Eamonn Dougan Video
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Jersey Chamber Orchestra Eamonn Dougan Mackenzie Milos Milivojevic 2018
Kosmos Ensemble (Harriet Mackenzie - violin, Meg Hamilton - viola, Milos Milivojevic), perform the premiere of the Triple Concerto written for them by Errollyn Wallen with the Jersey Chamber Orchestra and Eamonn Dougan conducting. Jersey Liberation Festival 2018.
Johann Sebastian Bach Pergolesi Eamonn Dougan Atkinson Macleod 1685 1750
To keep livestreamed performances free, we need you. Please make a gift at (http•••) This concert opens with Bach’s masterful arrangement of Pergolesi’s Stabat Mater. Written roughly a decade after the original, Tilge, Höchster, meine Sünden sets the Italian composer’s music to German text based on Psalm 51. The second piece in the programme presents Bach as an arranger of his own music; originally composed for solo bass voice and obbligato oboe, this version of Ich habe genug instead employs soprano and flute soloists. PROGRAMME: Johann Sebastian Bach +••.••(...)) Tilge, Höchster, meine Sünden, BWV 1083 Ich habe genug, BWV 82a Eamonn Dougan – director Isabelle Atkinson and Isla MacEwan – soprano Lauren Macleod – mezzo-soprano Daniel Swani – flute Academy Baroque Soloists All performers at this event are conforming to our safety requirements of being at least two metres apart.
Bartłomiej Pękiel Eamonn Dougan Marco Scacchi Monteverdi McAlister Matheson Portal 1600 1612 1633 1645 1655 1656 1657 1670 1732 1750 1781 2007
POLSKA MUZYKA / POLISH MUSIC/ XIII - XXI w. (zbiory i opracowania "czarmuzyki") / (http•••) / *--------------- Poland! The Beauty of Polish Renaissance / Baroque (Art & Music) / (http•••) / Bartłomiej Pękiel (fl.1633-1670) ~ Wyk.: The Sixteen / Eamonn Dougan (c.). / ~ Sound HD, 1600 kbps. / MISSA a14: 1. Kyrie 2. Gloria 3. Resonet in laudibus 4. Dulcis amor Jesu 9:00 5. Magnum nomen Domini 6. Audite mortales 7. O adoranda Trinitas 8. Nativitas tua MISSA CONCERTATA LA LOMBARDESCA: 9. Kyrie 10. Gloria 11. Assumpta est Maria 12. Credo 13. Ave Maria 14. Sanctus 15. Benedictus 16. Agnus Dei. / BARTŁOMIEJ PĘKIEL was one of the most eminent Polish composers of choral music of the 17th century (music: prima pratica and seconda pratica). He served at the court in Warsaw from around 1633 and was assistant to Marco Scacchi at the Chapel Royal in Warsaw before becoming Kapellmeister himself from 1645-1655 - the first non-Italian to hold the post. He then moved to Wawel Cathedral in Krakow where he wrote for the Rorantist vocal ensemble.Just 29 of his compositions survive today and on this new album by The Sixteen under the direction of Associate Conductor, Eamonn Dougan, we present 11 of his works for choir and orchestra including the Missa Concertata La Lombardesca resplendent with double choir, violins and trombones, and the extraordinary and dramatic Audite mortales. In this recording dedicated solely to his works, Pękiel shows himself to be a skilled craftsman, mastering the techniques taught by the Italian maestri, but also imbuing his works with his own particular harmonic colour in all the varied styles he writes in. ~ The Sixteen / Eamonn Dougan. / 'Pękiel… emerges again – thanks to The Sixteen’s outstanding new disc – as a figure of polyphonic virtuosity.’ The Sunday Telegraph, Seven Magazine. 'The sound world, very loosely, brings to mind Monteverdi. The exciting dissonances and strange harmonic colours set Pękiel in a category of his own.' The Observer. 