Eric Salzman Video
compositore, professore universitario, critico musicale, giornalista, scrittore
- opera
- Stati Uniti d'America
Ultimo aggiornamento
2024-05-01
Aggiorna
Franz Schubert Robert Schumann Šubert Fou Ts Ong Sali Faber Sibelius Ribera Salzman András Schiff Charles Rosen Diabelli Mariinsky Theatre Weilburger Schlosskonzerte Wiener Kammerorchester Tapiola Choir 2022
Uki Ovaskainen, klavir 26.01.2022. u 20.00, Svečana sala Skupštine Grada Uki Ovaskainen je odabrao Šubertovu Sonatu u Ge–duru i Šumanovu Fantaziju u Ce–duru, obimna i emotivno raskošna romantičarska dela. Program: Franc Šubert Sonata u Ge–duru, D. 894 ( 00:06 ) Molto moderato e cantabile Andante Menuetto. Allegro moderato — Trio Allegretto Robert Šuman Fantazija u Ce–duru, op. 17 ( 52:14 ) Durchaus phantastisch und leidenschaftlich vorzutragen Mässig. Durchaus energisch Langsam getragen. Durchweg leise zu halten Biografija: Uki Ovaskainen je laureat, dobitnik specijalne nagrade Contemporanea i nagrade publike na takmičenju Premio Jaen u Španiji. Studirao je na Muzičkoj akademiji Sibelijus u Helsinkiju, na Kraljevskom danskom konzervatorijumu u Kopenhagenu u klasi prof. Hozea Ribere, i na solističkom odseku Visoke škole za muziku i scenske umetnosti u Hanoveru u klasi prof. Matija Raekalija. Radio je sa istaknutim umetnicima i pedagozima kao što su Pnina Salcman, Andraš Šif, Emanuel Krasovski, Čarls Rozen, Jali Vagman i Fu Cong. Nastupa kao solista i kamerni muzičar u Srbiji i širom Evrope, između ostalog na festivalima kao što su: Savremeni likovi pijanizma Mariinskog tetra, Hagen Open, Međunarodni festival muzike u Burgosu, Dijabeli leto u Maceu, Koncerti u dvorcu Vajlburg, Zlatni dani Kopenhagena, Međunarodna nedelja pijanizma u Espou. Izveo je na Kraljevskom danskom konzervatorijumu u Kopenhagenu jedinstvenu seriju od 8 resitala sa različitim programom u toku samo 11 dana. Svirao je, između ostalog, kao solista sa simfonijskim orkestrom Marinskog teatra u Sankt Peterburgu i Filharmonijom Kopenhagena u Velikoj sali Tivolija, nastupao je u Koncerthausu u Beču, na koncertima kamerne muzike Bečkog kamernog orkestra, radio je kao korepetitor Opere Faber u Portugalu. Sa čuvenim finskim horom Tapiola (kao član i pijanista) nastupao je na preko 200 koncerata, na četiri kontinenta. Aktivan je i kao umetnički organizator turneje kamerne muzike u Danskoj koja nosi njegovo ime. Takođe, snimio je ulogu korepetitora baleta Kirov u filmu Rejfa Fajnsa Bela vrana. Angažovan je kao oficijelni klavirski saradnik na Međunarodnom takmičenju Muzičke omladine u Beogradu. Svoje pedagoško delovanje proširuje radom sa ansamblima sa i bez klavira, kao i sa gudačkim orkestrom, u okviru organizacije ArtLink. Angažovan je u nastavi na Fakultetu muzičke umetnosti u Beogradu kao samostalni umetnički saradnik na katedri za gudačke instrumente. Redovno nastupa sa eminentnim srpskim i inostranim instrumentalistima i pevačima. / Uki Ovaskainen, piano 26.01.2022. at 20.00, The City Assembly of Belgrade Program: Franz Schubert Sonata in G major, D. 894 ( 00:06 ) Molto moderato e cantabile Andante Menuetto. Allegro moderato — Trio Allegretto Robert Schumann Fantasie in C major, Op. 17 ( 52:14 ) Durchaus phantastisch und leidenschaftlich vorzutragen Mässig. Durchaus energisch Langsam getragen. Durchweg leise zu halten Biography: Uki Ovaskainen studied at the Sibelius Academy in Helsinki, in Copenhagen with José Ribera and at the Hochschule für Musik, Theater und Medien Hannover with Professor Matti Raekallio. He has also worked with such renowned artists as Pnina Salzman, András Schiff, Emanuel Krasovsky, Charles Rosen, Yahli Wagman and Fou Ts’ong. He was the winner of the 1st prize, the special prize Contemporánea and the Audience Award at the Premio Jaén Piano Competition in Spain. He makes regular appearances as a soloist and chamber musician throughout Europe, at festivals such as the Mariinsky Theatre’s International Piano Festival, the Hagen Open, the International Burgos Music Festival, the Mattsee Diabelli Sommer, the Weilburger Schlosskonzerte, Golden Days of Copenhagen and the PianoEspoo International Festival. He performed eight different solo recitals over the course of eleven days at the Royal Danish Academy of Music in Copenhagen, which is the largest individual project ever presented at the Academy. Uki Ovaskainen has performed as a soloist with the Sjælland and Aalborg Symphony Orchestras among others, performed at the Konzerthaus in Vienna in chamber music concerts of the Wiener KammerOrchester, worked as a co-repetiteur for Opera Faber in Portugal, performed piano parts in professional orchestras in Denmark and in Serbia, worked with professional choirs and appeared at more than two hundred concerts on four continents as a member and pianist of the Tapiola Choir. He is the Artistic Organiser of the Uki Ovaskainen Chamber Tour in Denmark. He is an official accompanist at competitions organised by Jeunesses musicales in Belgrade. He works as an accompanist for strings at the Belgrade Faculty of Music, but places equal importance on performances with all-string and wind orchestras, as well as with singers.
