Felicjan Szopski Video
compositore, insegnante di musica, professore universitario
Commemorazioni 2025 (Nascita: Felicjan Szopski)
- pianoforte
- opera
- Polonia
Ultimo aggiornamento
2024-05-02
Aggiorna
Jadwiga Sarnecka Aleksander Michałowski Teodor Leszetycki Władysław Żeleński Felicjan Szopski Reiss Jachimecki Chopin 1883 1910 1913
Marek Szlezer - Piano (http•••) (http•••) Jadwiga Sarnecka +••.••(...)) was a Polish Composer and Pianist. There is very little information about her life. She was a student of, among others Aleksander Michałowski, Teodor Leszetycki. She enjoyed the reputation of an excellent pianist, but most of all she wanted to be a composer. She took lessons from Władysław Żeleński, Felicjan Szopski and possibly Henryk Melcer - irregularly, privately. Her works was not welcomed in those days. They were different, so they were met with a crushing wave of criticism. They were described as bizarre, depressive, half-year-old, and accused of chaos in content. But Sarnecka kept writing. She printed at her own expense, then fate began to smile at her. Feliks Jasieński financed the publication of her compositions with his own money. People shaping the image of contemporary Polish music: Chybiński, Reiss, Jachimecki began to write about her works in a favorable, almost euphoric tone. In 1910, Sarnecka was awarded the second prize for the Fourth Ballade at a composition competition organized on the occasion of the centenary of Chopin's birth in Lviv. Moreover, at the 1st Congress of Polish Musicians, she was the only woman to be asked to deliver a lecture. She chose the theme "Creativity and virtuosity in musical composition". The criticism continued and Jadwiga reportedly fell into depression. The exact reasons why she no longer released songs are unknown. However, she did not stop composing. What's more - she wrote her most avant-garde works, radicalizing her harmonic and stylistic language. Her writing started after time to become shaky. Soon after, she died from tuberculosis, aged 30, without completing her 7th Ballade, a Sonata, and a Variations. Her musical output includes, 7 ballads, 2 sonatas, a fantasia, 13 impressions, two variation cycles, an intermezzo, 2 studies, an etude, a printed cycle of miniatures. Additionally, she also wrote three songs for solo voice and piano. Such are the creative achievements of a person who went through the history of music as quickly as a flash. Few had time to spot her during her short life. *This information was mainly written by Marek Szlezer, at the website of Polskie Wydawnictwo Muzyczne (PWM). There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Władysław Żeleński Zygmunt Stojowski Roman Statkowski Henryk Opieński Felicjan Szopski Bolesław Wallek Walewski Chopin 1837 1857 1859 1862 1866 1868 1870 1871 1872 1877 1878 1881 1882 1887 1897 1921
WŁADYSŁAW ŻELEŃSKI (ojciec Boya-Żeleńskiego), kompozytor, pianista, pedagog i dyrygent. Urodzony 6 lipca 1837 w Grodkowicach koło Krakowa, zmarł 23 stycznia 1921 w Krakowie. Naukę gry na fortepianie rozpoczął w Krakowie pod kierunkiem Kazimierza Wojciechowskiego i kontynuował u Jana Germasza. W zakresie kompozycji kształcił się u Franciszka Mireckiego. W 1857 rozpoczął studia na wydziale filozoficznym Uniwersytetu Jagiellońskiego. Od 1859 przez krótki czas studiował grę na fortepianie u Alexandra Dreyschocka, później grę na organach oraz kompozycję pod kierunkiem Josefa Krejčiego w Pradze. Tam też w 1862 na Uniwersytecie Karola uzyskał dyplom doktora filozofii. W Paryżu studiował kompozycję u Napoléona Henri Rebera w Narodowym Konserwatorium Muzycznym w 1866, a od 1868 do 1870 uczył się kompozycji prywatnie pod kierunkiem Bertolda Damckego. Po powrocie do kraju początkowo działał w Krakowie, gdzie w styczniu 1871 odbył się jego pierwszy koncert kompozytorski, następnie przeniósł się do Warszawy