Sérgio Assad Videos
brasilianischer Komponist, Musiker, Gitarrist und klassischer Gitarrist
- Gitarre
- klassische Musik
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- Komponist, Musiker, Gitarrist, klassischer Gitarrist
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2024-05-18
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Assad Stradivari David Russell Johann Sebastian Bach Astor Piazzolla Agustin Barrios Mangoré Ponce Heitor Villa Lobos 2018
Farewell from the Summer Garden Suite by Sergio Assad | Dimitris Soukaras for Siccas Media With Siccas Media, our channel is your channel. We offer the possibility to publish your professional videos on our channel, for free. Submit your videos now on (http•••) Dimitris Soukaras is a Classical Guitarist based in the UK. He is considered as one of the most awarded and promising Greek guitarists of his generation. He is a Eurostring +••.••(...)) and D'addario Artist, a Yeoman of the Worshipful Company of Musicians, winner of the IGF's Young Artists Platform and a beneficiary of the Stradivari Trust. He has received 21 prizes in international and national competitions, most recently he won the "David Russell" Guitar Prize adjudicated by the maestro himself, Mottola International Guitar Competition, "Ivor Mairants Guitar Award", Academy of Athens Music Award. ► Website: (http•••) ► Instagram: (http•••) ► Facebook: (http•••) ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Follows us on: ► Instagram: (http•••) ► Facebook: (http•••) ► Twitter: (http•••) WEBSITES: ► (http•••) ► (http•••) ► (http•••) NEWSLETTER: ► (http•••) CONTACT US: ► •••@••• ► 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ ►►ANA VIDOVIC (http•••) ►►J S BACH (http•••) ►► ALBUMS & CONCERTS (http•••) ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ #SiccasGuitars #SergioAssad #Farewell ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Traian Grozăvescu Steiner Caruso Maschera Assad Saba Bern Bizet Romanian National Opera Vienna Volksoper Odeon Staatsoper 1876 1895 1896 1920 1923 1924 1926 1927 1954 1958
Traian Grozăvescu +••.••(...)) was a gifted Austro-Hungarian (later Romanian) tenor whose promising career was cut short by his tragic and untimely death. Born in Lugoj to a choral singer and his wife, Grozăvescu enrolled in law school in Budapest, but soon switched his focus to music. His studies were interrupted by the outbreak of WWI and the aspiring singer found himself at the European front serving as an artillery officer. Grozăvescu was captured as an enemy spy and spent a year in a POW camp. After his release, he made his way to Cluj, where he resumed his studies and began singing in the chorus of the newly formed Romanian National Opera. The tenor’s solo debut with the company occurred on Christmas Day, 1920 as Pinkerton in Madama Butterfly. Grozăvescu spent the next three seasons in Cluj, singing a variety of roles including Cavaradossi in Tosca, Don José in Carmen, the title role in Faust, Canio in Pagliacci and Turiddu in Cavalleria Rusticana. It was the last pair of roles that led to Grozăvescu leaving the National Opera in 1923. When management expected him to sing both roles in the same evening (for the same pay as a single role!), the tenor refused to appear, creating quite a scandal. Although Grozăvescu remained popular with the public in Cluj, he never sang with Romanian National Opera again. After the scandal in Cluj, Grozăvescu travelled to Vienna to pursue further vocal studies with baritone Franz Steiner +••.••(...)). He accepted an offer from the Vienna Volksoper and made his debut there as Canio in Pagliacci on July 10, 1923. In March of the following year, he was engaged by the Vienna Staatsoper, making his debut there as Rodolfo in La Bohème. By now, Grozăvescu was married to Nelly Kövesdy +••.••(...)), daughter of business magnate Teodor Kövesdy. Unfortunately, the tenor’s wife was a manipulative woman who insisted on controlling every aspect of his life. Nelly Grozăvescu was also a jealous woman who frequently accused her husband of extramarital affairs. Grozăvescu eventually realized that the marriage was a mistake but, in order to maintain peace, passively allowed his wife to handle his professional and personal business. When things became intolerable at home, the tenor sought refuge in his work…and in Viennese nightlife. After most performances, Grozăvescu would relieve his stress by eating, drinking and carousing at his favorite cafes. Although this excessive behavior caused the formerly trim and handsome young artist to grow rather portly, he still enjoyed the company of his adoring female fans, giving his wife Nelly even more reason to suspect him of infidelity. In spite of his domestic woes, Grozăvescu built an impressive career and was even hailed as the successor to Caruso. He continued to add roles to his repertoire including Vasco in L’Africaine, Radames in Aïda, Riccardo in Un Ballo in Maschera, Edgardo in Lucia di Lammermoor, Assad