Red Note Ensemble Vídeos
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2024-04-28
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Stefano Paparozzi As Above, so Below, for Flute, Trumpet in B♭ and Contrabass played by Red Note Ensemble (Ruth Morley, Flute; Mark O'Keeffe, Trumpet; Iain Crawford, Contrabass; John Harris, Conductor) I wrote this piece for the Call for scores by the Red Note Ensemble. "As Above, so Below" has been selected and performed in Glasgow in November 20th. Program notes about the piece: «In “As Above, So Below”, Flute and Contrabass act like a single instrument, moving in a rigid septuplet pattern; this defines the space in which the Trumpet tries to move, in its own 4/4, attempting an interaction with that world, stealing suggestions from those limits and influencing them, with mutual refractions.» Let me know what you think about this piece in comments! Here you can find all the info about Red Note Ensemble: Website → (http•••) Facebook → facebook.com/rednoteensemble YouTube → youtube.com/rednoteensemble Instagram → instagram.com/red_note_ensemble Twitter → twitter.com/rednoteensemble My Website: (http•••) FOLLOW me on Facebook → fb.me/StePaparozzi
I Solisti Vento Red Note Ensemble Desingel Etienne Siebens Verhulst Francis Pollet Pollet 2016
SNAPSHOT@deSingel 3.11.2016 Jan Decleir, I Solisti del Vento, Red Note Ensemble & Song Circus Freedom o(r) Speech muzikale uitvoering Jan Decleir I Solisti del Vento Red Note Ensemble Song Circus muzikale leiding Etienne Siebens tekst Dimitri Verhulst concept Francis Pollet
Red Note Ensemble Philip Glass McKay James Dillon Butler Benedict Mason Hawkins Mark Simpson McGuire McLeod David Wilde Cresswell Picard Huddersfield Contemporary Music Festival 2017 2018
Red Note and David McKay perform "1000 Airplanes On The Roof" in the Concorde hangar at the Museum of Flight, East Fortune, Scotland. About Red Note Ensemble As Scotland’s international contemporary music ensemble Red Note criss-crosses its home country each year, performing to audiences from the Outer Hebrides to the Borders in traditional settings including concert halls, and in bothies, pubs, clubs and aircraft hangars. Internationally, Red Note has performed to great acclaim at festivals and venues across Europe, Australia and the UK. The ensemble records for the Scottish Delphian CD label, and broadcasts regularly on Radio 3. The ensemble also undertakes an extensive programme of Access, Engagement and Participation (AEP) work, focusing particularly upon working with younger and older people, people with multiple disabilities, and people living in areas of high multiple deprivation, as well as working to address inequalities of access and representation due to race/ethnicity and gender imbalances. Alongside this, Red Note undertakes an extensive performer and composer development programme within schools, universities and conservatoires both nationally and internationally, through its annual Red Note Advanced Academy each September. Red Note’s work in 2017 included tours of Scotland, collaborations with the National Theatre of Scotland, performances in Hull and London at the PRSF New Music Biennial, and opening the 40th Huddersfield Contemporary Music Festival with a new commission by James Dillon. Other commissions for 2017 included works by Gareth Williams, Tom Butler, Maja Ratkje and Kathy Hinde and Benedict Mason. In 2018, Red Note will premiere a new production of Vesalii Icones with dancer and choreographer Matthew Hawkins, at St Magnus International Festival, tour Maja Ratkje and Kathy Hinde’s Aeolian in Europe, team up with Lammermuir Festival’s Artist in residence Mark Simpson and perform the Scottish premiere of PRS Award Winning Tanz/haus : triptych 2017 by James Dillon at sound festival. Red Note is Associate Contemporary Ensemble at the Royal Conservatoire of Scotland in Glasgow, an Associate Company of the Traverse Theatre Edinburgh and Associate Ensemble of the sound festival Aberdeen. Red Note is a Delphian Records recording artist, recently releasing CDs of music by Eddie McGuire, John McLeod, David Wilde and Lyell Cresswell all to great acclaim. “Red Note Ensemble’s blistering account of three radical masterpieces….a magnificent achievement in dazzling venue” David Kettle, The Scotsman “Red Note Ensemble is a Scottish success story.” Anna Picard, The Times “Red Note Ensemble, superb Scottish specialists in the contemporary, deliver ever piece with precision and relish.” BBC Music Magazine “(Red Note’s pianist) Simon Smith knocked off outrageously elaborate figuration as though a tune on a pub piano.” Paul Driver, Sunday Times Follow us: www.rednoteensemble.com (http•••) (http•••) (http•••) Get in touch: CEO & Artistic Co-Director, John Harris: •••@••• Artistic Co-Director, Robert Irvine: •••@•••
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