Victorin de Joncières Vidéos
compositeur français
- opéra, symphonie
- France
- compositeur ou compositrice, critique musical, critique
Dernière mise à jour
2024-05-04
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Victorin Joncieres 1839 1903 2020
Performance of Hungarian Serenade (Serenade Hongroise) by Victorin de Joncieres +••.••(...)). Played by Anne McKennon (flute) and Jeanne Huebner (piano) at UUCJ February 2020.
Victorin Joncières Opéra Comique 1867
*INÉDIT : PREMIÈRE DEPUIS LA CRÉATION* Victorin de Joncières, promis a un certain succès à ses débuts, se heurtera vite à la critique n'appréciant pas réellement sa musique. Il nous laisse cependant plusieurs opéras de grande envergure, dont Sardanapale (qui fut son premier opéra représenté à l'Opéra-Comique en 1867) et Dimitri. Acceptant peu l'échec et la critique, il se consacre lui même a la critique musicale. Voici donc le prélude de son premier opéra d'envergure : Sardanapale. Orchestre : MuseScore3.5 Dir. : T. Heinrich
Saba Wagner Alvar Bizet Victorin Joncières Leroux Dupuis Lafitte Gounod 1875 1898 1900 1901 1905 1913 1925 1938
Yes, it’s an encore of encore week! Dead Tenors’ Society is showcasing a collection of previously featured vocalists in recordings never before heard on this channel. Léon Laffitte +••.••(...)) was a French spinto tenor whose career spanned the first quarter of the 20th century. Born François Laffitte in Saint-Genies, he received his vocal tutelage at the Paris Conservatory. His professional debut came about in 1898 at the Opéra de Paris in the secondary role of David in Wagner’s Die Meistersinger. During the first decade of his career, Laffitte sang a number of character roles including Ruodi in Guillaume Tell, Tybalt in Roméo et Juliette, Beppe in Pagliacci, Mime in Siegfried, Don Alvar in L’Africaine and Cassio in Otello but eventually devoted himself exclusively to leading roles. Laffitte’s repertoire grew to include over 50 diverse roles, including Canio in Pagliacci, Rodolfo in La Bohème, Cavaradossi in Tosca, Pinkerton in Madama Butterfly, Radames in Aïda, Manrico in Il Trovatore, the Duke in Rigoletto, Lensky in Yevgeny Onegin, Laërte in Hamlet, Raoul in Les Huguenots, Pylade in Iphigénie en Tauride, Julien in Louise, Énée in Les Troyens, Nicias in Thaïs, Rodrigue in Le Cid, Fernand in La Favorite, Don José in Carmen, Haroun in Bizet’s Djamileh (which he sang at the American premiere in Boston in 1913) and the title roles in Faust, Samson et Dalila, Roméo et Juliette and La Damnation de Faust. He also participated in a number of premieres, creating such roles as Kadio in Victorin de Joncières’ Lancelot (Paris, 1900), Hylas in Leroux’s Astarte (Paris, 1901) and Etienne in Dupuis’ Martille (Brussels, 1905). Laffite’s career took him to the major theaters of London, Berlin, Amsterdam, Brussels, Monte Carlo, Helsinki, Moscow, Boston, Montreal, Buenos Aires and Rio de Janeiro. Lafitte retired from the stage in 1925 and died in Paris in 1938. Laffitte’s recordings are rare, with only a handful of titles recorded for Zonophone and G&T in the early years of the 20th century. These discs reveal a finely cultivated lirico-spinto voice and a very expressive sense of artistry. In this recording, Laffitte sings Adoniram's aria, "Inspirez-moi, race divine" from Act II of Gounod's La Reine de Saba. This was recorded in Paris for G&T in 1901.
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