Ljubomir Puškarić Vidéos
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2024-04-28
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Georg Friedrich Händel Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1759 1855 1947 1972 1973 1987 1998 2008 2013 2017
Georg Friedrich Händel +••.••(...).) Ombra mai fu (Largo from Xerxes); organ arrangement Hvalimira Bledšnajder, organ Instrument: Walcker, 1855. Zagreb Cathedral, April 23rd 2017. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Johann Sebastian Bach Alessandro Marcello Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Franjo Dugan Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1685 1750 1855 1947 1972 1973 1987 1998 2008 2013 2020
Johann Sebastian Bach +••.••(...).) Adagio from Concerto in D minor (after Alessandro Marcello), BWV 974 Hvalimira Bledšnajder, organ Instrument: E. F. Walcker (1855) at Zagreb Cathedral February 9th, 2020 NOTE: a non-concert performance; the piece was shortened to fit into the holy mass. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Franjo Dugan Majer Alfred Cortot Lučić Anđelko Klobučar André Jolivet Max Reger Ferruccio Busoni Ottorino Respighi Vatroslav Lisinski Ruža Pospiš Baldani Ivanka Boljkovac Ljiljana Molnar Talajić Stilinović Dubravka Šeparović Mušović Puškarić Dupré Duruflé Langlais Dubois Widor Hakim Kolb Varaždin Baroque Evenings Osor Musical Evenings Vatroslav Lisinski Concert Hall Ensemble Syntagma 1855 1874 1947 1948 1972 1973 1987 1998 2008 2013 2018
Franjo Dugan +••.••(...).) Preludij za orgulje u C-duru Hvalimira Bledšnajder, orgulje Zagrebačka katedrala (orgulje Walcker, 1855.) Snimljeno 14.01.2018.g. Hvalimira Bledšnajder (Zagreb, 27.IX.1947.) is Croatian organist and pianist, currently on position as titular organist of Zagreb Cathedral. After graduation at "Pavao Markovac" Music School in Zagreb (in class of Maša Majer), she continued her studies at Music Academy in Zagreb; piano with Petar Dumičić (student of Alfred Cortot), organ with Vlasta Hranilović (student of Franjo Lučić) and Anđelko Klobučar (student of André Jolivet), a brother of conductor Berislav Klobučar, and harmony with Natko Devčić (student of Franjo Dugan (Max Reger's student), and Svetislav Stančić (student of Ferruccio Busoni)). After she graduated as concert pianist and organist in 1972, she continued her education with famous Fernando Germani (student of Ottorino Respighi) at Accademia Nazionale di Santa Cecilia in Rome, where she perfected her pedal technique and gained delicate registration skills. In the early 1970s, after several solo recitals she gave in Zagreb Cathedral, she started to perform duty of deputy organist and assistant of Anđelko Klobučar, main cathedral organist whose position she succeeded as main titular organist in 1987 until today! Maestro Klobučar (also a composer) dedicated several compositions for organ to her as a token of respect. She also worked as permanent church organist of St. Joseph Church for more than four decades and organist of St. Blaž Church in Zagreb for one decade. She continued her international career in Slovenia, Austria, Germany, France, Switzerland and Netherlands as concert organist. As a soloist, she has played at many international music festivals, churches and concert halls, such as "Europaeische Kirchenmusik", "Orgelmusik in Domkirche-Wien", "Organ of the Zagreb Cathedral", "Varaždin Baroque Evenings", "Osor Musical Evenings", "Heferer Organs", "Požega Organ Evenings", "Hvar Summer Concerts", "Organ of St. Mark's Church in Zagreb", "Vatroslav Lisinski" Concert Hall... In chamber ensembles, she performed with artists as Ruža Pospiš Baldani (mezzosoprano), Josip Klima (violinist), Ivanka Boljkovac (soprano), Ljiljana Molnar Talajić (soprano), Branka Oblak-Stilinović (soprano), Dubravka Šeparović Mušović (mezzosoprano), Želimir Puškarić (tenor), as well as permanent piano and organ accompanist of several choirs ("Ivan Goran Kovačić" Male Vocal Ensemble, "Zagreb Doctor's Choir", "Zagreb Cathedral Mixed Choir", etc.). She made several recordings for labels Jugoton (later Croatia Records) and "Sacred Music", both as soloist, accompanist in sacred music and with her early music ensemble "Syntagma musicum", where she played positive, portative organ and harpsichord. Her organ repertoire consists of works from renaissance and baroque period up to contemporary composers, with a special affinty for late romantic and modern French composers (Dupré, Duruflé, Franck, Langlais, Dubois, Boëllmann, Widor, Hakim...) and modern Croatian authors (Dugan, Kolb, Vidaković, Odak, Klobučar, Njirić, Magdić, Lešćan...). As claimed by herself, she never gave a recital without playing at least one composition by Anđelko Klobučar, the professor whom she was most grateful for. In her long career, she especially emphasizes her playing at the liturgical celebration in Marija Bistrica during the visit of Pope John Paul II. to Croatia in 1998. Apart from concert career and contribution to liturgical celebrations, she left an enormous impact in musical pedagogy in Croatia. She worked as assistant professor (docent) of organ at "Albe Vidaković" Church Music Institute +••.••(...)) as well as organ and piano professor at "Pavao Markovac" Music School in Zagreb +••.••(...)). In those four decades, she raised many students and several prominent organists, always imparting them her knowledge of pedal technique and registration, until her retirement in 2013. As a member of "Organum" organological society, she held several masterclasses and courses as part of the Organ Summer School in Šibenik (Croatia). Hvalimira Bledšnajder was appointed by the Croatian Episcopal Conference in the Professional Organ Protection Trust of the Cultural Heritage Directorate of the Ministry of Culture of the Republic of Croatia. She was often invited to play at the formal collaudation concerts of new or renewed organs in Croatia and abroad.
