Alice Tegnér Video
compositrice svedese
Commemorazioni 2024 (Nascita: Alice Tegnér)
- organo a canne
- canzone per bambini
- Svezia
- compositore, pedagogista, organista, autore di canzoni, docente, poeta, scrittore
streaming
Ultimo aggiornamento
2024-05-02
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Set Svanholm Rangström Alfvén Söderman Rachmaninov Sibelius Grieg Brahms Schubert Schumann Stenhammar Tegnér 1935 1936 1941 1943 1947 1948 1949 1950 1952 1954 1956 1957 1958 1959
The absolutely last copies of the book are available here: (http•••) (*) = BARITONE REC (**) = UNPUBLISHED ALSO SEE NOTES UNDER TRACK LIST 01 Rangström: Klunkom Welam Welamsson (Stockholm 1935) 00:00:15 * 02 Rangström: En visa till Karin (Stockholm 1935) 00:03:00 * 03 AIDA Celeste Aida (Stockholm 1936) 00:05:48/ 04 AIDA Già i sacerdoti (w/ E. Nicolaidi; Vienna 1941) 00:09:04/ 05 Alfvén: Skogen sover (Stockholm 1943) 00:15:15/ 06 Söderman: Kung Heimer och Aslög (Chicago 1948) 00:18:05/ 07 DIE MEISTERSINGER Am stillen Herd (New York 1947) 00:24:00/ 08 LOHENGRIN: In fernem Land [LONG VERSION] (Stockholm 1947) 00:28:14 09 TANNHÄUSER Wie Todesahnung (San Francisco 1949) 00:35:53 */** 10 Rachmaninov: In the silence of the night (New York 1947) 00:39:50/ 11 Sibelius: Svarta rosor (New York 1947) 00:42:08/ 12 Grieg: En dröm (New York 1947) 00:44:28/ 13 Strauss: Zueignung (New York 1947) 00:46:45/ 14 PAGLIACCI Recitar... Vesti la giubba (New York 1947) 00:48:37/ 15 Brahms: Am Sonntag Morgen (Washington 1949) 00:51:36/ 16 Schubert: Ungeduld (Washington 1949) 00:53:31/ 17 Schubert: Gute Nacht (Washington 1949) 00:55:51/ 18 Schubert: Die Wetterfahne (Washington 1949) 01:00:45/ 19 Schubert: Der Leiermann (Washington 1949) 01:05:09/ 20 Schumann Die beiden Grenadiere (Vienna 1952) 01:08:54 */** 21 SIEGFRIED Nothung, niedliches Schwert (Stockholm 1954) 01:12:36/ 22 CARMINA BURANA (Stockholm 1954) 01:15:31 */** 23 IL TROVATORE Miserere (w/Nordmo-Lövberg, Stockholm 1958) 01:20:42/ 24 DON CARLO Prence se vuole (w/ Nordmo-Lövberg, Stockholm 1956) 01:25:22 25 CARMEN La fleur (Stockholm 1957) 01:35:09/ 26 CARMEN Finale (w/ K. Meyer, Stockholm 1957) 01:38:39/ 27 Stenhammar: Fylgia (Stockholm 1959) 01:47:10/ 28 Rangström: Tristans död (Stockholm 1959) 01:48:59/ BONUS 29 OTELLO Già nella notte (w/ N. Svanholm, New York 1950) 01:52:38/ 30 Tegnér: Gläns över sjö och strand (San Francisco 1948) 02:02:35/ NOTES: #03 was a private recording when SS still officially was a baritone. He made it as a test to see if he could sing tenor. #07 is an alternative take #08 was the first time the long version was heard in Sweden. The recording has been released on the EJS label albeit with incorrect dates #25 and 26 are of very poor quality (lots of wow and flutter) as the original tape was damaged. I decided to include it nonetheless as Don José was SS first and favorite tenor role #29 is the only recording of SS and his wife together in operatic repertoire. DISCOGRAPHY: (http•••)
Paul Marie Théodore Vincent Indy Indy Tegnér Bach Mozart Liszt Lore Guy Ropartz Théâtre Monnaie Schola Cantorum 1851 1889 1890 1891 1893 1895 1896 1897 1898 1931 2001
- Composer: Paul Marie Théodore Vincent d'Indy (27 March 1851 / 2 December 1931) - Performers: Quatuor Joachim - Year of recording: 2001 String Quartet No. 2 in E major, Op. 45, written in 1897. 00:00 - I. Lentement - Animé 12:24 - II. Très animé 16:59 - III. Très lent 27:40 - IV. Lentement - Très vif The decade of the 1890s was, for d'Indy, largely occupied with the monumental Fervaal / a project bequeathed by an earlier self. The subject matter, derived from Esaias Tegnér's "Axel," fascinated him fom the 1870s; composition occupied him from 1889 until 1893, while the orchestration was not completed until the summer of 1895. The premiere was achieved on 12 March 1897, at the Théâtre de la Monnaie in Brussels, requiring d'Indy's constant presence at rehearsals and unremitting influence with the Monnaie's management not to abandon it. Meanwhile, the Schola Cantorum, which had begun as a choral society for the revival of Renaissance religious music, was being transformed / with d'Indy's bankrolling, administrative energy, and course materials (the famous Cours de composition musicale) / into one of the finest music