'Punchy, potent, glorious. This is a disc of stunning baroque music from a beautifully-refined vocal collective.' McAlister Matheson Music. / ~ POLSKI RENESANS i BAROK w autorskiej fonotece / (http•••) ~ POLSKA MUZYKA / POLISH MUSIC/ XIII - XXI w. (zbiory i opracowania czarmuzyki) / (http•••) / ~ Zdjęcia / photography / Ewa Chamiec (2007). Wnętrza Katedry gnieźnieńskiej i jej znamienitych 'didaskaliów': ~ Późnobarokowe / klasycystyczne figury aniołów - strażników u wejścia do najstarszej kaplicy Katedry / Bożego Ciała; ~ kunsztowna, urzekająca figura jednego z dwóch aniołów ołtarza kaplicy Bożego Ciała (wczesny klasycyzm, ok. 1781 roku); ~ kuta, srebrna blacha z 1732 w kształcie winnego krzewu, w którą wkomponowano drewnianą, gotycką rzeźbę Ukrzyżowanego, od lat czczoną jako Cudowny Krzyż Gnieźnieński. Przed tym krucyfiksem, ustawionym w polowym ołtarzu w czerwcu 1657 roku, modliły się polskie wojska podczas wojny ze Szwedami. Po pokoju oliwskim krzyż wrócił do kaplicy Pana Jezusa (inaczej kaplicy Krzyża); ~ fragment ołtarza kaplicy Niepokalanego Poczęcia NMP, inaczej kaplicy abpa Gembickiego; ~ monumentalny nagrobek abp. prymasa Wojciecha Baranowskiego (XVII w. / kaplica Baranowskiego); ~ obraz mal. i płaskorzeźbiony Matki Boskiej z Dzieciątkiem z kaplicy Bożego Ciała; ~ detale kaplicy Kołudzkich / jednej ze starszych kaplic Katedry. XVII-wieczny wystrój nie został zakłócony żadnymi późniejszymi dodatkami. We wnętrzu znajduje się ołtarz z czarnego marmuru z białymi alabastrowymi elementami dekoracyjnymi, wyrzeźbiony ok. 1656 w tym samym warsztacie /Richtera/ co portal; ~ wnętrze kaplicy Doktorskiej: stiukowy, rokokowy ołtarz z 1750 roku, renesansowe epitafium doktorów: Josickiego i Oczki z roku 1612; ~ oraz dojmujący, współczesny "Agnus Dei" (kadr końcowy). A propos: Kaplice Katedry gnieźnieńskiej. Chapels of Primatial Cathedral Basilica. Gniezno. Poland / (http•••) /
Bartłomiej Pękiel Marco Scacchi Eamonn Dougan Monteverdi McAlister Matheson 1600 1633 1645 1655 1670 1982
15 sierpnia POLAND! Bartłomiej PĘKIEL (fl.1633-1670), MISSA a 14 (ex.) & MISSA CONCERTATA LA LOMBARDESCA. The Sixteen: (http•••) ~ FULL! Welcome to! / *--------------- ️️W pracy wykorzystano internetową kopię świętej Ikony Matki Boskiej Częstochowskiej, a także reprodukcję niezwykłego plakatu Wiesława Strebejko (VI Musica Antiqua Europae Orientalis, 1982 / offset barwny, 92 x 67 cm /)️️ * ~ Zdjęcia /video photography / real. Ewa Chamiec. * ~ Sound HD, 1600 kb/s. / *--------------- The Beauty of Polish Renaissance / Baroque (Art & Music) / (http•••) / *--------------- POLSKA MUZYKA / POLISH MUSIC/ XIII - XXI w. (zbiory i opracowania "czarmuzyki") / (http•••) / *--------------- BARTŁOMIEJ PĘKIEL was one of the most eminent Polish composers of choral music of the 17th century (music: prima pratica and seconda pratica). He served at the court in Warsaw from around 1633 and was assistant to Marco Scacchi at the Chapel Royal in Warsaw before becoming Kapellmeister himself from 1645-1655 - the first non-Italian to hold the post. He then moved to Wawel Cathedral in Krakow where he wrote for the Rorantist vocal ensemble.Just 29 of his compositions survive today and on this new album by The Sixteen under the direction of Associate Conductor, Eamonn Dougan, we present 11 of his works for choir and orchestra including the Missa Concertata La Lombardesca resplendent with double choir, violins and trombones, and the extraordinary and dramatic Audite mortales. In this recording dedicated solely to his works, Pękiel shows himself to be a skilled craftsman, mastering the techniques taught by the Italian maestri, but also imbuing his works with his own particular harmonic colour in all the varied styles he writes in. ~ The Sixteen / Eamonn Dougan. / 'Pękiel… emerges again – thanks to The Sixteen’s outstanding new disc – as a figure of polyphonic virtuosity.’ The Sunday Telegraph, Seven Magazine. 'The sound world, very loosely, brings to mind Monteverdi. The exciting dissonances and strange harmonic colours set Pękiel in a category of his own.' The Observer. 'Punchy, potent, glorious. This is a disc of stunning baroque music from a beautifully-refined vocal collective.' McAlister Matheson Music. / ~ POLSKI RENESANS i BAROK w autorskiej fonotece / (http•••) ~ POLSKA MUZYKA / POLISH MUSIC/ XIII - XXI w. (zbiory i opracowania czarmuzyki) / (http•••) /
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