Georges Villain Videos
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George Frideric Handel Cencic Nicola Francesco Haym Francesco Bussani Bussani Francesca Cuzzoni Margherita Durastanti Francesco Bernardi Gaetano Berenstadt Anastasia Robinson Giuseppe Maria Boschi Boschi Ottavio Dantone Bernardi Brunswick Villain Orchestre Chambre Lausanne 1724 1725 1730 1732 1922 2008
High resolution and stereo sound: (http•••) George Frideric Handel Recitative: Figlio non è, chi vendicar non cura Aria: L'angue offeso mai riposa from Act II, Scene 6 of the Italian opera, Giulio Cesare in Egitto Libretto: by Nicola Francesco Haym, after Giacamo Francesco Bussani. Premiere Cast, February 20, 1724 Cleopatra: Francesca Cuzzoni, soprano Sesto: Margherita Durastanti, mezzo-soprano Giulio Cesare: Senesino, alto castrato Tolomeo: Gaetano Berenstadt, alto castrato Nireno: Giuseppe Bigonzi, alto castrato Cornelia: Anastasia Robinson, contralto Achilla: Giuseppe Maria Boschi, bass Curio: John Lagarde, bass In this video: Max Emanuel Cencic, countertenor Orchestre de Chambre de Lausanne, Ottavio Dantone. Salle Métropole, Lausanne, 12 May 2008. About the opera and the role: "Opera Giulio Cesare in Egitto was first performed at the King's Theatre, Haymarket, London, on 20th of February 1724 with legendary alto castrato Senesino (Francesco Bernardi) performing the title role, Francesca Cuzzoni as Cleopatra. The opera was an immediate success. Handel revived it (with changes) in 1725, 1730, and 1732; it was also performed in Paris, Hamburg, and Brunswick. Like Handel's other works in the opera seria genre, Giulio Cesare fell into oblivion in the 19th century. In the 20th century, it was revived (in heavily altered form - reorchestrated and revamped with the male castrato roles transposed down for a baritone, tenor or bass) in Göttingen in 1922 by the Handel enthusiast Oskar Hagen. ... The work is considered by many to be Handel's finest Italian opera, possibly even the best in the history of opera seria. It is admired for its superb vocal writing, its dramatic impact, and its deft orchestral arrangements. ... Sesto (or Sextus) is the son of Cornelia and Pompey who has been killed by the Egyptians to show their loyalty to Caesar. The part of Sesto was first cast as a woman and then recast in Handel's lifetime as a tenor part. It is mostly cast as a trousers role in contemporary productions." Wikipedia, the free encyclopedia Original Text Recitative: Figlio non è, chi vendicar non cura del genitor lo scempio. Su dunque alla vendetta ti prepara, alma forte, e prima di morir altrui dà la morte! Aria: L'angue offeso mai riposa, se il veleno pria non spande dentro il sangue all'offensor. Così l'alma mia non osa di mostrarsi altera e grande, se non svelle l'empio cor. Translation Recitative; There is not a son who is not concerned With avenging his father's murder. Up then, prepare yourself for revenge, Brave soul, and, before dying, Cause another's death! Aria: The offended serpent will not rest Until it has spent its venom In the blood of its offender. Thus my soul does not dare To lay claim to greatness and pride Until the villain's heart has been torn from his breast.
