Ferdinand Kauer Video
compositore ceco
- musica classica, opera
- Austria
- compositore, violinista, pianista, direttore d'orchestra, direttore di banda, organista, violista
Ultimo aggiornamento
2024-05-02
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Theater Regensburg Wolkow Burger Heim Glück Löwe Wilde Baum Neubauer Erl Feige Goodwin Wächter Miceli 1891 1967 1977 2016 2017
DER ZAUBERER DER SMARAGDENSTADT [6+] Familienstück nach der Erzählung von Alexander Wolkow (1891–1977) Bühnenstück von Stephan Beer (*1977) und Georg Burger (*1967) Eines Tages wird Elli durch einen schrecklichen Tornado ins Wunderland voller merkwürdiger Wesen entführt. Wie kommt sie nur heim nach Kansas? Zum Glück trifft sie schnell neue Freunde: die strohdumme Vogelscheuche, den rostigen Holzfäller und einen Löwen, der vor allem Angst hat, sogar vor sich selbst. Gemeinsam machen sie sich auf den Weg in die geheimnisvolle Smaragdenstadt, denn dort soll ein Zauberer Wünsche erfüllen. Der Scheuch braucht Grips im Kopf, der eiserne Mann wünscht sich ein Herz und der Löwe will endlich mutig und unerschrocken sein. Doch die Suche nach der Smaragdenstadt ist nicht leicht, zusammen müssen sie Menschenfresser, wilde Tiere, verführerische Mohnfelder und böse Hexen überwinden. Jede Herausforderung lässt die Freunde über sich hinauswachsen und sie entdecken, was wirklich in ihnen steckt. Alexander Wolkows Erzählung basiert auf dem mehrfach verfilmten Kinderbuchklassiker „Der Zauberer von Oz“ von Lyman Frank Baum. Freuen Sie sich auf eine wunderbare Reise mit Blechmann & Co. und auf eine Geschichte über die Macht der Freundschaft. Inszenierung: Maria-Elena Hackbarth Bühne und Kostüme: Gabriela Neubauer Musik: Christian Kuzio Choreographie: Luciano Di Natale Dramaturgie: Daniel Thierjung Theaterpädagogik: Claudia Erl Elli: Franziska Plüschke Der Scheuch: Stephan Hirschpointner Der eiserne Holzfäller: Marcel Klein Der feige Löwe: Ludwig Hohl Gingema, Hexe des Blauen Landes: Marcel Klein Prem Kokus, der Älteste der Käuer: Sven Brormann Käuer: Henriette Heine, Flora Pulina Willina, Fee des Gelben Landes: Ludwig Hohl Der Menschenfresser: Sven Brormann Goodwin, der Zauberer der Smaragdenstadt: Sven Brormann Din Gior, Wächter der Smaragdenstadt: Mira Leibold, Christina Miceli Bastinda, Hexe des Violetten Landes: Flora Pulina Fregosa, Dienerin bei Bastinda: Henriette Heine Fliegender Affe: Christina Miceli Stella, Fee des Rosa Landes: Henriette Heine Premiere am 27.11.2016, 16 Uhr, Velodrom Weitere Termine im freien Verkauf: 4., 25. Dezember 2016, jeweils 16 Uhr; 11., 18. Dezember 2016, jeweils 14 und 16 Uhr; 6. Januar 2017, 14 Uhr, Velodrom Schulvorstellungen vom 29. November bis 23. Dezember 2016 (http•••) Video: (http•••)
Rimsky Korsakov Balakirev Lyadov Glinka Ferdinand Kauer Fyodor Stravinsky Igor Stravinsky Levko Millet Mariinsky Theater 1797 1809 1852 1872 1880
May Night (Mayskaya noch'), comic opera in 3 acts Russian Romantic Opera Composition Descriptionby John Palmer Based on the story, Mayskaya noch', ili Utoplennitsa (May Night, or The Drowned Maiden), by Nickolay Vasil'yevich Gogol +••.••(...)), Rimsky-Korsakov's Mayskaya noch (May Night) was written after he had recently completed two large collections of folk music. This, plus Rimsky's participation, with Balakirev and Lyadov, in the creation of an new edition of Glinka's economically orchestrated stage works, led to the streamlined score and folk song style his May Night. Gogol borrows from a German theme he came to know most likely through the Singspiel Das Donauweibchen (The Danube Wife) by Ferdinand Kauer, an Austrian composer. Composed in 1797, it was very popular in Russia in the 1830s as Lesta, or the Dnepr Water Nymph. Once he began work on May Night, Rimsky required eight months to complete the score. It received its premiere at the Mariinsky Theater in St. Petersburg on January 21, 1880, with the part of the Village Head sung by Fyodor Stravinsky, Igor Stravinsky's father. Rimsky's rendition of Gogol's tale concerns Levko, a young Ukrainian man who is the son of the Village Head. Dressed as the devil, Levko plays a prank on his father, who refuses to let Levko marry Hanna, the woman he loves. Levko has an encounter with Pannochka-Rusalka and other water-nymphs, and helps Pannochka-Rusalka discover the identity of her evil stepmother. The nymph rewards Levko by helping him marry Hanna. With May Night, Rimsky took his first step into the combination of fantasy and comedy that would prove very fruitful. Rimsky adheres closely to Gogol's plot and succession of scenes, and the suggestion of folk song in the story sent Rimsky running to Alexander Rubets' 1872 folk song collection, from which Rimsky chose eight tunes. The first folk melody appears at the opening of the opera as children sing, "A mï proso seyali" (Ah the millet we did sow). Another tune from Rubets' collection provides the basis for Levko's first song. After Levko tells Hanna a story, offstage female voices sing a Whitsun song based on a Rubets melody. The second act begins with a tune from the same collection. In Act III leaves behind the "real" world and enter the realm of fantasy as Levko meets Pannochka-Rusalka on the banks of a lake. As in Sadko, Rimsky musically depicts this world through a chromatic idiom developed from whole-tone scales, octatonic scales, other "artificial" scales, and unusual harmonic gestures.
