William Parke Videos
englischer Komponist
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2024-05-03
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James Hook Bacon Abbott Cutler Parke Johns Drury Michael Kelly Covent Garden 1712 1742 1746 1756 1758 1760 1763 1764 1766 1767 1768 1771 1772 1773 1774 1776 1784 1786 1787 1788 1795 1797 1803 1805 1806 1809 1820 1826 1827 1828 1841 1874
Happy Birthday James Hook! Composer: James Hook +••.••(...)) Work: Concerto (in D) for the Organ, No.5 Op.1 (1771) Performers: Stеphеn Fаrr (organ); London Bаch Consort Concerto (in D) for the Organ (1771) 1. Allegro con spirito 0:00 2. Andante 7:16 3. Rondo, allegro 10:24 Painting: Arthur Devis +••.••(...)) - The John Bacon Family (c.1742) Image in high resolution: (http•••) Painting: Lemuel Francis Abbott +••.••(...)) - James Hook Image in high resolution: (http•••) Further info: (http•••) Listen free: (http•••) / James Hook (Norwich, 3 June 1746 - Boulogne, 1827) English composer. He was born in the parish of St John, Maddermarket, the son of James Hook, razor-grinder and cutler. He was born with a club foot; early surgical operations improved the condition and, according to Parke, ‘he could walk in a limping manner tolerably well’. Hook showed remarkable musical talent at an early age, being able to play the harpsichord at the age of four and performing concertos in public at six. For a time he was taught by Thomas Garland, the Cathedral organist, and before he was eight he had composed songs and his first opera. This was considered by connoisseurs as an ‘extraordinary instance of infantine genius’, but the music is lost. Hook’s father died in 1758 and his mother carried on the cutlery business. From 13 November 1756 fairly regular advertisments appeared in the Norwich Mercury for concerts at which Hook performed concertos, many of which were benefit concerts. Hook employed his talents in various ways at this time, including teaching, composing, transcribing music and tuning keyboard instruments. At some time between June 1763 and February 1764 Hook moved to London. His first position was that of organist at White Conduit House, Pentonville, one of the many tea gardens that abounded in 18th-century London. He began to make a name for himself as an organist, teacher and composer of light, attractive music, particularly songs. On 29 May 1766 Hook married Elizabeth Jane Madden at St Pancras Old Church. His wife was both talented and artistic. She was a painter, provided the libretto for Hook’s opera The Double Disguise (1784) and the verses for some Vauxhall songs, and produced the designs and floral decorations for the pillars in the orchestra at Vauxhall’s Jubilee celebrations in 1786. Hook’s songs began to be regularly performed at the main London pleasure gardens and the first of his many song collections for the gardens at Marylebone and Vauxhall was published in 1767. In May 1767 he had applied unsuccessfully for the post of organist for the united parishes of St Matthew Friday Street and St Peter Westcheap, but before 6 September 1772 he had been appointed organist of St Johns Horselydown, Bermondsey. In 1768 he was appointed organist and composer to Marylebone Gardens. He was also in demand to open new organs, both in London and in nearby counties. Contemporary Norwich newspapers show him to have been still performing in concerts around Norwich, frequently playing many of his own compositions. He continued his keyboard teaching and it is said that his income from this source alone amounted to over £600 per annum. Hook remained at Marylebone Gardens until the end of the 1773 season and in 1774 was engaged in a similar capacity at Vauxhall Gardens, a position he retained until 1820... Throughout this time he composed operas, the majority of which were produced at Drury Lane and Covent Garden Theatres. His son James Hook +••.••(...)) provided the librettos for Jack of Newbury (1795) and Diamond Cut Diamond (1797). On 20 March 1776 Hook’s only oratorio, The Ascension, was performed at Covent Garden. His second son, Theodore Edward Hook +••.••(...)), wrote the words for many of Hook’s songs and between 1805 and 1809 provided the librettos for eight of Hook’s operas. He later became the ghost writer for Michael Kelly’s Reminiscences (1826). On 18 October 1805 Hook’s wife died, and a year later, on 4 November 1806, he married his second wife, Harriet Horncastle James. It is not known why Hook left his position at Vauxhall after almost a half century of service there; his departure was sudden and surprising: ‘so little was his abrupt retirement expected or understood, that the proprietor of the [gardens] kept his station in the band open for him, during one entire season’. He died in Boulogne in 1827 and his music library was sold at Puttick & Simpson’s on 30 January 1874.
Werka Parke Jóźwiak Sowiński Polak
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Walter Damrosch Pelletier Nolan Arthur Carron Rutledge Helen Traubel Harman George Rasely Burr Joseph Royer Royer Gurney Parke Reeve George Cehanovsky Dickson Hull Metropolitan Opera 1862 1937 1950
Walter Damrosch +••.••(...)): Opera: The Man Without a Country (complete) Metropolitan Opera Orchestra conducted by Wilfred Pelletier. (note error in title: Pelletier, not Damrosch, conducting.) Premiere Cast, May 24,1937 Lieutenant Philip Nolan - Arthur Carron (tenor) Mary Rutledge - Helen Traubel (soprano) Harman Blennerhassett - George Rasely (tenor) Aaron Burr - Joseph Royer (baritone) Colonel Morgan - John Gurney (bass) Parke - Nicholas Massue (tenor) Fairfax - Lodovico Oliviero (tenor) Lieutenant Pinckney - Wilfred Engelman (baritone) Lieutenant Reeve - George Cehanovsky (baritone) Negro Boatman - Donald Dickson (baritone) 0:08 Act I.Scene I 3:50 Boatmen's Song 7:12 Country Dances 8:10 Duet, Blennerhassett and Mary 13:31 The Whippoorwill Serenade, Philip 16:45 Duet, Mary and Philip 24:56 -Aaron Burr enters 31:33 Intermezzo 36:02 Act I. Scene II (the trial) 47:18 Col. Morgan passes sentence 50:43 Ensemble 53:31 Mary's Air 56:06 Act II Prelude 1:02:07 Act II. Scene I 1:15:59 Philip's Air "Breathes there the man" 1:21:35 Interlude 1:23:16 Act II. Scene II. Hornpipe - Hull's Victory 1:25:08 Duet-Philip and Mary 1:33:08 Sailor's Chantey "The Frigate Constitution" 1:38:14 Mary's Plea 1:40:43 Finale 1:42:33 Interlude 1:44:38 Act II. Scene III 1:45:35 Battle and Death of Philip 1:52:45 -Curtain falls, curtain calls, and Milton Cross commentary Sorry that the sound quality is so thin, but 1937 technology and the infancy of the art of microphone placement may have much to do with this. The historical value of this recording is sufficient for its inclusion here on You Tube. Milton Cross - announcer, although difficult to hear
Karta Polak Boxer Rataj Shore Parke 2020
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