Carl Ferdinand Becker Vídeos
músico alemán
Conmemoraciones 2024 (Nacimiento: Carl Ferdinand Becker)
- violín, órgano
- Reino de Sajonia
- musicólogo, profesor universitario, compositor
Última actualización
2024-04-30
Actualizar
Friedrich Robert Volkmann Ruiz Haydn Mozart Beethoven August Ferdinand Anacker Carl Ferdinand Becker Becker Robert Schumann Franz Liszt Bülow Johannes Brahms Freund 1815 1832 1836 1841 1848 1852 1854 1857 1858 1864 1875 1883
Friedrich Robert Volkmann, (Hungarian: Volkmann Róbert), (6 April 1815, Lommatzsch bei Meißen – 30 October 1883, Budapest) was a German composer. Fantasy, op. 25a for piano (1858) Adrian Ruiz, piano Robert Volkmann was born in Lommatzsch, Saxony, Germany. His father, a music director for a church, trained him in music to prepare him as a successor. Thus Volkmann learned to play the organ and the piano with his father, studied violin and cello with Friebel,[1] and by age 12 he was playing the cello part in string quartets by Haydn, Mozart and Beethoven. In 1832 he entered the Freiberg Gymnasium for the purpose of becoming a teacher. There he studied music with August Ferdinand Anacker, who encouraged him to devote himself to music more fully.[2] From there he went on to Leipzig in 1836 to study with Carl Ferdinand Becker. In Leipzig he met Robert Schumann, who encouraged him in his studies. They met again several times after that. When he finished his studies, he began working as voice teacher at a music school in Prague. He did not stay there long, and in 1841 he moved to Budapest,[3] where he was employed as a piano teacher and a reporter for the Allgemeine Wiener Musik-Zeitung. After a short period of freelance work, he became the choirmaster and organist of a Reform synagogue in 1848.[4] He composed in virtual obscurity until 1852, when his Piano Trio in B-flat minor caught the ears of Franz Liszt and Hans von Bülow, who proceeded to play it several times all over Europe. In 1854 Volkmann moved to Vienna, only to return to Budapest in 1858. Thanks to the publisher Gustav Heckenast, who in 1857 bought the rights to publish all Volkmann's works in exchange for regular income regardless of sales, Volkmann was able to fully dedicate himself to composition, until Heckenast closed down his Budapest publishing house in the early 1870s. While visiting Vienna in 1864, Volkmann became acquainted with Johannes Brahms, and they became close friends. In letters they addressed each other as "lieber Freund" ("dear friend"). From the 1870s Volkmann slowed down and composed very little. From 1875 until his death, he was professor of harmony and counterpoint at Budapest's National Academy of Music, where Liszt was the director. Volkmann died in Budapest on 30 October 1883.
Heinrich Frankenberger 1824 1885
Heinrich Frankenberger +••.••(...)): Nachspiel d-moll op. 4,3 Heinrich Frankenberger wurde 1824 in Wümbach bei Gehren im thüringischen Ilm-Kreis geboren. Seine musikalische Ausbildung erhielt er zunächst in Sondershausen (Wümbach und die Gegend gehörte damals als Exklave zum Fürstentum Schwarzburg-Sondershausen) und wurde, nachdem Fürst Günther Friedrich Carl II. auf den begabten Jungen aufmerksam wurde, zur weiteren Ausbildung nach Leipzig gesandt. Dort erhielt er Unterricht u.a. von Carl Ferdinand Becker (Orgel) und Thomaskantor Moritz Hauptmann (Komposition). In der Folgezeit dirigierte er mehreren Thüringer Hoftheatern, dann in Halle, Stade und Frankfurt/Oder. 1847 fand er Anstellung als Geiger im fürstlichen Hoforchester zu Sondershausen, 1852 wurde er dort Hoforganist. Zeitweise vertrat er auch den Hofkapellmeister. Diese Stellung bekleidete er bis zu seinem Tode 1885. Das hier zu hörende Stück stammt aus den "6 Nachspielen" op. 4, die Mitte der 1860er Jahre im Erfurter Verlag Körner veröffentlicht wurden. Organist: Thorsten Pirkl Heinrich Frankenberger was born in Wümbach near Gehren in the Thuringian Ilm district in 1824. He initially received his musical training in Sondershausen (Wümbach and the area were then an exclave to the Principality of Schwarzburg-Sondershausen) and, after Prince Günther Friedrich Carl II became aware of the talented boy, he was sent to Leipzig for further training. There he received lessons including by Carl Ferdinand Becker (organ) and Thomaskantor Moritz Hauptmann (composition). In the following years he conducted several Thuringian court theaters, then in Halle, Stade and Frankfurt / Oder. In 1847 he found employment as a violinist in the royal court orchestra in Sondershausen, and in 1852 he became court organist there. At times he also represented the court conductor. He held this position until his death in 1885. The piece to be heard here comes from the "6 Nachspiele" op. 4, which were published by the Erfurt Verlag Körner in the mid-1860s.
Löw Carl Ferdinand Becker Becker
The Sächsische Landes- und Universitätsbibliothek in Dresden posesses a manuscript of 12 organ compositions by the hand of Rudolf Löw +••.••(...)), a Swiss organist and composer. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. The prelude to "Ich dank dir schon durch deinen Sohn" is the last of the three preludes suitable for the Christmas period. It is setup as a fughetta on the first phrase of the choral melody. As such, it is so thoroughly Baroque in conception and realisation, that I could not play it in any other manner than as a Baroque composition. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk ((http•••) Score available here: (http•••)
Löw Carl Ferdinand Becker Becker Dam 1832
The Sächsische Landes- und Universitätsbibliothek in Dresden posesses a manuscript of 12 organ compositions by Rudolf Löw's hand. It is his opus 1, which he dedicated to his teacher Carl Ferdinand Becker. Löw mostly emplois forms and procedures from the Baroque era with a harmonic language that is sometimes slightly romantic. Löw's choral prelude to "Wo soll ich fliehen hin" is again a good example of Löw's usage of form and idiom of the Baroque. The choral melody is played with the pedals, and the hands play a lively accompaniment in a Trio-like structure. The recording was done with the Hauptwerk software and the sample set, made by Voxus, of the Van Dam organ (1832) in Tholen ((http•••) Score available here: (http•••)
o
- cronología: Compositores (Europa).
- Índices (por orden alfabético): F...