Marielle Et Katia Labèque Vidéos
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2024-05-21
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Festival Internacional Santander Sir Simon Rattle Joaquín Achúcarro Iván Iván Fischer Fischer London Symphony Orchestra Katia Marielle Labèque 2018
Vídeo resumen de la 67 edición, celebrada entre el 1 y el 25 de agosto de 2018. El Festival contó con la presencia de figuras como Sir Simon Rattle, al frente de la London Symphony Orchestra, María Pagés, Maurice Béjart, Joaquín Achúcarro, Yanick Nézset-Séguin, Iván Fischer, Katia y Marielle Labèque... Bandonthebend
Johann Sebastian Bach Ottavio Dantone Luca Guglielmi Guglielmi Giovanni Antonini Antonio Vivaldi Katia Marielle Labèque Il Giardino Armonico Collegium Musicum Musikverein 1678 1685 1711 1723 1741 1750 2000
It is a spectacle for four keyboard instruments: Johann Sebastian Bach's Concerto for four harpsichords, strings and basso continuo in A minor (BWV 1065), here in a version for two fortepiani and 2 harpsichords. Performed by Katia and Marielle Labèque (fortepiani), Ottavio Dantone and Luca Guglielmi (harpsichords), and the Il Giardino Armonico ensemble, conducted by Giovanni Antonini. The concert was held in 2000 at the Musikverein, Vienna. (00:00) No tempo designation (03:44) Largo (05:55) Allegro The thirteen concertos that Johann Sebastian Bach +••.••(...)) wrote for one or more harpsichords with orchestral accompaniment are a milestone of music history. In a sense, they mark the beginning of the story of the piano concerto, then further developed by Bach's sons. The harpsichord concertos were written for Leipzig's Collegium Musicum; a student orchestra that Bach led from 1723, and with which he held regular coffee-house concerts. In almost all of the harpsichord concertos, Bach drew upon his own earlier works and arranged them for the keyboard instrument which was at the time enjoying its rise to popularity. For the Concerto for four harpsichords, Bach did not draw on his own compositions but transcribed a concerto by Antonio Vivaldi +••.••(...)): the Concerto in B minor for four violins, cello and strings (RV 580), No. 10 from the cycle L'Estro Armonico (The Harmonic Inspiration). Vivaldi had his twelve-part concerto cycle printed as Opus 3 in 1711, soon followed by several reprints, and copies also circulated. L'Estro Armonico is considered one of the most influential concerto collections in 18th century European music. The concertos were frequently transcribed for other instruments, often keyboard instruments. During Bach's lifetime, this kind of transcription was not a flaw; on the contrary, it was a form of recognition and distinguished the original composition as particularly successful and universally valid. Bach extensively reworked Vivaldi's Concerto in B minor. The most serious change he made was probably to replace the four violins of the Vivaldi concerto with four harpsichords. This quadruplication of the keyboard instrument is not only unique in Johann Sebastian Bach's oeuvre, but would also have been quite a novelty for Leipzig concertgoers at the time. ORF and EuroArts Music International Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #johannsebastianbach #labeque #harpsichordconcerto
Johann Sebastian Bach Ottavio Dantone Giovanni Antonini Katia Marielle Labèque Il Giardino Armonico Collegium Musicum Musikverein 1685 1723 1750 2000
Concerto for three harpsichords with special instrumentation: Bach's Concerto for 3 harpsichords in D minor (BWV 1063), here in a version for fortepiani and harpsichord. Katia and Marielle Labèque (fortepiano), Ottavio Dantone (harpsichord), and the Il Giardino Armonico ensemble, conducted by Giovanni Antonini. The concert was held in the year 2000 at the Musikverein, Vienna. (00:00) No tempo designation (05:42) Alla Siciliana (09:32) Allegro The thirteen concertos that Johann Sebastian Bach +••.••(...)) wrote for one or more harpsichords with orchestral accompaniment are a milestone of music history. In a sense, they mark the beginning of the story of the piano concerto, then further developed by Bach's sons. In almost all of the harpsichord concertos, Bach drew upon his own earlier works and arranged them for the keyboard instrument which was at the time enjoying its rise to popularity. The harpsichord concertos were written for Leipzig's Collegium Musicum; a student orchestra that Bach led from 1723, and with which he held regular coffee-house concerts. The form of the Concerto in D minor BWV 1063 is in its first movement circumscribed by an earnest, weighty theme – played in unison and then repeated in variations. Between the sections in unison come the respective virtuoso solo sections for each of the three keyboard instruments. In the second movement – with the typical lagging, swaying triple time of a Siciliana, only one keyboard instrument is featured as a soloist. In the third movement – a five-part fugue – all three soloists contribute, lending the concerto a rousing vigor. ORF and EuroArts Music International Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #IlGiardinoArmonico #Labeque