Peweł Aleksiejewicz Kozłow Vídeos
poeta, traductor, compositor, funcionario
- Imperio ruso
Última actualización
2024-05-11
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Musin Levina Kozlov Alexey Ivanov Ivanov Maxim Mironov Gavrilov Balakirev Rosenfeld Egorova Volkov
Video directed by Kate Koroleva and produced by 'Wordshop Music Video' by Andrey Musin and Alena Koukoushkina in Moscow, Russia. Credits / Участники ENG Wordshop Music Video by Andrey Musin and Alena Koukoushkina Director – Kate Koroleva DOP – Pavel Krikunov Producer – Anastasia Levina Cameraman – Konstantin Kozlov 1AD – Evgeniy Lutsenko Art director – Mikhail Khlechan Art director assistant – Elena Tsukanova Costume designer – Nadezhda Levitina Make-up artist – Kseniya Vishnyakova Gaffer – Alexander Andreev Editor – Alexey Ivanov Sound director – Evgeniy Rvyanin Color correction – Maxim Mironov Many thanks to incredible bar Delicatessen in the person of Vyacheslav Lankin and Sergey Pushkin. Thank you for help in and outer frame Kirill Minaev, Ekaterina Mashkova, Thomas Baudouin, Vladimir Kasymov, Anastasia Kasymova, Nikita Gavrilov, Antonina Korochkina, Evgenia Lutsenko, Anton Balakirev, Elizaveta Tsekhanovskaya, Alexandra Khilko, Nikolay Novokovsky, Valentin Rosenfeld, Ekaterina Yevtushenko, Kira Egorova, Vladislav Volkov, Mikhail Demchuk, Irina Shcherbakova. Marina Tolstobrova, thanks for the backstage photos. РУС Wordshop Music Video, мастерская Андрея Мусина и Алёны Кукушкиной Режиссер-постановщик – Катя Королева Оператор-постановщик – Павел Крикунов Продюсер – Анастасия Левина Оператор – Константин Козлов 2ой режиссер – Евгений Луценко Художник-постановщик – Михаил Хлечан Ассистент художника-постановщик – Елена Цуканова Художник по костюмам – Надежда Левитина Художник по гриму – Ксения Вишнякова Гафер – Александр Андреев Монтаж – Алексей Иванов Звукорежиссер – Евгений Рвянин Цветокоррекция – Максим Миронов Спасибо за чудесный локейшн бару Delicatessen в лице Вячеслава Ланкина и Сергея Пушкина. Спасибо за помощь в кадре и за его пределами Кирилл Минаев, Екатерина Машкова, Томас Бодуэн, Владимир Касымов, Анастасия Касымова, Никита Гаврилов, Антонина Корочкина, Евгения Луценко, Антон Балакирев, Елизавета Цехановская, Александра Хилько, Николай Новоковский, Валентин Розенфельд, Екатерина Евтушенко, Кира Егорова, Владислав Волков, Михаил Демчук, Ирина Щербакова. За backstage фото спасибо Марина Толстоброва.
♫ Score(both hands) & Midi(http•••) ♫ Facebook(http•••) Subscribe for more cool piano covers, sheet music, tutorials and click the bell to join the notification squad! Midi Arranged, Edited And Recorded by Russell / | Lyrics |-- Не грусти, не рыдай и не плачь о том, Что невзгоды постигли тебя, Что весну долго ждать, но придет она, Будь спокоен, взирай на Христа. Припев: А весна вновь прекрасная С ароматом цветов к нам идет. И хотелось бы знать, а какая она – Та весна, что искупленных ждет. Тот, кто юные годы свои посвятил На служение Богу Творцу, Тот и в старости будет ту помнить весну, Когда искренне Богу служил. Помоги нам достойными верными быть, Свято жизнь проводить на земле. Чтобы холод греха нас не смог победить Дай стремиться к той вечной весне. Lyrics in English translated by Zarina Kozlov Do not grieve, do not cry, do not weep because Heavy troubles continue to rise And it’s long until spring, but it surely will come Worry not and stay focused on Christ Chorus Spring is coming, it’s beautiful, The aroma of blossoms it brings, I would love to imagine the beauty of spring Waiting for those who are redeemed If someone has decided young years to commit To serve God ─ the Creator and Lord, In the old age he will still remember that spring When sincerely his God he has served
Moody Villain Savage Samoilova Yakovleva Yezhova Bondon Lebedev Osin Kudrya Vladimir Orlov Orlov Pavlovsky Shevchenko Dmitriev Kozlov 2013 2020 2021
Once upon a time, a mysterious stranger visits a tavern with his unusual barrel organ to give a scary musical performance to the beggars within. A selection of Short of the Week, the web's leading curators of quality short films. SUBMIT A FILM: (http•••) FULL REVIEW: (http•••) Subscribe to S/W on YouTube! Website: (http•••) Instagram: (http•••) Facebook: (http•••) Twitter: (http•••) Tale of the Deaf Directed by Philipp Yuryev (http•••) "A grimy, macabre fairy tale, director Philipp Yuryev’s Tale of the Deaf is one of the most visually stunning shorts I’ve seen in quite a while. In general, I’m not a “style over substance” curator, but, occasionally, I come across a film with such aesthetic verve that it’s hard not to bowled over. Tale of the Deaf is just supremely well-crafted. It’s worth noting that I’m not just talking about pretty cinematography (with modern digital