Herbert Beattie Vídeos
cantante de ópera estadounidense
- bajo
- Estados Unidos
- músico, cantante de ópera, profesor universitario, profesor de música
Última actualización
2024-04-30
Actualizar
Buxtehude Bach James Gilchrist Jane Glover Brauer Dwyer Beattie
Rehearsal for Music of the Baroque's April 10 and 11 concerts, featuring Bach's Easter Oratorio and more. In this clip, tenor James Gilchrist sings Buxtehude's "Quemadmodum desiderat cervus" (Dame Jane Glover, harpsichord; Kathleen Brauer and Kevin Case, violins; Paul Dwyer, cello; Collins Trier, double bass; Michael Beattie, organ; Brandon Acker, theorbo). Dame Jane Glover directs the Music of the Baroque Chorus in the conclusion of Bach's "Komm, Jesu, komm." Tickets available at baroque.org/easter.
Estates Theatre Beattie Wolfgang Amadeus Mozart Proto Antonio Salieri 1755 1790 1834 1848 1918 1972 1997 2012
In this episode we look at the associations of the great composer Mozart with the beautiful Estates Theatre ( Stavovské divadlo ) and the only building still in existence where Mozart premiered and performed at one of his own operas. Mozart loved coming to Prague because he felt he was much more appreciated in Prague than he was in Vienna. Although his opera The Marriage of Figaro bombed in Vienna (it only got 9 performances) – it was a huge success in Prague and his supporters and Patrons commissioned him to write an opera to be premiered in Prague – Don Giovanni at the Estates Theatre. The theatre is also the place where the Czech national anthem ‘Kde domov můj?’ (Where is my home?) was heard for the first time in 1834. During the nationalist revival in the 19th Century, when the Czechs began to rediscover their language, history and national identity, the song began to take on greater significance until eventually it was adopted as the anthem for the new Czechoslovak nation in 1918 along with the Slovak anthem Nad Tatrou sa blýska ( Lightning above the Tatras). The theatre's association with revolution , is that the lyricist ( and playwright) of the song Kde Domov Můj? (Where is my home ? ) Josef Kajetán Tyl which, in time,became the Czech national anthem, also played a major role in the revolutions of 1848 – that swept across Europe - including Prague. Sources and credits: All effort has been made to identify the owners of copyright for any picture used in the making of this video and given full accreditation. Beattie, A.,2012 Prague 1st ed. Oxford: Innercities. ISBN 978-1-908493-63-7 Demetz, P., 1997. Prague In Black And Gold. 1st ed. London: Penguin. ISBN978-0-14-026888-1 Mersmann , H. 1972. The Letters of Wolfgang Amadeus Mozart. New York. Dover Edition. ISBN0-486-22859-2 (http•••) Making of Amadeus – the Movie (http•••) Na barikádách velel i Josef Kajetán Tyl. V červnu 1848 se v Praze bojovalo Jaroslav Krupka (http•••) Fidlovačka nebo žádný hněv a žádná rvačka = play script available online from Městská knihovna v Praze( Prague Municipal Library)’ Generál Windischgrätz ostřeloval Prahu hlavně proto, aby podkopal odhodlání povstalců. O revolučním roce s historickým publicistou Zdeňkem Čechem (http•••) Paintings: Mozart as an adult - Johann Georg Edlinger ~ 1790 Beaumarchais - Jean Marc Nattier –1755 Antonio Salieri painted by Joseph Willibrord Mähler Music: Mozart: Minuet and Trio in G KV1 – played by Louise Golding Overture to the Marriage of Figaro Lacrimosa (Requiem) Overture to Don Giovanni Symphony 38 in D ‘ Prague’. (http•••) Kde domov muj...Ema Destonniová Editor: Josh Stewart Masked Guide Logo: Ashley Madden
Emmanuel Music Johann Sebastian Bach John Harbison Turner Krol Reich Bellini Hite Rockland Osgood Hildebrand Candidus Beattie 1430 1516 1989 1994
