Franco Gulli Video
violinista italiano (1926-2001)
- violino
- musica classica
- Italia, Regno d'Italia
- violinista, insegnante di musica
Ultimo aggiornamento
2024-04-28
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Bach Gustav Leonhardt Wilhelm Backhaus Hess Jörg Demus Karl Münchinger Jacqueline Pré Villa Lobos Marie Claire Alain Franco Gulli David Hertzberg Hertzberg 1050 1767 1951 1953 1956 1957 1958 1960 1962 1963 1964 1974
#Bach #JSBach #Baroque #ClassicalMusic Gustav Leonhardt, cembalo; Lars Fryden, Barockvioline (crafted by Alexander Kennedy, London, 1767). From the LP shown above, issued in 1963 on the Telefunken label, catalogue number SAWT 9433-B. Part of the Das Alte Werk series. More from JS Bach: Bach / Wilhelm Backhaus, 1958: English Suite No. 6 in D minor, BWV 811 - Prelude, Allemande, Courante - (http•••) Bach / Wilhelm Backhaus, 1958: French Suite No. 5 in G major, BWV 816 - Complete - (http•••) Prelude and Fugue No. 15 in G major, BWV 860 (Book I, WTC) - (http•••) Bach / Anatole Kitain, 1957: Jesu, Joy Of Man's Desiring (arr., Hess) - Chorale, Cantata 147 - (http•••) Bach / Jörg Demus, 1956: Prelude and Fugue No. 11 in F major, BWV 856 - (http•••) Bach / Jörg Demus, 1956: Prelude and Fugue No. 1 in C major, BWV 846 - (http•••) Bach / Jörg Demus, 1956: Prelude and Fugue No. 3 in C sharp minor, BWV 849, WTC Book 1 - (http•••) Bach / Jörg Demus, 1956: Prelude and Fugue No. 12 in F minor, BWV 857, WTC Book 1 - (http•••) Karl Münchinger, 1951: Brandenburg Concerto No. 5 in D major, BWV 1050 (Allegro) - (http•••) Jacqueline du Pré: Adagio, from the Toccata in C, BWV 564 - 1962 - (http•••) Villa-Lobos: Fugue No. 1 in C major, BWV 846 (transcribed for Cellos by Villa-Lobos) - 1958 - (http•••) Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Fuga - 1960 - (http•••) Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - (http•••) JS Bach / Marie-Claire Alain, 1964: Kommst Du Nun, Jesu, Vom Himmel Herunter, BWV 650 - (http•••) Isolde Ahlgrimm: French Suite in D minor, BWV 812 - 1953 Recording: (http•••) Isolde Ahlgrimm: French Suite in C minor, BWV 813 - 1953: (http•••) Franco Gulli: Sonata No. 1 in G minor, BWV 1001 - Fuga (Allegro): (http•••) Brigitte Zaczek: Suite in G major (after the Cello Suite No. 3, BWV 1009) (Bach) - Part 1: (http•••) Karl Münchinger: Brandenburg Concerto No. 5 in D major, BWV 1050 (Movement 3) - 1951: (http•••) "David Hertzberg"
Telemann Hori Masafumi Hori Marie Claire Alain Franco Gulli Bach Karl Münchinger Herbert Karajan Bronislav Gimpel Edith Picht Axenfeld Jacqueline Pré Villa Lobos David Hertzberg Hertzberg 1050 1512 1951 1953 1958 1960 1962 1964 1966 1968 1973 1974
Philipp Naegele, Gerhard Ohnheiser, Masafumi Hori and Ottatvia Kortner are soloists in this 173 recording of Telemann's Concerto in C major for 4 violins. The Heidelberg Chamber Orchestra (without conductor) accompanies. I created this video from the LP shown above, issued in 1973 on the Musical Heritage Society label, serial number MHS 1512. The Library of Congress online catalogue entry for this LP can be reviewed here: (http•••) Hans Kalafusz / Wolfgang Rösch: Violin Concerto in D minor, BWV 1043 - Allegro - (http•••) Marie-Claire