Henri Pousseur Vidéos
compositeur belge
- opéra
- Belgique
- compositeur ou compositrice, professeur ou professeure d'université
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Dernière mise à jour
2024-04-26
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Luciano Berio Bartók Rodion Schedrin Bruno Maderna Marcello Panni Panni Giorgio Federico Ghedini Rabinovich Pierre Boulez Vinko Globokar Neuburger Sanguineti Franco Gulli Henri Pousseur Igor Stravinsky Mauricio Kagel Fleuret Lorin Maazel 1542 1710 1850 1932 1979 1980 1981 1982 1983
Luciano Berio - Duetti for two violins +••.••(...)) 00:00 1. BELA (Bartók) November 10, 1979, Radicondoli 00:46 2. SHLOMIT (Almog) November 10, 1979, Radicondoli 01:24 3. YOSSI (Pecker) November 10, 1979, Radicondoli 02:42 4. RODION (Schedrin) November 14, 1979, Stockholm 03:44 5. MAJA (Pliseckaja) November 15, 1979, Stockholm 04:36 6. BRUNO (Maderna) November 15, 1979, Stockholm 06:02 7. CAMILLA (Adami) December 7, 1979, Paris 06:44 8. PEPPINO (Di Giugno) December 7, 1979, Paris 08:19 9. MARCELLO (Panni) December 13, 1979, Radicondoli 09:22 10. GIORGIO FEDERICO (Ghedini) December 13, 1979, Radicondoli 10:33 11. VALERIO (Adami) December 18, 1979, Radicondoli 11:15 12. DANIELA (Rabinovich) December 18, 1979, Radicondoli 12:06 13. JEANNE (Panni) April 27, 1980, Paris 13:05 14. PIERRE (Boulez) April 28, 1980, Paris 13:57 15. TATJANA (Globokar) April 28, 1980, Paris 14:44 16. RIVI (Pecker) May 29, 1980, Radicondoli 15:42 17. LEONARDO (Pinzauti) May 29, 1980, Radicondoli 17:10 18. PIERO (Farulli) June 8, 1980, Tel Aviv 18:50 19. ANNIE (Neuburger) November 10, 1980, Radicondoli 19:32 20. EDOARDO (Sanguineti) June 27, 1981, Radicondoli 24:12 21. FIAMMA (Nicolodi) June 28, 1981, Radicondoli 25:14 22. VINKO (Globokar) June 28, 1981, Radicondoli 25:41 23. FRANCO (Gulli) June 29, 1981, Radicondoli 26:36 24. ALDO (Bennici) June 29, 1981, Radicondoli 27:47 25. CARLO (Chiarappa) June 30, 1981, Radicondoli 28:32 26. HENRI (Pousseur) June 30, 1981, Radicondoli 29:23 27. ALFREDO (Fiorenzani) August 12, 1981, Radicondoli 30:17 28. IGOR (Stravinsky) August 12, 1981, Radicondoli 30:59 29. ALFRED (Schlee) November 3, 1981, Florence 32:06 30. MASSIMO (Mila) March 27, 1982, Radicondoli 34:10 31. MAURICIO (Kagel) March 27, 1982, Radicondoli 35:11 32. MAURICE (Fleuret) May 2, 1982, Tel Aviv 36:22 33. LORIN (Maazel) March 5, 1983, Radicondoli 38:22 34. LELE (D’Amico) March 8, 1983, Rome "It can happen that a violinist friend tells a composer, one night, that, other than those of Bartók, there are not enough violin duets today. And it can happen that the composer immediately sets himself to writing duets that night until dawn… and then more duets in moments of leisure, in different cities and hotels, between rehearsals, travelling, thinking of somebody, when looking for a present... This is what happened to me and I am grateful to that nocturnal violinist whose name is given to one of these Duetti. Thus behind every duet there are personal reasons and situations: with BRUNO (Maderna), for instance, there is the memory of “functional” music which we often composed together in the fifties; MAJA (Pliseckaja) is the transformation of a Russian song, whereas ALDO (Bennici) is a real Sicilian song; PIERRE (Boulez) was written for a farewell evening: it develops from a small cell of his ...Explosante fixe...; GIORGIO FEDERICO (Ghedini) is in memory of my years at the Conservatory in Milan. And so on... These Duetti are for me what the vers de circonstance were for Mallarmé: that is, they are not necessarily based on deep musical motivations, but rather connected by the fragile thread of daily occasions. Nevertheless, in these duets there is also a pedagogical objective. Very often, as can be heard, one of the two parts is easier and focuses on specific technical problems, on different expressive characters and even on violin stereotypes, so that a young violinist can contribute, at times, even to a relatively complex musical situation from a very simple angle - the playing of a D major scale, for instance. I would like to write a kaleidoscope made up of about a hundred of Duetti. Every group of thirty-three will be commented upon by a “concert” duet, developing in an ampler perspective the different circumstances of this private folklore of mine." - Luciano Berio
Karlheinz Stockhausen Henri Pousseur Concertgebouw 1958 1960 1998 1999 2000 2019
KONTAKTE für elektronische Klänge, Klavier und Schlagzeug +••.••(...)) Karlheinz STOCKHAUSEN performed by Luk ARTOIS, percussion Geert CALLAERT, piano Patrick DELGES (Centre Henri Pousseur, Liège, Belgium) Concert Hall Concertgebouw BRUGGE (Belgium) November 21 2019 8 PM a production of ORPHEUS INSTITUTE HERMESensemble Centre HENRI POUSSEUR HET LAATSTE BEDRIJF supported by GALLOP TAX SHELTER the Belgian Federal Government www.lukartois.be www.geertcallaert.be Discover the Stockhausen Summer Course for the Interpretation of Karlheinz Stockhausen's Music held at Kürten, Germany. Luk Artois and I have frequented these courses in 1998, 1999 and 2000. These courses reveil all necessary performance practicalities to be able performing all music by Stockhausen. Discover it at (http•••) . We had a great time there working Kontakte with prof Andreas Boettger and Antonio Perez-Abellan. :-)
Henri Pousseur Musiques Nouvelles 2019
Henri POUSSEUR, Aiguillages au carrefour des immortels - MUSIQUES NOUVELLES, ARTS2, Jean-Paul Dessy : direction Enregistrement live à Arsonic, Mons, concert «À l’Unisson» le 23 mars 2019 réalisation son-image : Jarek Frankowski 2019 ACOUSTIC RECORDINGS Coproduction : MARS (Mons Arts de la Scène), MUSIQUES NOUVELLES, ARTS² (Conservatoire royal de Mons)
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