Albert Coates Nikolay Andreyevich Rimsky Korsakov Borodin Mussorgsky Igor Stravinsky Balakirev Lyadov Glinka Ferdinand Kauer Fyodor Stravinsky Levko Millet Covent Garden Mariinsky Theater London Symphony Orchestra 1797 1809 1844 1852 1872 1880 1882 1908 1919 1929 1953
Recorded 1929 Transfer by Bill Anderson - many thanks for all his work! Found at www.78rpmcommunity.com/profile/billanderson Albert Coates (23 April 1882 / 11 December 1953) was an English conductor and composer. Born in Saint Petersburg where his English father was a successful businessman, he studied in Russia, England and Germany, before beginning his career as a conductor in a series of German opera houses. He was a success in England at the Royal Opera House, Covent Garden, and in 1919 was appointed chief conductor of the London Symphony Orchestra. Nikolay Andreyevich Rimsky-Korsakov +••.••(...)) One of the Five, the leading group of 19th century Russian nationalist composers, Rimsky-Korsakov embarked at first on a career as a naval officer, later resigning to devote himself entirely to music. He was proficient as an orchestrator, completing and revising works such as Borodin's opera Prince Igor and much of the seemingly uneven writing of Mussorgsky. A teacher, his pupils including the young Stravinsky. Most generally known for his orchestral compositions, Rimsky-Korsakov wrote operas, songs and choral music, chamber music and works for piano. His textbook on orchestration has been widely if not always wisely used. May Night Based on the story, Mayskaya noch', ili Utoplennitsa (May Night, or The Drowned Maiden), by Nickolay Vasil'yevich Gogol +••.••(...)), Rimsky-Korsakov's Mayskaya noch (May Night) was written after he had recently completed two large collections of folk music. This, plus Rimsky's participation, with Balakirev and Lyadov, in the creation of an new edition of Glinka's economically orchestrated stage works, led to the streamlined score and folk song style in his May Night. Gogol borrows from a German theme he came to know most likely through the Singspiel Das Donauweibchen (The Danube Wife) by Ferdinand Kauer, an Austrian composer. Composed in 1797, it was very popular in Russia in the 1830s as Lesta, or the Dnepr Water Nymph. Once he began work on May Night, Rimsky required eight months to complete the score. It received its premiere at the Mariinsky Theater in St. Petersburg on January 21, 1880, with the part of the Village Head sung by Fyodor Stravinsky, Igor Stravinsky's father. Rimsky's rendition of Gogol's tale concerns Levko, a young Ukrainian man who is the son of the Village Head. Dressed as the devil, Levko plays a prank on his father, who refuses to let Levko marry Hanna, the woman he loves. Levko has an encounter with Pannochka-Rusalka and other water-nymphs, and helps Pannochka-Rusalka discover the identity of her evil stepmother. The nymph rewards Levko by helping him marry Hanna. With May Night, Rimsky took his first step into the combination of fantasy and comedy that would prove very fruitful. Rimsky adheres closely to Gogol's plot and succession of scenes, and the suggestion of folk song in the story sent Rimsky running to Alexander Rubets' 1872 folk song collection, from which Rimsky chose eight tunes. The first folk melody appears at the opening of the opera as children sing, "A mï proso seyali" (Ah the millet we did sow). Another tune from Rubets' collection provides the basis for Levko's first song. After Levko tells Hanna a story, offstage female voices sing a Whitsun song based on a Rubets melody. The second act begins with a tune from the same collection. In Act III leaves behind the "real" world and enter the realm of fantasy as Levko meets Pannochka-Rusalka on the banks of a lake. As in Sadko, Rimsky musically depicts this world through a chromatic idiom developed from whole-tone scales, octatonic scales, other "artificial" scales, and unusual harmonic gestures.
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
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