Montana Drake Wallis Moe Dorn Villain
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Henry Purcell Galliard Villain Shore Freed Locke 2019
[Rough Draft/Edit] *for purposes of sharing this great music, we have made this video public. Live performance. Presented by the Henry Purcell Society of Boston March 22, 2019 Cathedral Church of Saint Paul, Boston Jessica Cooper, Artistic Director Ian Watson: Music Director Laurence Senelick: Original Narration and Stage Direction The First Musick Introduction Galliard Gavot The Second Musick Sarabrand Lilk Curtain Tune SYNOPSIS Prologue: Narrators 1 and 2 refresh our memories of the plot in jaunty tetrameter. Act 1: The sailors try to save their tempest-tossed ship. While the ship sinks, Alonzo admits he is a villain to his son Ferdinand. On the shore, Prospero tells his daughter Miranda that he caused the storm and explains the crew’s progress to and landing on the Island. He assures her that the passengers are all safe. Prospero calls upon the sprite Ariel to do his bidding for two more days before he discharges him from servitude. Caliban arrives on the scene as does Prospero’s other daughter, Dorinda, who along with Miranda has never seen a man other than their father. First Act Tune Rustick Air Act 2: Members of the shipwrecked crew imbibe a rescued brew, and sing sea shanties and scurvy tunes when they meet Caliban. Caliban drinks and is amazed at the ‘celestial liquor.’ Drunk, he sings of newfound rebellious feelings. "Low Songs" I Shall No More to Sea, to Sea! - three sailors The Master, The Swabber, The Boatswain and I - three sailors No More Dams I’ll Make for Fish - Caliban Elsewhere on the island, the courtly remnants of the crew mourn the loss of Ferdinand, whom Alonzo believes to be dead. In the midst of Alonzo’s grief and penitence for his past crimes against Prospero, enchanted music begins to play and demons participate in a horrid masque. Flourish of Musick The Masque of Devils Where Does the Black Fiend Ambition Reside? - Devils 1, 2, and chorus Arise, Ye Subterranean Winds, 2nd Devil Second Act Tune Act 3: Ferdinand wanders, lost on the island, and hears a voice from an unseen sprite (Ariel). The voice bids him to the place he will meet Miranda, which is part of Prospero’s plan. Meanwhile, Miranda and her sister Dorinda discuss the men they have seen, not only Ferdinand but also Hippolito, who is the son of Duke Antonio. Prospero summons Ariel to inquire about the well-being of the shipwrecked nobles. Come Unto These Yellow Sands – Ariel and chorus Full Fathom Five – Ariel and chorus Prospero sends Ariel off to comfort the nobles with music. Ariel sings “Dry those Eyes.” The shipwrecked crew are famished and dream of food. Spirits torment them by making food appear and then disappear. Dry Those Eyes - Ariel Dance of Fantastick Spirits The scene changes back to Ferdinand, who is still lost and following Ariel’s voice. Echo Duet: Go Thy Way - Ariel, Ferdinand Third Act Tune: Corant INTERMISSION Act 4: The mariners, their gullets parched, have breathed defiance as they marched. Thinking they are the masters of the isle, they get even more plastered. Catch: Flout ‘em and Scout ‘em: Thought is Free Trincalo, Stephano and Caliban adapted from an anonymous tune “Corranto” Caliban makes a drunken plea to the spirits to send more food. To everyone’s surprise, a table rises full of rich foods. Dance of the Devils Now, Miranda and Dorinda have met Hippolito and Ferdinand, who fight a duel for Miranda’s love. Miranda loves Ferdinand. When Hippolito is wounded in the battle, Dorinda finds him and falls in love. Ferdinand and Alonzo are reunited, but Prospero continues to punish the crew for past crimes. Dear, Pretty Youth - Dorinda Fourth Act Tune: A Martial Jigge Act 5: All past crimes are forgiven, and here is a neat unravelling of the various plots and happy ending. To calm the spirits of all the shipwrecked souls and to abate all fears and unrest resulting from the trouble that has taken place, Prospero conjures a pleasant entertainment: a “Masque of Neptune and Amphitrite,” with calm and soothing music filled with promises of a safe voyage home for all. . “Musick on the Rocks” The Masque of Neptune and Amphitrite My Lord, Great Neptune - Amphitrite Dance of Tritons and Nereids Great Nephew Aeolus - Neptune Dance of the Four Tritons Aire from Double Dealer Magicians Dance from Circe Where the Bee Sucks - Ariel and the Freed Spirits Canon 4 in 2 Locke
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