Marthe Bracquemond Video
compositore
- Francia
Ultimo aggiornamento
2024-06-15
Aggiorna
Brun Angot Bracquemond Stolz Puget Louis Vierne Marcel Dupré Pierre Cochereau Charles Marie Widor Léonce Saint Martin Gaston Litaize Notre Dame Paris Schola Cantorum 1852 1886 1898 1900 1937 1938 1939 1943 1944 1945 1953 1954 1963 1973
Dedication: "pour Mme. Marthe Angot-Bracquemond +••.••(...))" Michel Estellet-Brun (organiste titulaire) plays M. Léonce Marie-Joseph de Saint-Martin-de-Paylha's Toccata de la Libération en la mineur on the great organ of the église catholique Saint-Joseph-des-Nations (III/P/46 Stolz-Gonzalez-Dargassies) in the 11th arrondissement of Paris, France. Played at a concert held in commemoration of the 60th anniversary of his death. This piece was written in 1944 and published in 1953. It commemorates the liberation of Paris on 25 August 1944, composed while the Second World War +••.••(...)) raged on. My friend Le Sheet Music Boi helped me produce this video. Subscribe to him and check him out if you want to see more score videos! (http•••) ABOUT THE COMPOSER: Monsieur le comte Léonce Marie-Joseph de Saint-Martin-de-Paylha (born 31 October, 1886, Albi, Tarn - died 10 June, 1954, Paris, Île-de-France) was a French nobleman who is primarily known as a virtuoso church and concert organist and composer. He was the temporary organist of the Moucherel-Isnard-Puget organ of the Cathedral of Saint Cecilia in Albi from 1900 to 1937 and titular organist of the Notre-Dame-de-Paris cathedral from 1938 to 1954, succeeding his friend and teacher Louis Vierne. The Saint-Martin family originated from the Ariège region of the Pyrenees and were of Spanish descent; the wealthy aristocratic family consisted of many generals and politicians who played an important role in French politics from the nineteenth century. The son of Jeanne Rouaïs (18??-1???), a pianist and housewife, and count Lucien Louis Henri de Saint-Martin-de-Paylha +••.••(...)???), he was one of three children. He had an early interest in music and began taking organ lessons at the age of nine and piano lessons under his mother at the age of four. Saint-Martin was often criticised in his lifetime and rarely ever praised due to his sudden accession to the organ loft of Notre-Dame, his lack of experience and much more, despite being a virtuoso. Though he was a substitute for some time, Vierne's will dictated that a competition would be held to find his successor which was not held. The reluctant appointment of Saint-Martin by the cathedral caused widespread protests and outrage in the organ world even though he was considered by a few parties to be a great player. He had very few friends in the organ world and was an "outcast" to the rest of Parisian society (these comments still persist today due to his obscurity). His best friend, Marcel Dupré, regularly supported him and kept his career alive while the rest of the scene scorned him. His legacy remains in many compositions which have emotional and virtuosic character and is unfortunately often underlooked, being overshadowed by his predecessor Vierne and his successor Pierre Cochereau. As a virtuoso, he was impeccable and had been the second person to play Dupré's Trois préludes et fugues op. 7, contradicting Charles-Marie Widor's comment about them being "unplayable". It must be remarked that he was self-taught, though he did have a few private lessons with Louis Vierne, and did not enter any conservatories whatsoever. A pious man, numerous themes which are very obviously influenced by his Roman Catholic faith appear in his works. An association called "Les Amis de Léonce de Saint-Martin" exists in his memory which was founded in 1963. His title of "Count" was purely ceremonial and hereditary. He did not occupy any political positions nor govern any territories, even then he was not interested in law nor politics. ABOUT THE ORGANIST: Born in Bordeaux in 1943, Michel Estellet-Brun studied the organ at the Schola Cantorum in Paris, and then undertook further study with Gaston Litaize and Cochereau. His appointments include Beauvais Cathedral, the Royaumont Abbey, and the churches of Notre Dame de la Croix, St Georges and St Joseph des Nations in Paris. His discography includes a recording of organ music by the Czech Josef Klicka, on the Alpha label: bringing the work of this unjustly neglected composer to public attention has been a substantial element in his career. His compositions include the oratorio La Passion à Menilmontant as well as much solo organ music, some of which is published by Fagus (Scotland) and also worked on a work based on the stations of the cross. Michel is a frequent visitor to England and has played at Salisbury Cathedral (where he improvised a 44-minute Symphonic Suite in four movements before an enthralled audience of young organists), Westminster Abbey, St. Paul’s Cathedral and, most recently, at Westminster Cathedral, where he played a set of improvisations during a Sunday evening Mass. He has also played in Germany and the Czech Republic, where he gave the final concert of the Organ Festival of Eastern Europe in Olomouc Basilica, as well in his native France. He received a medal from the Paris archbishop for his musical work.