in Die Königin von Saba and the title roles in Andrea Chénier, L’Amico Fritz and Ernani. Frequent guest appearances in Bucharest, Salzburg, Bern, Prague, Budapest, Oslo and Berlin helped to establish him as a major star. By late 1926, the tenor had caught the attention of the Met in New York, who offered him a contract for the following season. Tragically, it was not to be. Grozăvescu grew tired of his wife’s suffocating presence and informed her that he wished to travel to New York without her. The two quarreled bitterly, with Nelly again accusing him of infidelity. The tenor sang what would prove to be his final performance, the Duke in Rigoletto, at the Staatsoper on February 14, 1927. The next day, as he was preparing to leave for New York, Nelly pulled a revolver and fired a single bullet into his head, killing him instantly. Traian Grozăvescu was only 31. Despite ample evidence of a premeditated act, Nelly Grozăvescu literally got away with murder. In the sensational trial that followed, the tenor’s widow used the “crime of passion” defense and, with the help of her influential father, was found not guilty. In a career that lasted barely six years, Traian Grozăvescu managed to establish himself as a major European star. Sadly, it was an ill-advised union with a controlling woman (not to mention his antagonizing said woman with his infidelity) that proved to be his downfall. What a tragic and senseless waste of an extraordinary talent. Grozăvescu’s catalogue of recordings, all made in Berlin for the Odeon label in 1924, capture a youthful artist on the brink of an international career that never came to fruition…a sad reminder of what could have been. These recordings showcase a rich lirico-spinto instrument with a fine sense of artistry. In this recording, Grozăvescu sings a German language version ("Hier an dem Herzen treu geborgen") of The Flower Song from Bizet's Carmen.
Orquesta Filarmónica Unam Simone Menezes Assad Darius Milhaud Johann Sebastian Bach Anton Webern Heitor Villa Lobos 2022
Conductora: Julia Santibáñez Directora huésped: Simone Menezes -Clarice Assad Bonecos de Olinda (Marionetas de Olinda) -Darius Milhaud Le boeuf sur le toit (El buey sobre el tejado) -Johann Sebastian Bach Ricercar de la Ofrenda musical (Versión orquestal de Anton Webern) -Heitor Villa-Lobos Bachianas brasileiras núm. 4 , A 424 I. Prélude (Introdução) II. Choral (Canto do Sertão) III. Aria (Cantiga) IV. Danse (Miudinho) En este, nuestro octavo concierto de la Orquesta Filarmónica de la UNAM escuchamos, bajo la batuta de la directora huésped Simone Menezes, Bonecos de Olinda (Marionetas de Olinda) de la compositora brasileña Clarice Assad, continuando con Le boeuf sur le toit (El buey sobre el tejado) del compositor francés Darius Milhaud; Dando paso a la orquestación de Webern del Ricercar de la Ofrenda musical del director alemán Johann Sebastian Bach, considerado uno de los mejores compositores de todos los tiempos. Concluyendo dicho concierto con Bachianas brasileiras núm. 4, A 424 y su 4 movimientos del compositor brasileño Heitor Villa-Lobos, figura esencial de la música brasileña, todo este bello repertorio dedicado al festejo del 85 aniversario de Radio UNAM.
Sérgio Assad Karol Beffa Roland Dyens Brouwer Adrien Politi Rivas Lemaigre 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018
Depuis 2000, en parallèle du festival Les Rencontres internationales de la guitare, un concours international de guitare est organisé. Il réunit sur trois jours des candidats du monde entier. La finale du Concours aura lieu le samedi 24 mars à 20 h 30. Vous pourrez suivre le concert en direct sur internet ! Le concours se déroule en trois étapes : les éliminatoires, les demi-finales et la finale. Le prix du jury est décerné à l’issue de l’audition des finalistes. Le public décerne également un prix. Les candidats interprèteront Recitatif, bel canto et procession d'Arnaud Dumond, ainsi qu’un programme de leur choix. partenaires du Concours Le luthier japonais « Kohno / Sakurai guitar » offre une guitare d’une valeur de 10 000 € au 1er prix du concours. La Guitarreria offre un prix de 300 € à la meilleure interprétation de l’œuvre imposée. À propos du concours de guitare L’importance est donnée à la création puisque chaque année une œuvre est composée spécialement pour le concours par un compositeur contemporain : Sérgio Assad (2017), Atanas Ourkouzounov (2016), Anthony Girard (2015) Karol Beffa (2014), Eric Pénicaud (2013), Roland Dyens (2012), Carlos Moscardini (2011), Eric Tanguy (2010), Léo Brouwer (2009), Sébastien Vachez (2008), Jean-Baptiste Devillers (2007), Adrien Politi (2006), Jean-Michel Ferran (2005), Diogènes Rivas (2004), Eduardo Martin (2003), Juan Falu (2002), Philippe Lemaigre (2001), et Alain Mitéran (2000). Pour en savoir plus : (http•••)
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- Zeitleiste: Komponisten (Südamerika). Interpreten (Südamerika).
- Indizes (in alphabetischer Reihenfolge): A...