This music is from a French-language production of Brecht's "The Good Person of Szechuan" directed by Antoine Laprise. The score was commissioned by Theatre du Trident in Quebec. Text: Au temps de l’amour et de la bonté Qu’on dit aujourd’hui bien dépassés J’adorais la vie, je voulais m’en aveugler Je cherchais le paradis et une vie de pureté Bien vite, j’ai eu ma leçon On perd la vue à trop chercher À connaître l’illumination Je l’ai connue. Je l’ai aimée. De toutes petites miettes qui rendent si heureux Malgré un destin toujours malheureux Il ne faudrait donc jamais cueillir le coquelicot Sous prétexte qu’il sera un jour fané? Moi je dis : Allons! Aspirons-la fumée noire Crachons-la vers les cieux gelés Bientôt nous aussi nous disparaîtrons. Autrefois je croyais que mon intelligence me sauverait J’étais optimiste autrefois Aujourd’hui je suis vieux, et je vois que j’avais tort L’intelligence peut-elle vraiment combattre la famine? Alors je dis: Allons! Aspirons-la fumée noire Crachons-la vers les cieux gelés Bientôt nous aussi nous disparaîtrons. On dit que les vieux n’aiment pas l’espoir Ce qu’ils veulent, c’est du temps, et le temps file On dit que pour les jeunes, les portes sont grand ouvertes Elles sont ouvertes sur le grand vide Comme les autres je dis: Allons! Aspirons-la fumée noire Crachons-la vers les cieux gelés Bientôt nous aussi nous disparaîtrons. In times of love and kindness Which, today, are said to be out of fashion I adored life, I wanted to be blind, I searched for paradise and a pure life Soon enough, I learned my lesson: One loses sight who searches too long To know the light I knew it, I loved it Of all the little crumbs that make one happy In spite of an ever-unhappy fate Must one never pick the poppy, With the excuse that it will one day wither? But I say: Let us go! Inhale the black smoke Blow it out toward the frozen sky Soon enough, we, too, will blow away In the past, I believed my intelligence would save me I was an optimist, in the past Now I am old, and I see that I was wrong Is intelligence any match for famine? But I say: Let us go! Inhale the black smoke Blow it out toward the frozen sky Soon enough, we, too will blow away It is said that old people do not like hope, That what they desire is more time, and time flies It is said that for the young all doors are wide open They are indeed open on the enormous void Like the others, I say: Let us go! Inhale the black smoke Blow it out toward the frozen sky Soon enough, we, too will blow away
Eric Salzman Philip Glass Schultz 2000
This two part show (provided here in an edited version) originally aired on April 1st and April 8th, 2000 on WGDR 91.1 FM Plainfield, Vermont. Originally titled "Showtunez I" and "Showtunez II" the episodes also included excerpts from other composer composers of Music Theater. Several of the Salzman recordings featured on the broadcast have been re-released by Labor Records (LAB 7089 - Civilization and its Discontents, LAB 7092 - Wiretap/Helix, Nude Paper Sermon) Musical Excerpts: Eric Salzman: The Nude Paper Sermon. Stacy Keach, Nonesuch Consort. Nonesuch LP H-71231. Eric Salzman: Helix, beginning. From "Wiretap". Finnadar LP QD-9005. Philip Glass: Hydrogen Jukebox, Song #7, from Howl Part II. Elektra Nonesuch CD 9 79286-2. Michael Sahl/Eric Salzman: Civilization and Its Discontents, excerpt. Quog Music Theater. Recording provided by Eric Salzman. Valeria Vasilevski/Eric Salzman: The True Last Words of Dutch Schultz, beginning. Opera Centrum Nederland. Recording provided by the composer. Valeria Vasilevski/Eric Salzman: The True Last Words of Dutch Schultz, excerpt with William Burroughs. Opera Centrum Nederland. Recording provided by the composer. Valeria Vasilevski/Eric Salzman: The True Last Words of Dutch Schultz, last words. Opera Centrum Nederland. Recording provided by the composer. Eric Salzman: The Nude Paper Sermon. Stacy Keach, Nonesuch Consort. Nonesuch LP H-71231.
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- cronologia: Compositori (Nord America).
- Indici (per ordine alfabetico): S...