Alain, 1964: Kommst Du Nun, Jesu, Vom Himmel Herunter, BWV 650 - (http•••) Isolde Ahlgrimm: French Suite in D minor, BWV 812 - 1953 Recording: (http•••) Isolde Ahlgrimm: French Suite in C minor, BWV 813 - 1953: (http•••) Franco Gulli: Sonata No. 1 in G minor, BWV 1001 - Fuga (Allegro): (http•••) Brigitte Zaczek: Suite in G major (after the Cello Suite No. 3, BWV 1009) (Bach) - Part 1: (http•••) Karl Münchinger: Brandenburg Concerto No. 5 in D major, BWV 1050 (Movement 3) - 1951: (http•••) Herbert von Karajan, BPO: Ouverture in D major, BWV 1068 - Air - DG, 1966: (http•••) Herbert von Karajan, 1966 - Brandenburg Concerto No. 4 in G, Allegro: (http•••) Herbert von Karajan, 1966 - Brandenburg Concerto No. 3 in G, Allegro: (http•••) Herbert von Karajan, 1966 - Brandenburg Concerto No. 2 in F, Allegro Assai: (http•••) Bach / Bronislav Gimpel, 1964: Sonata No. 3 in C major for Violin, BWV 1005 - Allegro assai - (http•••) JS Bach / Marie-Claire Alain, 1964: Wachet Auf, Ruft Uns Die Stimme, BWV 645: (http•••) JS Bach / Edith Picht-Axenfeld, 1968: Goldberg Variations, BWV 988 - Variations 1, 2, 3 - (http•••) Bach / Karl Münchinger, 1951: Brandenburg Concerto No. 5 in D major, BWV 1050 (Allegro) - (http•••) JS Bach / Jacqueline du Pré: Adagio, from the Toccata in C, BWV 564 - 1962 - (http•••) Bach / Villa-Lobos: Fugue No. 1 in C major, BWV 846 (transcribed for Cellos by Villa-Lobos) - 1958 - (http•••) JS Bach / Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Fuga - 1960 - (http•••) Bach / Hans Kalafusz: Violin Concerto in E major, BWV 1042 - Movement 3 - 1974 - (http•••) "David Hertzberg"
Luciano Berio Bartók Rodion Schedrin Bruno Maderna Marcello Panni Panni Giorgio Federico Ghedini Rabinovich Pierre Boulez Vinko Globokar Neuburger Sanguineti Franco Gulli Henri Pousseur Igor Stravinsky Mauricio Kagel Fleuret Lorin Maazel 1542 1710 1850 1932 1979 1980 1981 1982 1983
Luciano Berio - Duetti for two violins +••.••(...)) 00:00 1. BELA (Bartók) November 10, 1979, Radicondoli 00:46 2. SHLOMIT (Almog) November 10, 1979, Radicondoli 01:24 3. YOSSI (Pecker) November 10, 1979, Radicondoli 02:42 4. RODION (Schedrin) November 14, 1979, Stockholm 03:44 5. MAJA (Pliseckaja) November 15, 1979, Stockholm 04:36 6. BRUNO (Maderna) November 15, 1979, Stockholm 06:02 7. CAMILLA (Adami) December 7, 1979, Paris 06:44 8. PEPPINO (Di Giugno) December 7, 1979, Paris 08:19 9. MARCELLO (Panni) December 13, 1979, Radicondoli 09:22 10. GIORGIO FEDERICO (Ghedini) December 13, 1979, Radicondoli 10:33 11. VALERIO (Adami) December 18, 1979, Radicondoli 11:15 12. DANIELA (Rabinovich) December 18, 1979, Radicondoli 12:06 13. JEANNE (Panni) April 27, 1980, Paris 13:05 14. PIERRE (Boulez) April 28, 1980, Paris 13:57 15. TATJANA (Globokar) April 28, 1980, Paris 14:44 16. RIVI (Pecker) May 29, 1980, Radicondoli 15:42 17. LEONARDO (Pinzauti) May 29, 1980, Radicondoli 17:10 18. PIERO (Farulli) June 8, 1980, Tel Aviv 18:50 19. ANNIE (Neuburger) November 10, 1980, Radicondoli 19:32 20. EDOARDO (Sanguineti) June 27, 1981, Radicondoli 24:12 21. FIAMMA (Nicolodi) June 28, 1981, Radicondoli 25:14 22. VINKO (Globokar) June 28, 1981, Radicondoli 25:41 23. FRANCO (Gulli) June 29, 1981, Radicondoli 26:36 