cameras, nice looking photography is pretty easy to come by nowadays). Rather, there’s a personality here that is just hard to ignore—a sense of directorial authorship where you can identify the creator’s inspirations (e.g. gothic horror, silent movies of the 1920s), but still very much tell it’s coming from a unique creative voice. With its seedy and dirty tavern interior, it’s not a “pretty film” but it is a gorgeously rendered one, meticulously crafted from the shot compositions to the production design to the noir candlelit black and white lighting. As someone who has repeatedly ribbed on “unnecessary black and white” as a bad indie film trope, here’s an example of it being implemented correctly: a design choice that reflects the overall tone of the piece. The lighting is sharp and moody, the shadows seemingly forming their own color palette. But, enough gushing about the technical panache, the storytelling is strong as well: a creepy oddity of a tale that combines elements of horror and fantasy. I won’t argue that the film could potentially move a bit quicker or that the plot itself travels in unexpected places (as soon as they introduce both a deaf protagonist and a creepy villain who uses a musical device for his nefarious ends, you can tell where the story is going). But, it’s still an engaging funhouse ride, bolstered by its aforementioned sense of aesthetics. The “soul-sucking” beat of the film is pure bravura filmmaking. Plus, I like that it takes the lead character’s inability to hear and turns it into a life-saving asset (ala Rob Savage’s Dawn of the Deaf). Sometimes those whom we least expect are the most powerful… A Russian filmmaker, Yuryev already has an impressive cinematic resume despite his young age. In 2013, his short film The Song of the Mechanical Fish was in competition at Sundance (2013 stands out as a somewhat iconic year for shorts at Sundance). His feature film debut, The Whaler Boy, premiered in 2020 at the Venice Film Festival where it won the Venice Days Grand Prize. - S/W Curator Ivan Kander Director of photography Mikhail Khasaya Producer Anna Bokina Creative producer Denis Kolesov Executive producers Andrey Paukov Elena Samoilova Artem Tsaregorodtsev Maria Yakovleva Valery Kopytin Nikolay Verstin Arina Yezhova Ravil Salikhov Line producers Elena Panfilova, Yulia Volova 1st AD Daria Kostyuchenko Production designer Alexandra Nikiforova Costume designer Anna Kudevich Head of HMU Christina Bityutskaya Casting director Elena Chigvintseva Editor Kirill Khandurin Orginal music by: 433 Sound Agency Tim Aminov Konstantin Poznekov Music by: Dale Cooper Quartet Mia Outarde Bondon Sound by Nikita Gankin Production designer assistant Kapitolina Novakovskaya Props master Alexander Lebedev Set decorator Ilya Ashmarin Set decorator assistants Georgy Osin Sergey Andreev Vladimir Krutov Alexander Garan Dmitry Parfenopolu Yashar Shikhverdiev Mikhail Kosyrev Props master assistants Olga Kudrya Polina Tsupilo Anna Charkina Painter Vladimir Orlov Storyboard artist Vladimir Sakhnov Wardrobe assistant Boris Kukolkin Wardrobe assistants Ksenia Alexandrova Anastasia Boldyreva Louise Allahverdyan Makeup assistants Svetlana Lyubimova Ekaterina Savina Location managers Denis Khrapunov Alexander Kalkaev Production manager Andrey Pavlovsky Runners Sergey Stadolnik Dmitry Ovsyannikov Gaffer Pavel Shevchenko Key grip Vladislav Sorokin Lighting Kirill Dmitriev Mikhail Kozlov Alexey Kostin Reproduced on this channel with the permission of the filmmakers.
Buck Brouwer Beattie Benoit Koslow Noe McGraw
It's time to go Back...to the Future. By which I mean, we're going back into the past to talk about Futurism. Which seems like it would be cool, but it was started by this terrible guy Martinetti, who also wrote the Italian Fascist manifesto. He was just the worst, but, at least he was the worst in a way that makes a pretty compelling video. We'll also check in with the Russian theater, and learn about generally nicer Futurist Vsevolod Meyerhold, who also was vey influential in constructivism. So get ready to fire up the meaning machine and learn! Crash Course is on Patreon! You can support us directly by signing up at (http•••) Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Sam Buck, Mark Brouwer, Jennifer French Lee, Brandon Westmoreland, dorsey, Indika Siriwardena, James Hughes, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, D.A. Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Kathy & Tim Philip, Jirat, Ian Dundore / Want to find Crash Course elsewhere on the internet? Facebook - (http•••) Twitter - (http•••) Tumblr - (http•••) Support Crash Course on Patreon: (http•••) CC Kids: (http•••)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): K...