat, and that is how it was taken across the English Channel.' Tertis preferred a large viola to get an especially rich tone from his instrument. Knowing that some would find a 17-1/8-inch instrument too large he created his own Tertis model, which provides many of the tonal advantages of the larger instrument in a manageable 16-3/4-inch size. Tertis sold the 1717 Montegnana to his pupil Bernard Shore in 1937, who in turn passed it on to his pupil Roger Chase. Along with William Murdoch (piano), Albert Sammons, and Lauri Kennedy, Tertis formed the Chamber Music Players. He also encouraged and coached Sidney Griller as he worked to found the Griller Quartet in 1928, and influenced the Griller's enthusiasm for the first Viennese School. In 1937, while at the height of his powers, he announced his retirement from the concert platform to concentrate on teaching. He appeared as soloist only one more time, at a special concert in 1949 to an invited audience at the RAM to help raise money for his fund to encourage the composition of music for the viola. He was appointed a Commander of the Order of the British Empire (CBE) in the 1950 New Year's Honours. Tertis composed several original works and also arranged many pieces not originally for the viola, such as Edward Elgar's Cello Concerto. He was the author of a number of publications about string playing, the viola in particular, and his own life. They include Cinderella No More and My Viola and I. Lionel Tertis died on 22 February 1975 in Wimbledon, London. He was 98 years old. I transferred this side from Australian Columbia DOX 267.
Pierre Gaviniès Albert Beaucamp Jean Marie Leclair Corelli Pugnani Viotti Laporte Vivaldi Guignon Blavet Marie Fel Antonio Lolli Simon Leduc Gossec Concert Spirituel Comédie Italienne 1500 1728 1734 1741 1748 1752 1753 1759 1760 1763 1764 1765 1769 1772 1773 1777 1788 1794 1795 1800 1810 1834 1921 1967
Joyeux anniversaire Pierre Gaviniès! Composer: Pierre Gaviniès +••.••(...)) Work: Second concerto (en Fa majeur) a Violino principal, Op.4 (1764) Performers: Claire Bernard (violin); Orchestre de chambre de Rouen; Albert Beaucamp +••.••(...), conductor) Painting: Alexandre-Jean Noël +••.••(...)) - La pointe de l’île de la Cité, vue du port Saint-Nicolas Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Pierre Gaviniés [Gaviniès, Gaviniez, Gavigniès, et al.] (Bordeaux, 11 May 1728 - Paris, 8 September 1800) French violinist and composer. He was Leclair’s successor as leader of the French violin school. The esteem with which he was regarded is indicated by his inclusion in Fayolle’s Notices sur Corelli, Tartini, Gaviniés, Pugnani et Viotti (Paris, 1810) and by Viotti’s having labelled him (according to Pipelet) ‘the French Tartini’. He was admired as a performer, composer, teacher and philanthropist. Gaviniés was the son of François Gaviniés, a violin maker, and Marie Laporte. Accurate information about his early training is limited, though his talent was undoubtedly nurtured by the artists who frequented his father’s violin shop. By 1734, possibly to further Pierre’s musical education, his father moved the family and business to Paris. At the age of 11 he appeared in private concerts, and at 13 he made a successful Concert Spirituel début, performing a Leclair duet with L’abbé le fils, a pupil of Leclair; there is no evidence to suggest that Gaviniés was also one of his pupils. Later in 1741 he performed ‘Spring’ from Vivaldi’s ‘Four Seasons’ at the Concert Spirituel, after which his activities are not known for several years; some believe that he was employed by the Duke of Orleans during this period. From 1748 Gaviniés performed frequently at the Concert Spirituel, playing both alone and with others, including the violinist Guignon, the flautist Blavet and the singer Marie Fel. His whereabouts from 1753 to 1759 remain a mystery except for the fact that one year was spent serving a prison sentence for an illicit affair with a young countess. In prison he composed his famous ‘Romance’ – a work which appeared in numerous versions during his lifetime. In 1759 he returned to the Concert Spirituel, and on 6 November 1760 his Le prétendu, an intermède in three acts, was presented by the Comédie-Italienne. The early 1760s were perhaps the apex of Gaviniés’s career. He published three sets of sonatas for violin and basso continuo, one set for two violins and six concertos. Several symphonies were performed at the Concert Spirituel, where he conducted the orchestra from his position as leader. In the winter of 1763-64, the Mozart family attended some of his concerts. After 1765 he performed little, perhaps because of his envy of Antonio Lolli, a phenomenal virtuoso who had become popular for a novel effect involving scordatura. Between 1769 and 1772, Gaviniés organized five benefit concerts for a free school of design. With Simon Leduc and Gossec, he directed the Concert Spirituel from 1773 to 1777, during which time the orchestra was enlarged and the quality of performance improved remarkably. After this he remained in Paris but seldom played in public. A wealthy benefactress bequeathed him an annuity of 1500 livres in 1788; the annuity may not have survived the Revolution, however, for Gaviniés took a position playing in the orchestra of the Théâtre de la rue de Louvois in the 1790s. When the Paris Conservatoire was established in 1795, Gaviniés accepted the position of violin professor. He is reported to have been an enthusiastic and well-liked teacher. Although physical infirmities eventually forced him to remain in his home, his fabulous technique was not affected and he remained active until his death. In 1800 (or possibly 1794) he published his famous Vingt-quatre matinées, a series of difficult études. Gaviniés was a charming and affable humanitarian. He never married, but he had numerous female admirers and friends. Partly due to his generous nature – he favoured pupils who were less affluent, in some cases giving them free lessons or even supporting them – he died in relative poverty.
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