Dmitri Kourliandski Video
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2024-05-09
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Dmitri Kourliandski Mercy Capdenat Makarov 2020
(http•••) A short film to present the new production of Eurydice (Premiere, October 2020) EURYDICE Music: Dmitri Kourliandski Text: Nastya Rodionova Stage direction: Antoine Gindt with : Dominique Mercy (Orphée), Jeanne Crousaud (Eurydice), Bianca Chillemi (piano) Collaboration to the direction: Elodie Brémaud , Set design: Elise Capdenat, Lighting: Daniel Levy, Costumes: Fanny Brouste , Props: Pia de Compiègne , Computer software programming: Oleg Makarov Production: T&M Nîmes/Occitanie Coproduction: Scène de Recherche ENS Paris-Saclay, Théâtre de Nîmes, I Teatri Reggio Emilia, With the support of the Fonds de Création Lyrique (SACD), Région Ile-de-France, Occitanie en Scène Thanks to L'Onde Théâtre-Centre d'Art de Vélizy. Video by Julien Ravoux T&M, 2020
Mdi Ensemble Dmitri Kourliandski Lattuada Gentili Casati 1976 2016
Dmitri Kourliandski (1976) - Punctuation Marks, for ensemble Live Performance for Sound of Wander 2016 at Auditorium Lattuada, Milan / mdi ensemble Lorenzo Gentili-Tedeschi, violin Giorgio Casati, violoncello Paolo Vignaroli, flute Paolo Casiraghi, clarinet Luca Ieracitano, pianoforte www.mdiensemble.com
Dmitri Kourliandski Teodor Currentzis Vinogradov Perm Opera Ballet Theatre Opera Ballet Theatre 2014
(http•••) The opera puts a special emphasis on the quality of despair, starting with the mythology of ancient Greece, with Persephone as the first example of the living/dead dichotomy (each year she would spend six months in Hades and six months on earth), through the rich analogies from the Medieval literatures, all the way to the literary themes of the Romantic period, and continuing in the cinematography of the 20th and 21st centuries, which includes over one hundred films on the subject. From the standpoint of music, the idea of immersion into the human organism is realized not so much through naturalistic means, but rather through an attempt to recreate the rhythmic and acoustic aura of a functioning organism in the structure of the musical score and in the very material of the sounds: the claustrophobic nature of the human body is depicted as a cage in which the free spirit is doomed to thrash about. Dmitri Kourliandski / Nosferatu was commissioned by the Perm Opera and Ballet Theatre with the kind support of Stella Art Foundation. The world premiere took place in Perm on 13 June 2014. Performed by: musicAeterna Orchestra and Chorus Conductor: Teodor Currentzis Chorusmasters: Vitaly Polonsky, Arina Zvereva Nosferatu: Tasos Dimas Persephone: Sofia Hill Coryphaeus: Alla Demidova Three Graeae: Natalia Pschenitschnikova The Mirror of Three Graeae: Eleni Lydia Stamellou Director: Theodoros Terzopoulos Artist: Jannis Kounellis Costumes: Loukia Special thanks to: Fedor Lednev, Artem Abashev, Alexander Rytov, Anna Agafonova, Anna Balandina, Eugenia Rytchagova, Eugeny Vinogradov, Philipp Razenkov, Arina Panfilova, Kathy Nellens, Marc de Mauny and many others who helped the Nosferatu to be born Recorder by: Volker Bernhart, Marat Bariev, Perm Opera and Ballet Theatre, Perm, June 2014 Edited by: Alexander Mikhlin Mixed, mastered by: Alexander Mikhlin Design by: Polina de Mauny Co-produced by: Electrotheatre Stanislavsky Produced by: Sergey Krasin
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