Francesco Antonio Vallotti Video
organista e compositore italiano
- organo a canne, organo
- Italia
- organista, compositore, musicologo, teorico della musica, musicista
Ultimo aggiornamento
2024-04-28
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Dente Serra Pietro Aaron Zarlino Huygens Andreas Werckmeister Gottfried Keller Alembert Francesco Antonio Vallotti Thomas Young Prinz John Marsh Metcalf Gottlieb Graupner Graupner Johann Nepomuk Hummel Sob 1523 1558 1691 1707 1752 1755 1771 1781 1799 1807 1808 1809 1818 1819 1829 1885 1906
/////////////////////////////////// *Wear headphones, circumaural ones recommended./ Para a experiência de subgraves, recomenda-se fone circumaural. /////////////////////////////////// *NOTE: an incremental methodology in sawtooth waves ("super/hyper saw" via a DIY synth [ESP32 module + IC 6N138]) under arpeggio regime exploring "historic" temperaments: meantone and modified meantone, well ,victorian well, equal and quasi-equal./ NOTA: metodologia incremental em ondas dente de serra ("super/hyper saw" via módulo ESP32 e CI 6N138) em regime de arpejo sob ordens do temperameto mesotônico ("modificado" e de "comas"), temperamento circular, vitoriano, temperamento quase-igual e eqüi-temperamento. /////////////////////////////////// *Arpeggiated "historic" temperaments:/ Temperamentos "históricos" arpejados: Pietro Aaron's 1/4 syntonic meantone (1523); Zarlino's 2/7 syntonic meantone (1558); Christiaan Huygens' "temperament ordinaire" (1691); Andreas Werckmeister's temperament (1691); Gottfried Keller's 1/5 diatonic meantone (1707); Jean-Le Rond D'Alembert's modified meantone (1752); Jean-Baptiste Romieu's 1/7 comma meantone (1755); Johann Phillipp Kirberger's equal-beating well (1771); Francesco Antonio Vallotti's well temperament (1781); Thomas Young's well temperament (1799); William Hawkes' improved modified meantone (1807); Prinz's theoretical well temperament (1808); John Marsh's 4/25 syntonic meantone (1809); Alexander Metcalf Fisher's modified meantone (1818); Johann C. Gottlieb Graupner's quasi-equal (1819); Johann Nepomuk Hummel's equal-beating quasi-equal & viennese quasi-equal (1829); Alexander J. Ellis' "new equal-beating" (1885); Victorian's well temperament (1885); Howard Willet Pyle's equal-beating quasi-equal (1906);
Giuseppe Tartini Casazza Assisi Bohuslav Matěj Černohorský Matěj Francesco Maria Veracini Charles Burney Francesco Antonio Vallotti Antonio Stradivarius Karol Lipiński Grieg Beethoven Bach Vivaldi Debussy Brahms Handel Chopin Schubert Haydn Schumann Tchaikovsky 1710 1711 1715 1716 1721 1723 1725 1726 1750 1770
Subscribe and turn on notifications to be alerted of our uploads! (http•••) 00:00:00 Violin Sonata in G Major, Op. 6, No. 1 I. Adagio 00:03:00 Violin Sonata in G Major, Op. 6, No. 1 II. Allegro 00:05:59 Violin Sonata in G Major, Op. 6, No. 1 III. Presto 00:08:07 Violin Sonata in A Major, Op. 6, No. 2 I. Adagio 00:10:05 Violin Sonata in A Major, Op. 6, No. 2 II. Allegro 00:13:26 Violin Sonata in A Major, Op. 6, No. 2 III. Allegro 00:16:17 Violin Sonata in D Major, Op. 6, No. 3 I. Adagio 00:20:20 Violin Sonata in D Major, Op. 6, No. 3 II. Allegro 00:24:45 Violin Sonata in D Major, Op. 6, No. 3 III. Allegro con variazioni 00:32:16 Violin Sonata in A Major, Op. 6, No. 4 I. Adagio 00:35:29 Violin Sonata in A Major, Op. 6, No. 4 II. Allegro 00:38:40 Violin Sonata in A Major, Op. 6, No. 4 III. Allegro assai 00:40:57 Violin Sonata in B Major, Op. 6, No. 5 I. Adagio 00:43:22 Violin Sonata in B Major, Op. 6, No. 5 II. Allegro 00:48:41 Violin Sonata in B Major, Op. 6, No. 5 III. Allegro 00:51:07 Violin Sonata in B Major, Op. 6, No. 5 IV. Andante con variazioni 01:01:08 Violin Sonata in G Major, Op. 6, No. 6 I. Andante - Largo 01:03:38 Violin Sonata in G Major, Op. 6, No. 6 II. Allegro 01:06:12 Violin Sonata in G Major, Op. 6, No. 6 III. Allegro moderato Casazza Enrico Loreggian Roberto (P)(C) Tactus Sas Italy Image Licensed From Shutterstock.com User ID: 291872011 All Rights Reserved *Giuseppe Tartini: Violin Sonatas*/ Giuseppe Tartini: Violin Sonatas**/ Giuseppe Tartini: Violin Sonatas*** Giuseppe Tartini was an Italian Baroque composer and violinist born in the Republic of Venice He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he married Elisabetta Premazore, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution. In Assisi he studied under Bohuslav Matěj Černohorský. Legend says when Tartini heard Francesco Maria Veracini's playing in 1716, he was impressed by it and dissatisfied with his own skill. He fled to Ancona and locked himself away in a room to practice, according to Charles Burney, "in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city". Tartini's skill improved tremendously and, in 1721, he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wished. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti. Between 1723 and 1725 he was in Prague, where he was master of the chapel of the Count Kinsky. Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn gave it to the Polish composer and virtuoso violinist Karol Lipiński upon hearing him perform: the instrument is thus known as the Lipinski Stradivarius. Tartini also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711. In 1726, Tartini started a violin school which attracted students from all over Europe. Gradually, Tartini became more interested in the theory of harmony and acoustics and from 1750 to the end of his life he published various treatises, in which he also treated problems of music theory on a mathematical basis.[5] He died of gangrene on February 26, 1770 in Padua. Tartini's home town, Piran (Slovenia), now has a statue of him in the square, which was the old harbour, originally Roman, named Tartini Square (Slovene: Tartinijev trg, Italian: Piazza Tartini). Silted up and obsolete, the port was cleared of debris, filled, and redeveloped. One of the old stone warehouses is now the Hotel Giuseppe Tartini. His birthday is celebrated by a concert in the main town cathedral. Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief: (http•••) (http•••) (http•••) Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more: (http•••) We also have a fine selection with the best Baroque Music: (http•••) (http•••) #ClassicalMusic #Tartini #Violin
This is pure clavichord music. Played on harpsichord or fortepiano it doesn't work. Ernst Wilhelm Wolf +••.••(...)) was kapellmeister at the court of Weimar. Almost all keyboard sonatas he has written are for clavichord (the Clavier). I play it on my clavichord, built by Jacobus Verwolf. I have tuned it in Vallotti temperament.
Almost all keyboard sonatas by Ernst Wilhelm Wolf +••.••(...)) are written for clavichord. This one in F major is really a little jewel. It is from top to toe clavichord music. Played on harpsichord or fortepiano one doesn't get the right feeling. I play it on my Verwolf clavichord, tuned in Vallotti temperament.
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): V...