Virginia Zeani Vidéos
cantatrice italienne d'origine roumaine
Commémorations 2025 (Naissance: Virginia Zeani)
- soprano
- Roumanie
- artiste lyrique
Dernière mise à jour
2024-04-21
Actualiser
Franco Corelli Corelli Francesco Paolo Tosti Virginia Zeani Jerome Hines Ferruccio Tagliavini Klara Barlow Barlow Fiore Vecchi Menta Baci New Jersey State Opera 1980 1981
Playlist from Corelli's 1980-1981 return appearances: (http•••) Franco Corelli, tenor April 25, 1981 Newark, New Jersey, Symphony Hall (Corelli retired in '76 but gave a couple of return concerts in '80-'81 - this is the first official one) Gala Concert with Virginia Zeani, Franco Corelli, Jerome Hines, Ferruccio Tagliavini and Klara Barlow Pianist and conductor: Alfredo Silipigni New Jersey State Opera Orchestra Digitized from vinyl LP (published in 1981): Legendary Recordings LR-152 "Virginia Zeani and Franco Corelli - Gala Concert 1981" With on screen Italian and English text. There are multiple instances of the videotaped version of this same clip uploaded to YouTube which I higly recommend you to watch, but hopefully the better sound quality, nice pictures and the lyrics make worth watching this version as well. Music by Francesco Paolo Tosti Lyrics by Francesco Cimmino Translation by Antonio Giuliano / My uploads serve non-profit, educational purposes only. No copyright infringement intended. If you're the rights owner and you wish your content to be removed from my channel, please before reporting, let me know and I take it down. Follow me on Facebook: (http•••) / M'han detto che domani Nina vi fate sposa, Ed io vi canto ancor la serenata. Là nei deserti piani Là, ne la valle ombrosa, Oh quante volte a voi l'ho ricantata! Foglia di rosa O fiore d'amaranto Se ti fai sposa Io ti sto sempre accanto. Domani avrete intorno Feste sorrisi e fiori Nè penserete ai nostri vecchi amori. Ma sempre notte e giorno Piena di passione Verrà gemendo a voi la mia canzone. Foglia di menta O fiore di granato, Nina, rammenta I baci che t'ho dato! . . . They told me that tomorrow Nina, you will be a bride. yet still I sing my serenade to you! Up on the barren plateau, down in the shady valley, Oh, how often I have sung it to you! Rose-petal O flower of amaranth, though you marry, I shall be always near. Tomorrow you'll be surrounded by celebration, smiles and flowers, and will not spare a thought for our past love; yet always, by day and by night, with passionate moan my song will sigh to you. Mint-flower, O flower of pomegranate, Nina, remember the kisses I gave you!
Rossini Régine Crespin Leontyne Price Virginia Zeani Carol Vaness 1982
Cat Duet, Rossini. San Francisco, 1982. À l’occasion d’un gala à l’Opéra de San Francisco. Régine Crespin et Leontyne Price étaient réunies pour Les Dialogues des Carmélites où elles chantaient respectivement Madame de Croissy et Madame Lidoine. Virginia Zeani chantait Mère Marie et Carol Vaness Blanche de la Force.
Donizetti Carlo Guasco Giulia Grisi Eugenia Tadolini Mark Elder Virginia Zeani Fernando Previtali 1843
Maria di Rohan's premiere took place on the 5th of june 1843, with Eugenia Tadolini as Maria and Carlo Guasco as Riccardo. 5 months later, on the 14th of November, the revised version was sung in Paris. Among other changes, Donizetti has rearranged this wonderful cabaletta "E tu, se cado esanime" for Giulia Grisi, "Benigno il cielo arridere". So, whch version do you prefer? Jose Bros as Riccardo, count of Chalais, Mark Elder, conductor Virginia Zeani as Maria di Rohan, Fernando Previtali, conductor
Lydia Lipkowska Caruso Virginia Zeani Arditi Saran Mariinsky Covent Garden San Carlo Opera Company 1882 1906 1909 1911 1920 1948
THE SONGBIRD: Lydia Lipkowska [Лідія Липковська] +••.••(...)) was born in the village of Babyn in Ukraine, which is very close to its borders with Moldova and Romania, during the era of the Russian Empire. Her aunt was a well-regarded stage actress. Lipkowska studied in St. Petersburg and made her debut in at the Mariinsky in 1906. She sang at The Met in New York from 1909 to 1911, including Violetta opposite Caruso's Alfredo. She also sang in Chicago and Boston before singing Mimi at Covent Garden in 1911 and then returning to Russia. Lipkowska fled the newly forming Soviet Union with her husband in 1920; once in New York she quickly got an engagement as Gilda with the San Carlo Opera Company in Manhattan. After retiring from the stage she lived in Romania and taught voice / Virginia Zeani was one of her students. THE MUSIC: One sign of soprano stardom in the Gilded Age was having a composer create a showy concert waltz just for you, such as Arditi's "Se saran rose," known as The Melba Waltz. This seems to be the case for Lipkowska. I am not able to discover any information about the composer, other than a listing of composer S. A. Troilin in an article about the influence of Ukrainian Cossacks in Russian culture. So, I assume he (she?) was from Ukraine and was commissioned or offered to compose this concert waltz to custom fit Lipkowska's voice. She likely sang it in recitals and concerts, perhaps as an encore.
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