schools in the world. Given his dogmatically articulate conservatism, he emerged through these years as a partisan spokesman and chef d'école, in several senses / a position carrying tremendous pressure for every opus to be un coup de maître. The years dominated by Fervaal produced, apart from several small occasional pieces, but three ambitious works / all "masterpieces," in varying definitions / the String Quartet No. 1 over 1890-1891; Istar, a magnificent set of symphonic variations, in 1896; and the Second Quartet in 1897. The First Quartet bears as an epigraph a kind of melodic sigh furnishing the primary material of the first and second movements and reappearing in the remaining movements, though the work admits non-related ancillary themes. With the Second Quartet, d'Indy is determined to derive the materia musica from a single four-note cell, adduced in enigmatic fashion at the head of the score. Nominally G sharp, A, C sharp, B / an archetype found in Gregorian chant, Bach, the finale of Mozart's "Jupiter" Symphony / the staff bears three clefs indicating less absolute pitches than a basic shape, an intervallic series. This, and the curious themes derived from it, seem to protest too much against their arbitrariness through four substantial movements as d'Indy's considerable charm wears thin and his bracing athleticism turns wearing. His cellular technique / looking beyond Liszt and Bach to the Renaissance mass composers while anticipating developments in post-World War II dodecaphonic practice / and its extrapolation in sonata form possess interest for those trained to hear it. d'Indy succeeds magisterially, though for the listener innocent of technical lore his victory may prove to have been Pyrrhic, and only the 2nd movement may prove to be of interest to them. The premiere was given by the Parent Quartet on 5 March 1898, at a concert of the Société Nationale de Musique. The String Quartet is dedicated: "À J. Guy Ropartz".
Alice Tegnér Elsa Dreisig Brault Martinez Langlois
La Boîte à Pépites de Noël #24 Alice Tegnér Betlehems stjärna Alice Tegnér Elsa Dreisig, soprano Agathe Peyrat, soprano et ukulélé Héloïse Luzzati, violoncelle Sélène Saint-Aimé, contrebasse Romain Louveau, melodica Dana Ciocarlie, piano Célia Oneto Bensaid, piano Une production Elles creative women Direction artistique, Héloïse Luzzati Equipe artistique, Célia Oneto Bensaid / Lou Brault / Fiona McGown / Léa Hennino Réalisation, Bernard Martinez / Christian Langlois Illustrations, Casilda Desazars Ingénieure du son, Mireille Faure Assistant ingénieur du son, Louis Delegrange Préparation du piano et accord, Etienne Leroy
Gorecki Dahl Norden Vores Kan Sven David Sandström Sandström Henry Purcell Ola Gjeilo Francis Poulenc Olivier Messiaen Morten Lauridsen Venner Christians Kirke 2005 2013
Mogens Dahl Kammerkor er et professionelt ensemble bestående af 16 klassisk uddannede sangere fra hele Norden. Koret blev grundlagt i 2005 og har nu etableret sig som et af Nordens mest anerkendte klassiske ensembler. / Køb albummet North Room: (http•••) Køb albummet North: (http•••) / Abonnér på vores youtube-kanal: (http•••) Følg os på facebook: (http•••) Følg os på instragram: (http•••) Besøg vores hjemmeside: (http•••) / Dirigent: Mogens Dahl Kor: Mogens Dahl Kammerkor / Denne video er optaget til koncerten: Det Store Mysterium i Christians Kirke på Allehelgensaften d. 3. november 2013. Resten af programmet kan ses via dette link: (http•••) Program: Sven-David Sandström / Henry Purcell: Hear my Prayer, O Lord Ola Gjeilo: Tota Pulchra es Francis Poulenc: O Magnum Mysterium Henryk M. Gorecki: Three Lullabies Olivier Messiaen: Le Banquet Célèste (orgel) Henryk M. Gorecki: Totus Tuus Olivier Messiaen: O Sacrum Convivium Morten Lauridsen: O Magnum Mysterium / Igennem århundreder har Allehelgensaften været viet mindet om de døde og har samlet de kristne til forbønner for afdøde venner og slægtninge. Dette er en koncert i fordybelsens tegn, karakteriseret ved både vemod og en glædesfyldt forventning om det hinsidige. I denne koncert tegner vi en musikalsk kurve fra den fortvivlede anråbelse, over inderlig klippefast tro og kærlig omsorg for de nærmeste til dyb indre fred og glæde.
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): T...