David Pyatt Videos
Hornist, Musikpädagoge
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2024-05-21
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Casey Sullivan Burge Scully Robertson McNaughton Richard Watkins Watkins David Pyatt Martin Owen Berry Cobb Moore Byron Fulcher Clements Hartley Lockhart Richards Tim Jones Rayner Phil Woods Mayes 2018
Provided to YouTube by Universal Music Group He Saw An Opportunity - Counterpoint In C Minor · Nicholas Britell VICE ℗ A Decca Records Recording; ℗ 2018 ANNAPURNA PICTURES, LLC, under exclusive licence to Universal Music Operations Limited Released on: 2018-12-07 Producer, Conductor: Nicholas Britell Studio Personnel, Recording Engineer, Mix Engineer: Casey Stone Studio Personnel, Mastering Engineer: Patricia Sullivan Associated Performer, Violin: Everton Nelson Associated Performer, Violin: Richard George Associated Performer, Viola: Peter Lale Associated Performer, Cello: Ian Burge Associated Performer, Bass ( Vocal): Mary Scully Associated Performer, Flute: Karen Jones Associated Performer, Flute: Nina Robertson Associated Performer, Flute/ Piccolo: Anna Noakes Associated Performer, Oboe: John Anderson Associated Performer, Oboe: Janey Miller Associated Performer, Cor Anglais: Jane Marshall Associated Performer, Clarinet: Jon Carnac Associated Performer, Clarinet: Anthony Pike Associated Performer, Bass Clarinet: Dave Fuest Associated Performer, Bassoon: Daniel Jemison Associated Performer, Bassoon: Rachel Simms Associated Performer, Contra Bassoon: Gavin McNaughton Associated Performer, French Horn: Richard Watkins Associated Performer, French Horn: David Pyatt Associated Performer, French Horn: Laurence Davies Associated Performer, French Horn: Nigel Black Associated Performer, French Horn: Martin Owen Associated Performer, French Horn: Richard Berry Associated Performer, Trumpet: Jason Evans Associated Performer, Trumpet: Phil Cobb Associated Performer, Trumpet: Andy Crowley Associated Performer, Trumpet: Gareth Small Associated Performer, Trumpet: Sebastian Philpott Associated Performer, Trumpet: Kate Moore Associated Performer, Trombone: Byron Fulcher Associated Performer, Trombone: Andy Wood Associated Performer, Trombone: Ed Tarrant Associated Performer, Bass Trombone: Barry Clements Associated Performer, Harp: Skaila Kanga Associated Performer, Piano: Dave Hartley Associated Performer, Timpani: Bill Lockhart Associated Performer, Percussion: Frank Ricotti Associated Performer, Percussion: Chris Baron Associated Performer, Clarinet: Paul Richards Associated Performer, Bass Trombone: Dan West Associated Performer, French Horn: Tim Jones Associated Performer, French Horn: Simon Rayner Associated Performer, French Horn: Phil Woods Associated Performer, French Horn: Richard Bissill Associated Performer, Trumpet: James Fountain Associated Performer, Trumpet: Dan Newell Associated Performer, Trumpet: Paul Mayes Associated Performer, Trumpet: Pat White Associated Performer, Timpani: Sam Walton Composer: Nicholas Britell Auto-generated by YouTube.
Daniel Bolshoy Blackwell Pyatt Vancouver Symphony Orchestra 2011
Daniel Bolshoy playing Campanas del Alba on a classical double-top guitar by Martin Blackwell. Recorded in Pyatt Hall, Vancouver Symphony Orchestra School of Music, 2011
Richard Strauss Hauptmann Herbert Karajan Dennis Brain Schirach Karl Böhm Karl Elmendorff Wolfgang Sawallisch Eleazar Carvalho David Pyatt Salzburg Festival Tanglewood Vienna Philharmonic Philharmonia Orchestra Boston Symphony Orchestra 1883 1900 1941 1942 1943 1944 1948 1950 1972 1973 1988 2016
00:00 1. Allegro 09:02 2. Andante con moto 14:39 3. Rondo: Allegro molto Horn: Norbert Hauptmann Berlin Philharmoniker Herbert von Karajan (1973 DG) The concerto is written in a conservative style that looks back to the musical world of his teenage years as represented by his first horn concerto, which was completed in 1883. Strauss follows the typical fast-slow-fast structure of classical concerti, with the three movements in E-flat major, A-flat major, and E-flat major. Richard Strauss composed his Horn Concerto No.2 in E-flat major (TrV 283) whilst living in Vienna in 1942. The work was premiered in 1943 at the Salzburg Festival and was recorded in 1944, both with solo horn Gottfried von Freiberg. The score was published by Boosey & Hawkes of London in 1950. It was taken up and popularised by the British horn player Dennis Brain. It has since become the most performed and recorded horn concerto of the 20th century. Composition history: The premiere of Strauss's opera Capriccio was on 28 October 1942. Strauss wrote "My life's work has been concluded with Capriccio. Whatever notes I scribble down now have no bearing on musical history." A couple of days later he drove to Vienna where he was to stay for over 6 months. The horn concerto seems to have been written very quickly: his note book indicates that the draft was finished on 11 November, and the final score two weeks later on the 28th (he added a note at the end "In the beautiful house at Vienna). The autograph score indicates that it is dedicated "To the memory of my father", although this did not make it into the published version. The speed of composition may reflect it had been on his mind for sometime, as