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Sayako Kusaka Bach Konzerthaus Kammerorchester 2012
日下 紗矢子 (ヴァイオリン)Sayako Kusaka, Violin 2-3 Oct.2012 ベルリン・コンツェルトハウス室内オーケストラ Konzerthaus Kammerorchester Berlin Bach : Concerto for Violin and Orchestra in E major BWV1042 1. Allegro 7:29 (00:03) 2. Adagio 6:17 (07:38) 3. Allegro assai 2:36 (13:59)
Richter Antonio Vivaldi André Ridder Daniel Hope Guo Schmidt Lagger Sayako Kusaka Dill Villar Paredes Hutchinson Götz Rieth Parnell Schneider Weiss 1742 2012
Conducted by André de Ridder, Performed by Daniel Hope and the Konzerthaus Kammerorchester Berlin Track list: Spring 0 - 0:01 Spring 1 - 0:42 Spring 2 - 3:15 Spring 3 - 6:33 Summer 1 - 9:43 Summer 2 - 13:54 Summer 3 - 17:54 Autumn 1 - 22:54 Autumn 2 - 28:37 Autumn 3 – 31:45 Winter 1 - 33:29 Winter 2 - 36:30 Winter 3 - 39:22 2012 Universal Music Classics & Jazz, Deutsche Grammophon ::: The album is a complete recomposition and reinterpretation of Vivaldi's The Four Seasons. Although Richter said that he had discarded 75% of Vivaldi's original material, the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music. On the album, Daniel Hope plays the "Ex-Lipinski" violin, an instrument made by Giuseppe Guarneri del Gesù in 1742 and made available to the violinist by an anonymous German family. Main personnel: Max Richter – composer, mixing, producer, quotation author André de Ridder – conductor Daniel Hope – primary artist, violin [solo] Raphael Alpermann – harpsichord Konzerthaus Kammerorchester Berlin – orchestra Alexander Kahl – cello David Drost – cello Nerina Mancini – cello Ying Guo – cello Ernst-Martin Schmidt – viola Felix Korinth – viola Katja Plagens – viola Matthias Benker – viola Alicia Lagger – violin [first] Christoph Kulicke – violin [first] Karoline Bestehorn – violin [first] Sayako Kusaka – violin [first], concertmaster Cornelia Dill – violin [second] Jana Krämer – violin [second] Johannes Jahnel – violin [second] Ulrike Töppen – violin [second] Ronith Mues – harp Georg Schwärsky – double bass Jorge Villar Paredes – double bass Sandor Tar – double bass Additional personnel: Antonio Vivaldi – original material Felix Feustel – product manager Neil Hutchinson – recording engineer, mixing Christian Kellersmann – original concept Nick Kimberley – liner notes Götz-Michael Rieth - mastering engineer Mandy Parnell – mastering engineer Matthias Schneider – project manager Erik Weiss – photography Jenni Whiteside – editing Double Standards – art direction xxx BUY AND SUPPORT THE ARTISTS / LABELS ((http•••) ! All rights reserved for the producers / artists / labels of these tracks. All the tunes that are uploaded are for PROMOTIONAL use only. If the owner or third party copyright holder do not agree with their material being uploaded on youtube, please contact us, and we will remove it immediately.
Grieg Sibelius Sayako Kusaka Mozart Beethoven Debussy Bach
"Distance becomes proximity" On the day of recording producer Philipp Nedel spoke with concertmaster Sayako Kusaka about the concept of the album. When asked whether there is a special approach to the interpretation of "Nordic music" for her, she answered: “If I’m so enthusiastic about this music, it’s not only because it’s by northern European composers but also because I’m Japanese and my sense of distance vis-à-vis great European music by Mozart, Beethoven and Debussy and in this case Sibelius and Grieg is in each case equally great. And yet I can draw closer to this music by engaging with the culture and the mentality of the region in which the composer grew up and by understanding this in my own particular way. For me, studying Sibelius or Grieg is no less fascinating than studying Bach, Debussy or Mozart. In every case distance becomes proximity”. For further information to Konzerthaus Kammerorchester Berlin please visit their website. (Verlinkung auf (http•••)
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