James Edmond Farrow Video
compositore
- Inghilterra
Ultimo aggiornamento
2024-05-10
Aggiorna
Ferrer Rees Connor Farrow Hans Zimmer 1630 1955 2023
TUNE OF THE WEEK [OUT NOW] •••@••• (http•••) (http•••) (#New Account Private) (http•••) DJ Balouli Presents #OSOT (Opera Sound Of Trance) Tracklist : #INTRO MIX : #TUNE OF THE WEEK : RAM, Darren Porter - The Calling (Xijaro & Pitch Extended Remix) 04:49 #UPLIFTING OF THE WEEK : Luminn - Devotion (Dreamland Anthem) (Extended Mix) 09:41 Amar N - Missing Piece (Extended Mix) 16:30 #OUTNOW : Farhad Mahdavi - Magnetar vs Paul A Pele - Chernobyl (DJ Balouli Mashup) 19:55 Susana, Hazem Beltagui - Silent For So Long (Maratone Remix) 25:25 #ORCHESTRAL OF THE WEEK : Maxeus - Wolf 42 (Extended Mix) 28:35 #OSOT : ID vs Andrea Ribeca - Perseverance (DJ Balouli Mashup) 35:15 Woody Van Eyden feat Diago - Tomorrow Is Now (Extended Mix) 40:39 Rhys Elliott - Desolate (Extended Mix) 46:35 Adam Ferrer - Emergency (Extended Mix) 51:09 #UPLIFTING : Will Rees, Connor Woodford - Starlight (Extended Mix) 58:05 #PROGRESSIVE OF THE WEEK : Andrew Henry - It Might Have Been (Extended Mix) 01:02:25 Tom Grox - Memories (Original Mix) 01:05:53 Sean Truby & South Of The Stars - Myst (Extended Mix) 01:10:59 Darren Porter feat Susana - The Hero In Me (Extended Mix) 01:17:05 Bixx - Now or Never (Extended Mix) 01:22:09 VEIZO - Stay up with Me (Extended Mix) 01:27:55 Auturia - Believe (Extended Mix) #DEEP #PROGRESSIVE #TECHNO OF THE WEEK : 01:32:13 F4T4L3RR0R - The Future 01:35:55 Astiko - Get Down to the Beat (Extended Mix) 01:39:25 Nikolauss - Monolith (Extended Mix) 01:45:25 Tommy Farrow - Maybe, It's Possible (Extended Mix) 01:49:15 Hans Zimmer, Angèlia Grace - Time Genre : Orchestral Trance | Uplifting | Epic Trance | Melodic Trance
Johann Sebastian Bach Siegel Kaufman Stapp Robert Bloom Farrow Bach Aria Group 1914 1946 1948 1996
A Time for Bach, a film commissioned by William H. Scheide, ((http•••) the founding Artistic Director, resident scholar, and patron of the Bach Aria Group. Written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp, the film was produced, directed, and edited by Paul Falkenberg in 1948. An original is archived at MoMA. (Please have patience with the wobbly beginning of this rare copy.) An excerpt from chapter one of A Time for Bach: The Story of the Bach Aria Group +••.••(...)) is printed below. The entire chapter is available on RobertandSaraLambertBloom.com ((http•••) Just as the war was ending, a young scholar-musician born in Philadelphia on January 6, 1914, raised in his ancestral home in Titusville, Pennsylvania, and who had immersed himself in the study of the music of J.S. Bach since the mid-1930s, had the idea that he could do something to help. The twentieth century has received spiritual shocks that make the tranquil experience of the nineteenth seem ridiculous. No more cataclysmic shattering of a world could be imagined. And yet the protagonists of music, that small minority for whom music has presumably become the serious matter of their lives, continue to propagate this shattered world as though it still existed unimpaired, Mr. Scheide wrote in 1946 in an unpublished article, "The Need for a New Music," that shows both his unwillingness to stand idly by and his faith in the power of a certain kind of music. Nearly simultaneously with the founding the Bach Aria Group, William Scheide commissioned a short film through which he announced the mission and revealed the inner workings of the Group under his direction. A Time for Bach was written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp; it was produced, directed, and edited by Paul Falkenberg, all respected professionals of the day. With the Group's newly gathered musicians making what was probably their first and last acting appearances (in alphabetical order: Julius Baker, flute; Robert Bloom, oboe; Jean Carlton, soprano; Norman Farrow, bass-baritone; Bernard Greenhouse, cello; Robert Harmon, tenor; Sergius Kagen, piano; Margaret Tobias, alto; Maurice Wilk, violin), the twenty-minute film begins with fanciful composites of eighteenth-century engravings animated by Stapp while Bach's great C Major Fugue is heard, performed by the organist Carl Weinrich. Overlaid scrolls the written message: Few periods in history could be more different in mood than the time of Bach and our own. The joy of living of baroque culture and a transcendent religious faith characterize Bach's life and work. It is a far cry from the harshness and furious tempo of the world in which we live. Many creative forces, however, challenge our time, trying to reconcile its contradictory elements. Within this context, the film traces the rehearsal work of the BAG, a unique ensemble of vocalists and instrumentalists, first organized in 1946 by William H. Scheide. In reintroducing the little-known arias from Bach's more than 200 extant cantatas, the Group has offered to radio, record, and concert audiences a new Bach--gay and buoyant yet spiritual and deeply moving. The Group's work represents an attempt to bridge two centuries and to bring to the present day something of the strength, the inspiration, and the peace of mind of Johann Sebastian Bach. Cut to the harshness and furious tempo of postwar America. With a snare drum tapping out a frantic cadence, the audio sharply shifts from the magnificent organ work to a screaming factory whistle while the camera pans down the Empire State Building, the still fresh American icon whose record height stood until the building of the World Trade Center decades later, and then traces up an industrial smoke stack. Ordinary people are shown hurrying amid symbols of both the mundane and the extraordinary events of their daily lives---a telephone, a tornado, an army tank; pipelines and protesters; a wrecking ball, and Babe Ruth running the bases; marathon dancing; trains and apartment buildings and mills; crowded masses during travel, rest, and work. The drum's incessant beating accompanies the text of the film's breathless chant: Run, run, run (to get your bread)...(to get it all)...(or you'll be dead). But then, symbolically, blinds, doors, and windows are opened to the sounds of Bach's serene oboe obbligato from the aria from Cantata 82: "Ich habe genug" ("It is enough"). The camera pans across men and women at work on sculptures and drawings, pursuing academics, the literary and medical arts, the acts of voting and working together as citizens, capturing the sense of enlightenment and renewal for which the country was striving after the war.
Andre Previn was a composer, conductor and performer who played jazz with greats Ella Fitzgerald and Benny Carter. He also earned Academy Awards for his musical contributions to films such as “Gigi” and “My Fair Lady.” Married five times, including to Mia Farrow, Previn died at age 89. Stream your PBS favorites with the PBS app: (http•••) Find more from PBS NewsHour at (http•••) Subscribe to our YouTube channel: (http•••) Follow us: Facebook: (http•••) Twitter: (http•••) Instagram: (http•••) Snapchat: @pbsnews Subscribe: PBS NewsHour podcasts: (http•••) Newsletters: (http•••)
Eileen Farrell Bach Farrow Bach Aria Group
Here is the complete cantata 58 (this is part 1 of 2). The bass soloist is Norman Farrow. Another classic performance by the Bach Aria Group. I have created several playlists for Eileen Farrell / all filled with very rare performances and out of print recordings. Here is a link to her Bach playlist: (http•••)
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): F...