i w latach 1872-78 był profesorem harmonii i kontrapunktu w Instytucie Muzycznym. W 1878 został powołany na stanowisko dyrektora artystycznego Warszawskiego Towarzystwa Muzycznego. Tutaj zorganizował i przy współudziale Władysława Wiślickiego przez dwa lata prowadził amatorski chór mieszany, który z towarzyszeniem orkiestry Teatru Wielkiego dał pod jego batutą kilka koncertów. W 1881 przeniósł się do Krakowa, gdzie występował jako dyrygent koncertów symfonicznych - początkowo w latach 1882-85 Orkiestry Miejskiej, a w latach następnych orkiestry amatorskiej Towarzystwa Muzycznego. Z jego inicjatywy w 1887 powstało Konserwatorium Towarzystwa Muzycznego w Krakowie, w którym aż do śmierci pełnił funkcję dyrektora. Prowadził tu klasę organów i teorię muzyki. Jego uczniami byli m.in. Zygmunt Stojowski, Roman Statkowski, Henryk Opieński, Felicjan Szopski i Bolesław Wallek-Walewski. Był autorem podręczników "Nauka harmonii i pierwszych zasad kompozycji" [wraz z Gustawem Roguskim] (1877) oraz "Nauka elementarna zasad muzyki" (1897). / Gra Chopin Trio: Bartosz Bryła - skrzypce , Paweł Failich - wiolonczela i Bogumił Nowicki - fortepian.
Władysław Żeleński Franciszek Mirecki Alexander Dreyschock Napoléon Henri Reber Damcke Zygmunt Stojowski Roman Statkowski Henryk Opieński Felicjan Szopski Wallek Walewski Gustaw Roguski Witkowski Teatr Wielki 1837 1857 1859 1862 1866 1868 1871 1877 1878 1881 1882 1887 1897 1921
WŁADYSŁAW ŻELEŃSKI (http•••) / Composer, pianist, pedagogue and conductor; born on 6 July 1837 in Grodkowice near Kraków, died on 23 January 1921 in Kraków. Żeleński's musical education began in Kraków with piano lessons, first underKazimierz Wojciechowski and then Jan Germasz, along with composition courses with Franciszek Mirecki. He enrolled at the Department of Philosophy of the Jagiellonian University in 1857 and from 1859 studied (for a short while) piano under Alexander Dreyschock and later organ and composition under Josef Krejãi in Prague. He received a PhD in Philosophy from Prague's Charles University in 1862. He then studied composition under Napoléon Henri Reber at the Paris National Music Conservatoire in 1866 and was a private student in composition under Bertold Damcke in 1868-70. After he had returned to his home country, he settled in Kraków and performed the first concert of his own compositions here in January 1871. He then moved to Warsaw and became professor of harmony and counterpoint at the Institute of Music. In 1878 he was appointed art director of the Warsaw Music Society. There, with the help of Władyslaw Wiślicki, he set up and conducted an amateur mixed choir for two years. Accompanied by the orchestra of Teatr Wielki, the choir gave several concerts under him. In 1881 Żeleński moved to Kraków to conduct symphony concerts of the City Orchestra in 1882-85 and of the amateur Music Society orchestra in later years. He was instrumental in establishing the Conservatory of the Kraków Music Society in 1887 and managed it until his death, running a course on organ and theory of music. His most notable students included Zygmunt Stojowski, Roman Statkowski, Henryk Opieński, Felicjan Szopski and Boleslaw Wallek-Walewski. Żeleński is the author of several textbooks: "Nauka harmonii i pierwszych zasad kompozycji / The Theory of Harmony and First Principles of Composition" [with Gustaw Roguski] (1877) and "Nauka elementarna zasad muzyki / The Theory and Elementary Principles of Music" (1897). He was the father of Tadeusz Boy-Żeleński, writer and translator of French literature. Gra Polski Kwartet Fortepianowy: Ewa Marczyk i Marek Marczyk - skrzypce i altówka, Kazimierz Koślacz - wiolonczela i Jerzy Witkowski - fortepian.
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- cronologia: Compositori (Europa). Interpreti (Europa).
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