Antonio Bartolomeo Bruni Vidéos
compositeur ou compositrice, chef ou cheffe d'orchestre
- violon
- opéra
- Italie
Dernière mise à jour
2024-04-28
Actualiser
Bruni Alberto Bruni Tedeschi Nino Sanzogno Bona Giannotti Poli Alfredo Giacomotti Crivelli Fanfani Quaranta Damiani Coro Teatro Regio Torino Teatro Regio Torino Festival Musica Fenice 1915 1929 1959 1996
Alberto Bruni Tedeschi +••.••(...)) Diagramma circolare (1959) azione drammatica in due tempi testo di Alberto Bruni Tedeschi e Gian Piero Bona Primo Tempo: IV E allora?...Niente di nuovo V 1929 VI Ore gravi attendono la nostra società Personaggi e interpreti: attori: il conferenziere Tino Carraro l'operaio Carlo Hintermann sua moglie Lina Volonghi suo figlio Gabriele Lavia sua figlia Claudia Giannotti il presidente del CdA Enzo Tarascio un consigliere d'amministrazione Luigi Palchetti altro consigliere Michele Renzullo il capo dell'officina 12 Ivan Cecchini un operaio Franco Ferrarone altro operaio Valeriano Gialli un guardiano Guglielmo Mulasso cantanti: i tre agenti di cambio / i tre professori di statistica Pier Francesco Poli Giorgio Lormi Alfredo Giacomotti Maestro Concertatore e direttore d'orchestra Nino Sanzogno Orchestra e Coro del Teatro Regio di Torino Regista Filippo Crivelli Maestro del Coro Adolfo Fanfani Scenografia Gianni Quaranta Costumi Dada Scaligeri Allestimento realizzato dal Laboratorio Teatro Regio "Diagramma circolare" azione scenica in due tempi, fu composta nel 1959. In questa opera Alberto Bruni Tedeschi esprime il rifiuto degli orrori della guerra e della dittatura, e lo fa cercando di recuperare un teatro totale, che si serve di tutti gli strumenti espressivi che l'uomo ha creato per la rappresentazione audiovisiva. Si tratta, dunque d'un lavoro che s'inserisce nel filone più avanzato della produzione culturale di quell'epoca. Prima Esecuzione: XXII Festival di Musica Contemporanea, 1959 Teatro La Fenice di Venezia Regia: Virginio Puecher - Scene: Luciano Damiani Direttore: Nino Sanzogno
Aram Khachaturyan Altman Bruni 1942 1952 1957
Gayane is a four-act ballet with music by Aram Khachaturian. Originally composed in 1942, to a libretto by Konstantin Derzhavin and choreographed by his wife Nina Aleksandrovna Anisimova, the score was revised in 1952, and in 1957, with a new plot. The stage design was by Natan Altman (scenery) and Tatyana Bruni (costumes). The first production was on 3 December 1942, staged by the Kirov Ballet while in Perm (Russia) for the duration of the Second World War and was broadcast on the radio. Khachaturian's original Gayane was the story of a young Armenian woman whose patriotic convictions conflict with her personal feelings on discovering her husband's treason. In later years, the plot was modified several times, the resultant story emphasising romance at the expense of nationalist zeal. Many elements of interethnic love, betrayal and friendship interact in an Armenian setting. The central character is a young woman named Gayane, who works in a kolkhoz in a mountainous district near the national border. Act 1 In the kolkhoz, farmers are busy reaping cotton. Among them are heroine Gayane, her father Ovanes, brother Armen and younger sister Nune. They are all models of hard work with the only exception of Gayaneh's husband Giko, a lazy drunkard. She admonishes Giko for his misconduct, and this escalates into a quarrel. Then arrives Kazhakov, commander of the Soviet frontier guard, and a dance of welcome begins. Seeing Gayane present a bouquet to Kazhakov, Giko violently snatches the bouquet from her and ignoring everybody's reproach, disappears. Act 2 Gayane's home. Everyone is consoling Gayaneh who is deploring her husband's misconduct. The singing voices of carpet weavers is heard. As Giko returns, all go out. Gayane sings her child Ripsime to sleep. Three smugglers come to see Giko. They conspire to share the public money they have embezzled, to set fire to the cotton warehouse and to flee abroad. Overhearing their conspiracy, Gayane admonishes her husband, but he thrusts her into another room and locks her up. Act 3 Kurd's settlement in a mountainous area near the kolkhoz. Many people are there, including Gayane's brother Armen, a Kurdish girl Aishe, and a Kurdish young man Izmail who loves her. Then appear Giko and the three smugglers, who ask Armen their way. Wondering what they are after, he sends some Kurdish youths to fetch Kazhakov. Noticing this, Giko and his gang try to kill Armen, but Kazhakov arrives just in time, and arrests the three smugglers. However Giko escapes, and sets fire to the cotton warehouse. Trying to flee in the confusion of the moment, Giko is found by Gayane, who has managed to break out of the room in which she was imprisoned. Giko threatens Gayane that he will drop their child Ripsime from a cliff. As Gayane does not yield, Giko stabs her with a dagger. Hearing her shriek, Kazhakov rushes in and arrests Giko, who will be bought to justice. Kazhakov tends Gayane devotedly, and she recovers. Love grows between the two. Act 4 The kolkhoz a year later. It is the day of the dedication ceremony of the reconstructed warehouse and the weddings of three couples - Gayane and Kazhakov, Armen and Aishe, Karen and Nune. Folk dances rich in local color are performed one after another, and the ballet ends amid blessings by all. Playlist - (http•••)
Giovanni Battista Pergolesi Bruni Margaret Tynes Turner Butler František Xaver Thuri 1969 2018
Provided to YouTube by Supraphon Stabat Mater. Oratorio for Soprano, Contralto, Female Chorus, Orchestra and Organ - Sancta mater istud agas · Giovanni Battista Pergolesi · Pražský komorní orchestr/Massimo Bruni · Margaret Tynes · Anita Turner Butler · František Xaver Thuri Ave Maria ℗ 1969 SUPRAPHON a.s. Released on: 2018-10-19 Auto-generated by YouTube.
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