24. ALDO (Bennici) June 29, 1981, Radicondoli 27:47 25. CARLO (Chiarappa) June 30, 1981, Radicondoli 28:32 26. HENRI (Pousseur) June 30, 1981, Radicondoli 29:23 27. ALFREDO (Fiorenzani) August 12, 1981, Radicondoli 30:17 28. IGOR (Stravinsky) August 12, 1981, Radicondoli 30:59 29. ALFRED (Schlee) November 3, 1981, Florence 32:06 30. MASSIMO (Mila) March 27, 1982, Radicondoli 34:10 31. MAURICIO (Kagel) March 27, 1982, Radicondoli 35:11 32. MAURICE (Fleuret) May 2, 1982, Tel Aviv 36:22 33. LORIN (Maazel) March 5, 1983, Radicondoli 38:22 34. LELE (D’Amico) March 8, 1983, Rome "It can happen that a violinist friend tells a composer, one night, that, other than those of Bartók, there are not enough violin duets today. And it can happen that the composer immediately sets himself to writing duets that night until dawn… and then more duets in moments of leisure, in different cities and hotels, between rehearsals, travelling, thinking of somebody, when looking for a present... This is what happened to me and I am grateful to that nocturnal violinist whose name is given to one of these Duetti. Thus behind every duet there are personal reasons and situations: with BRUNO (Maderna), for instance, there is the memory of “functional” music which we often composed together in the fifties; MAJA (Pliseckaja) is the transformation of a Russian song, whereas ALDO (Bennici) is a real Sicilian song; PIERRE (Boulez) was written for a farewell evening: it develops from a small cell of his ...Explosante fixe...; GIORGIO FEDERICO (Ghedini) is in memory of my years at the Conservatory in Milan. And so on... These Duetti are for me what the vers de circonstance were for Mallarmé: that is, they are not necessarily based on deep musical motivations, but rather connected by the fragile thread of daily occasions. Nevertheless, in these duets there is also a pedagogical objective. Very often, as can be heard, one of the two parts is easier and focuses on specific technical problems, on different expressive characters and even on violin stereotypes, so that a young violinist can contribute, at times, even to a relatively complex musical situation from a very simple angle - the playing of a D major scale, for instance. I would like to write a kaleidoscope made up of about a hundred of Duetti. Every group of thirty-three will be commented upon by a “concert” duet, developing in an ampler perspective the different circumstances of this private folklore of mine." - Luciano Berio
Jacquet Berchem Crudele Federico Maria Sardelli Cecchi Lombardi Hoffmann Bellini Modo Antiquo 2010
Jacquet de Berchem, Perché non date voi donna crudele. Modo Antiquo. Suoni dipinti - La musica di Caravaggio. Concerto a Firenze, Galleria degli Uffizi, ottobre 2010 Federico Maria Sardelli, direzione Elena Cecchi Fedi, soprano Gabriella Martellacci, alto Paolo Fanciullacci, tenore Gabriele Lombardi, basso Judith Pacquier, cornetto Valerio Losito, violino Raffaele Tiseo, viola Bettina Hoffmann, viola da gamba Simone Gullì, clavicembalo Simone Vallerotonda, tiorba Giovanni Bellini, liuto
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- cronologia: Interpreti (Europa).
- Indici (per ordine alfabetico): G...