Francis Poulenc Savić Ivaci Valentina Fijačko Nikolova Vedrana Šimić Dubravka Šeparović Mušović Nataša Antoniazzo Ljubomir Puškarić Budu Kako 1931 1953 1957 2006 2007
Dirigent: Michael Helmrath Redatelj: Krešimir Dolenčić Scenografkinja: Dinka Jeričević Kostimografkinja: Ana Gecan Savić Oblikovatelj svjetla i projekcije: Deni Šesnić Zborovođa: Ivan Josip Skender Asistenti dirigenta: Simon Dešpalj, Robert Homen Asistentica redatelja: Jasna Žarić Asistentica kostimografkinje: Andrea Kuštović Scenski pokret: Dobroslav Jakovljević Jezična savjetnica: Sanja Ivić Računalno oblikovanje zvuka: Stanko Juzbašić ANSAMBL PREDSTAVE Marquis de la Force Siniša Hapač, Saša Ivaci, Davor Radić Blanche Tamara Felbinger, Valentina Fijačko*, Dagmar Schellemberger, Martina Zadro Vitez de la Force Miljenko Đuran, Tvrtko Stipić Madame de Croissy Cecilija Car, Neda Martić, Zlatomira Nikolova Madame Lidoine Željka Martić, Vedrana Šimić* Majka Marie Inge Heinl-Stančić, Dubravka Šeparović-Mušović Sestra Constance od St. Denisa Gorana Biondić, Marija Kuhar, Maja Mejovšek (studijska uloga) Majka Jeanne Nataša Antoniazzo, Branka Sekulić-Ćopo Sestra Mathilde Marta Babić, Helena Lucić Ispovjednik Marko Cvetko, Dejan Vrbančić Prvi komesar Stjepan Franetović, Neven Mrzlečki Drugi komesar Igor Hapač, Alen Ruško Zatvorski čuvar Ozren Bilušić, Ljubomir Puškarić Thierry Ozren Bilušić, Ljubomir Puškarić M. Javelinot Marijan Jurišić, Robert Palić * stipendistice CEE Musiktheatera Priču o mučeništvu časnih sestara iz Compiegnea prva je ispričala jedna od njih, majka Marie, koja je preživjela teror Francuske revolucije i objavila svoja sjećanja. Proglašenje sestara sveticama koje je uslijedilo nakon toga, inspiriralo je Njemicu Gertrude von le Fort da ispriča njihovu priču. Tako je nastao roman sablasnog predosjećaja Posljednja na stratištu iz 1931. godine, koji opisuje sudbinu religije u totalitarističkim režimima. Učinjeni su brojni neuspjeli pokušaji adaptacije knjige u dramu, pa i filmski scenarij, sve dok se tog zadatka nije prihvatio Georges Bernanos, koji je u svoj roman dodao neke nove likove i gomilu detalja. No, priča je postala svjetski poznata tek nakon nastanka opere Les dialogues des Carmélites Francisa Poulenca, koju je naručio Ricordi za milansku Scalu, gdje je djelo i praizvedeno 1957. godine. Osnovna radnja vrlo je jednostavna, a Poulenc u jednom pismu napisanom 1953. godine govori o vrlo prozračnoj orkestraciji koja će dopustiti da riječi budu jasne, ističući kako su nijanse u tekstu mnogo važnije od sveukupnog sadržaja. Umjetnik koji je kao mlad bio proglašen avangardnim skladateljem, nepogrešiva uha za melodiju i smisla za ironičan humor odgovarao je modi nastaloj poslije Prvoga svjetskog rata, koja je zahtijevala naivnost i primitivnost. No, svoju karijeru Poulenc je zaključio djelima potpuno izvan modnih tokova - tonalnom glazbom, koja se ne srami osjećaja, boli, čak i sentimentalnosti. A upravo tom posljednjem razdoblju njegova stvaralaštva pripada opera Razgovori karmelićanki, posvećena njegovim uzorima Verdiju, Monteverdiju, Debussyju i Musorgskom. Nagrada Hrvatskog glumišta za najbolju opernu predstavu u cjelini, u sezoni 2006./2007. Premijera: 18. travnja 2007.
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