Wanda Landowska Videos
polnische Cembalistin und Pianistin
- Cembalo, Klavier
- klassische Musik
- Kongresspolen, Zweite Polnische Republik, Frankreich
- Cembalist, Musikpädagoge, Pianist, Musikwissenschaftler, Komponist
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2024-05-02
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Wanda Landowska Johann Sebastian Bach 2016
Provided to YouTube by The Orchard Enterprises Prelude and Fugue No. 12 in F Minor, BWV 857 · Wanda Landowska · Johann Sebastian Bach Plays Johann Sebastian Bach: The Well Tempered Clavier, Book 1 ℗ 2016 RHI bajo licencia THAI Records Released on: 2016-10-17 Auto-generated by YouTube.
Aleksander Michałowski Moscheles Reinecke Chopin Bach Wanda Landowska Heinrich Neuhaus Leopold Godowsky Ignaz Friedman Moritz Rosenthal 1851 1922 1938
Phillip Sear plays a Viennese-tinged waltz by the Polish pianist and composer Aleksander Michałowski +••.••(...)). / Aleksander Michałowski +••.••(...)) was a long-lived Polish pupil of Moscheles (maybe making him one of the last surviving pupils of a teacher born in the 18th century) and Reinecke. He himself build a reputation as a player (and recording artist) and teacher - particularly of Chopin and Bach, and his pupils included Wanda Landowska and Heinrich Neuhaus. He wrote just a few piano works. This waltz, from a set of four published in 1922 but presumably written earlier, has the Viennese feel found in similar pieces and transcriptions by the fellow Polish (or Polish-Ukrainian) composers Leopold Godowsky, Ignaz Friedman and Moritz Rosenthal - who between them, seemed to have cornered the market in highly-finished nostalgic piano pieces of this type. The thumbnail shows the 84-year-old composer sitting next to a portrait bust of himself. / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Aleksander Michałowski Moscheles Reinecke Tausig Karol Mikuli Chopin Franz Liszt Wanda Landowska Vladimir Sofronitsky Mischa Levitzki 1891
Mazurka No. 2 is a short work by the Polish composer Aleksander Michałowski. In spite its brevity, it is a standalone piece of music. Michałowski, born in Ukrainian under the Jelita coat of arms, studied under Moscheles, Reinecke, Coccius, and later under Tausig. Along the way, he befriended Karol Mikuli, a student of Chopin. Mikuli helped Michałowski in perfecting the playing of Chopin’s works. Michałowski eventually became a pedagogue who, with the aforementioned influence from Mikuli, himself greatly expanded and innovated on the style of interpretation of Chopin’s music, impressing even Franz Liszt in Weimar. By 1891, Michałowski received a teaching post in Warsaw, where among his most famous students were Wanda Landowska, Vladimir Sofronitsky, and Mischa Levitzki. Catalogue: Op. 6 Dedicatee: Ignace Przyałgowski Performer: Robert Marat on piano Note: This channel does not own the score or audio, and they are used for non-commercial purposes.
Haydn Wanda Landowska Bigot 1937
Rondo all'Ungherese: Allegro assai Wanda Landowska, harpsichord Orchestra conducted by Eugéne Bigot Recorded in April,,1937
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