the principal horn player at Munich, Professor Josef Suttner, had asked him years before to write a second concerto. Strauss also mentioned the second concerto in a program list written in 1941. The Strauss family was not in a good place in late 1942. His wife Pauline had developed problems with her sight, whilst Richard developed serious influenza. The safety of his Jewish daughter-in-law Alice and grandchildren remained precarious: part of the reason for staying in Vienna was the protection provided by the Nazi governor of Vienna, Baldur von Schirach, who was a great admirer of Strauss and his music. The mass deportations of Jews started in 1941. In the summer of 1942 Strauss had become involved in the unsuccessful attempts of his son Franz and Alice to help her relatives emigrate to Switzerland. Strauss himself visited the Theresienstadt concentration camp where he greeted the SS guards with the words "I am the composer Richard Strauss" and was duly sent away without being able to see Alice's relatives who were incarcerated there (26 of Alice's Jewish relatives were to die before the end of the war). Norman Del Mar wrote in 1972: "It is indeed hard to believe that this is the work of a depressed old man living in fear of disgrace from the authorities of a war-beleaguered country, so light and carefree a style did he capture" Clearly, composing provided an escape from the uncertainty and horrors unfolding around him. It also reflected his aesthetic that art and culture were the highest human achievement that transcended history. In 1900 he had set Uhland's song "Des Dichters Abendgang" (The poets evening stroll) which expressed this view that "When the dark clouds roll down..You carry within yourself the blessing of song. The light, that you saw there, Gently shines upon you on the dark paths. Performance history: The premier was given at the Salzburg Festival on 11 August 1943 with the horn player Gottfried von Freiberg as the soloist and Karl Böhm conducting the Vienna Philharmonic. The same combination recorded it soon after. Richard Strauss himself was not present at the premiere, but had been at the festival earlier and left on 9 August after conducting some all-Mozart concerts to return home to Garmisch. He had, however, worked with Böhm and Gottfried during his stay: the signed autograph manuscript used for the premiere is dated August 8. The concerto was played a second time on 26 May 1944, with the horn played by Max Zimolong and Karl Elmendorff conducting the Staatskapelle Dresden. British horn player Dennis Brain performed it with the Vienna Philharmonic in 1948, later recording it with the Philharmonia Orchestra conducted by Wolfgang Sawallisch. The US premiere was given on 8 October 1948 with soloist Anthony Miranda and the Little Orchestra of New York conducted by Thomas Sherman, and a year later at the Tanglewood with James Stagliano on horn and the Boston Symphony Orchestra conducted by Eleazar de Carvalho. The concerto went on to become the most performed of 20th-century horn concertos (it was performed twice in the finals of the BBC Young Musician competition, in 1988 by the winner David Pyatt and in 2016 by runner-up Ben Goldscheider). (http•••)
Source: (http•••) After years of procrastination, learning to meditate was like flicking a switch for David Pyatt and his family. From Day 1, David felt the benefits of being able to calm and declutter his mind and let go of reactivity through being grounded, aware and present. In this episode, David reflects on how meditation went from being an item on his to-do list to being a practical tool he relies upon and uses daily, improving his mental and physical health, his ability to stay calm, clear and focused especially when life gets challenging and to see the bigger-picture and prioritise what’s important. You don’t want to miss: How learning to meditate helped David’s whole family during a difficult time when his wife was ill with cancer. The benefits of David’s practice including greater resilience to challenge and change, improved relationships, less stress and reactivity, greater awareness and peace of mind. Circumstances don’t matter, only state of being/mind matters. David’s go-to solution on tough days or to calm down in the heat of the moment. David’s suggestion for people who think they can’t meditate or fear getting it wrong. Links and resources: David’s businesses: Davidpyatt.com (Business and Marketing Strategy) and Vexiot.com.au (Voice Experience and Internet of Things). Enjoy this 20min relaxation meditation Try a visualisation for relaxation, or find another relaxation technique that works for you (via a meditation teacher, the internet, an app, or a book) Try these 2min exercises to calm down when overwhelmed in the heat of the moment (mini-meditations) Visit my website: Right Brain Liaisons Follow me on Facebook and Instagram Join my online meditation group Learn to meditate with my 5-week beginner’s course! SUBSCRIBE to the podcast so you don’t miss out on tips, guided practices and inspiration to help you bring more mindfulness into everyday life. And, if you enjoyed this episode, please leave a rating and a review? Thanks! Music by Gary Martin.
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