Duran Durand Latour Félix Bracquemond Sargent Cox Maximilien Carroll Beckwith Stevenson 1800 1837 1853 1859 1861 1862 1866 1867 1869 1870 1872 1878 1889 1890 1900 1904 1913 1917
•••@••• Charles Auguste Emile Durand, known as Carolus-Duran (Lille 4 July 1837 – 17 February 1917 Paris), was a French painter and art instructor. He is noted for his stylish depictions of members of high society in Third Republic France. He was the son of a hotel owner. His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800-?) at the Académie de Lille; then took up painting with François Souchon, a student of Jacques Louis David. He went to Paris in 1853, where he adopted the name "Carolus-Duran". In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861. One of his early influences was the Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Vélazquez. Upon returning to France, he was awarded his first gold medal at the Salon. In 1867, he became one of the nine members of the "Société Japonaise du Jinglar" (a type of wine); a group that included Henri Fantin-Latour, Félix Bracquemond and Marc-Louis Solon. They would meet once a month in Sèvres for a dinner "à la Japonaise". He married Pauline Croizette, a pastellist and miniaturist who had posed for his painting "The Lady in Gloves" in 1869. They had three children. Their eldest daughter, Marie-Anne, married the playwright Georges Feydeau. After 1870, he devoted himself almost entirely to portraits. His success allowed him to open a studio on the Boulevard du Montparnasse, where he also gave painting lessons. He was named a Knight in the Légion d'honneur in 1872; being promoted to Officer in 1878, Commander in 1889 and Grand Officer in 1900. In 1889 and 1900 he served on the juries at the Expositions Universelles. In 1890, he was one of the co-founders of the second Societyé Nationale des Beaux-Arts and he was elected a member of the Académie des Beaux-Arts in 1904. The following year, he was appointed Director of the French Academy in Rome, a position he held until 1913. He was a frequent visitor to the resort at Fréjus, where he owned a small villa. Following his death, the resort named a plaza and a beach after him. Pupils - They include John Singer Sargent, Ralph Wormeley Curtis, Kenyon Cox Theodore Robinson, Mariquita Jenny Moberly. Mariette Leslie Cotton, Maximilien Luce, James Carroll Beckwith, Will Hicok Low, Paul Helleu, Robert Alan Mowbray Stevenson and Ernest Ange Duez. Of his twenty-five most notable students, the majority were English or American. 查爾斯·奧古斯特·埃米爾·杜蘭德,被稱為卡羅勒斯 - 杜蘭(里爾1837年7月4日 - 1917年2月17日巴黎),是法國畫家和美術教師。他是個著名的上流社會在第三共和國法國成員的時尚描繪。 他是一個酒店老闆的兒子。他的第一個借鑒是與名為奧古斯丁 - 菲迪亞斯少年德Beaupré的(1800-?)本地雕塑家在Académie里爾;然後拿起畫弗朗索瓦·索奇,雅克·路易·大衛的學生。他去巴黎在1853年,他採取了名為“卡羅勒斯 - 杜蘭”。 1859年,他在沙龍進行了首次展覽。同年,他開始參加的Académie瑞士,在那裡他學習,直到1861年他的一個早期的影響是庫爾貝的現實主義。 1862年至1866年,他前往羅馬和西班牙,這要歸功於他的家鄉授予獎學金。在那段時間裡,他從庫爾貝的風格搬走,並成為更感興趣維拉斯奎茲。回國後到法國,他在沙龍授予了他的第一枚金牌。 1867年,他成為了“興業Japonaise杜Jinglar”的九名成員之一(一種酒);的基團,其中包括亨利丹 - 拉圖爾,費利克斯·布拉奎蒙德和馬克·路易斯·索隆。他們會每月一次見面塞弗爾的晚餐“點菜Japonaise”。 他娶波林Croizette,一個pastellist和微雕誰了他的油畫“聖母在手套”1869年他們有三個孩子提出的問題。他們的大女兒瑪麗 - 安妮,嫁給了劇作家喬治斯·費多。 1870年以後,他致力於幾乎完全肖像。他的成功讓他開大道上杜蒙帕納斯,在那裡他也給了繪畫課工作室。他被評為1872年軍團勳章騎士;被晉升為主任於1878年,指揮官於1889年,盛大總裁於1900年。 1889年和1900年他擔任了在表演Universelles的陪審團。 1890年,他是第二Societyé國立美術學院的聯合創始人之一,他當選為法蘭西藝術院在1904年一員次年,他被任命為法國科學院主任在羅馬,一個位置他擔任直到1913年。 他是一個常客在弗雷瑞斯,在那裡他擁有一個小別墅度假村。跟隨他的死亡,酒店命名為廣場,之後他海灘。 學生 - 他們包括約翰·薩金特,拉爾夫·沃爾默利·庫蒂斯,肯揚 - 考克斯西奧多·羅賓遜,馬里基塔珍妮莫伯利。瑪麗特萊斯利棉,馬克西米盧斯,詹姆斯·卡羅爾貝克威思,威爾·希科·洛,保羅HELLEU,羅伯特艾倫莫布雷史蒂文森和歐內斯特·安格Duez。他25最顯著的學生中,大部分是英國人或美國人。
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): B...