I wrote this chorus while improvising at the organ in 1989, whereupon I devised a text which expressed a meaningful thought rhetorically and syllabically fitting the subjects I had improvised, and composed it out over the course of several days, premiering it with an amateur madrigal group the next week. In 1994, the late Craig Smith heard me play this at the former organ at Boston’s renowned Emmanuel Church, and led this performance there, in service, on 1 May 1994, with some of Boston’s then most renowned Bach singers among the chorus. The work subsequently won praise from renowned composer John Harbison and others. I have just for the first time requested and received permission from Emmanuel Music to publish this performance, for which I am deeply grateful, to Ryan Turner and Pat Krol in particular. I treasure the performance and recording as the greatest honor I have received in my life. Emmanuel Music, founded by Craig Smith, is the Boston area's preeminent Bach performance ensemble, who for 50 years have been performing his sacred cantatas in service at Emmanuel Church. See (http•••). The original text in Bach-Luther language actually expresses a Christologically subversive thought, that sacrifice and giving earn a path to Grace and Redemption. The underlying sentiment, “Salvation by works” differs from the “Salvation by faith” and Universal Grace of Lutheran theology, yet it underlies, for example, the Beatitudes (compare the “law of karma”). The initial subject of the first line is fugued upon, the subject starting on the third being unusual but less so in an accompanied fugue. The second subject, “shall through Grace...” enjoys a counterexposition in tenths at m. 43. The idea of “sein Reich erlangen” (achieve His Kingdom) is painted by rising scales in the bass that drive the climax of the work at the half-diminished 9-7-5 “crunch” chord (BDFAC) at the downbeat of m. 66, after the two subjects have been counterposed. The image of Christ carrying the Cross is by an unknown artist from the school of Giovanni Bellini (?1430-1516), and resides in the Isabella Stewart Gardner Museum here in Boston. A downloadable score of a later-orchestrated version is at (http•••) with more commentary. Of performers whom I recorded later in that day, there were Pam Murray, Marilyn Bulli, Margaret Johnson, Gail Abbey, soprano, Gloria Raymond, Mary Westbrook-Geha, K. Kamala Soprankar, alto, William Hite, Rockland Osgood, tenor, Don Wilkinson, Herman Hildebrand, Paul Guttry, Ed Candidus bass. Michael Beattie played continuo organ. The chorus was about 25 strong. Don and Ed are deceased. This is the best I’ve managed to do to date (by everyone's assessment, including mine). I have not yet managed to do better, but my attempts are right here. If you’d like to perform this work with a real chorus, I’d be delighted: please let me know. This seems to be the only time that the Thomaskantor really -riß den Himmel auf- and guided my hands and feet. All glory and honor to Johann Sebastian Bach, from whom my blessings flow.
Buck Brouwer Beattie Benoit Koslow Noe McGraw
It's time to go Back...to the Future. By which I mean, we're going back into the past to talk about Futurism. Which seems like it would be cool, but it was started by this terrible guy Martinetti, who also wrote the Italian Fascist manifesto. He was just the worst, but, at least he was the worst in a way that makes a pretty compelling video. We'll also check in with the Russian theater, and learn about generally nicer Futurist Vsevolod Meyerhold, who also was vey influential in constructivism. So get ready to fire up the meaning machine and learn! Crash Course is on Patreon! You can support us directly by signing up at (http•••) Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Sam Buck, Mark Brouwer, Jennifer French Lee, Brandon Westmoreland, dorsey, Indika Siriwardena, James Hughes, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, D.A. Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Kathy & Tim Philip, Jirat, Ian Dundore / Want to find Crash Course elsewhere on the internet? Facebook - (http•••) Twitter - (http•••) Tumblr - (http•••) Support Crash Course on Patreon: (http•••) CC Kids: (http•••)
o
- cronología: Cantantes líricos (Norteamérica). Intérpretes (Norteamérica).
- Índices (por orden alfabético): B...