Franz Krückl Video
cantante, pedagogista, insegnante di musica, attore teatrale, cantante lirico, compositore
- baritono
- Germania
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2024-04-28
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Johannes Brahms Robert Schumann Clara Schumann Johann Herbeck Julius Stockhausen Stockhausen Suter Weber Friedrich Hegar Carl Reinecke Wagner Franz Krückl Selig Tonhalle Orchester Zürich Gewandhaus
Johannes Brahms - A German Requiem Op. 45 A German Requiem, to Words of the Holy Scriptures, Op. 45 (German: Ein deutsches Requiem, nach Worten der heiligen Schrift) by Johannes Brahms, is a large-scale work for chorus, orchestra, a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms's longest composition. A German Requiem is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, A German Requiem, as its title states, is a Requiem in the German language. Brahms's mother died in February 1865, a loss that caused him much grief and may well have inspired Ein deutsches Requiem. Brahms's lingering feelings over Robert Schumann's death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain. His original conception was for a work of six movements; according to their eventual places in the final version, these were movements I–IV and VI–VII. By the end of April 1865, Brahms had completed the first, second, and fourth movements. The second movement used some previously abandoned musical material written in 1854, the year of Schumann's mental collapse and attempted suicide, and of Brahms's move to Düsseldorf to assist Clara Schumann and her young children. Brahms completed all but what is now the fifth movement by August 1866. Johann Herbeck conducted the first three movements in Vienna on 1 December 1867. This partial premiere went poorly due to a misunderstanding in the timpanist's score. Sections marked as pf were played as f or ff, essentially drowning out the rest of the ensemble in the fugal section of the third movement. The first performance of the six movements premiered in the Bremen Cathedral six months later on Good Friday, 10 April 1868, with Brahms conducting and Julius Stockhausen as the baritone soloist. The performance was a great success and marked a turning point in Brahms's career. In May 1868 Brahms composed an additional movement, which became the fifth movement within the final work. The new movement, which was scored for soprano soloist and choir, was first sung in Zürich on 12 September 1868 by Ida Suter-Weber, with Friedrich Hegar conducting the Tonhalle Orchester Zürich. The final, seven-movement version of A German Requiem was premiered in Leipzig on 18 February 1869 with Carl Reinecke conducting the Gewandhaus Orchestra and Chorus, and soloists Emilie Bellingrath-Wagner and Franz Krückl. 1. Coros: "Selig sind, die da Leid tragen" - Ziemlich langsam und mit Ausdruck - Bastante lento e com expressão 12:21 2. Coros: "Denn alles Fleisch, es ist wie Gras" - Langsam, marshmassig - Un poco sostenuto - Allegro non troppo 16:06 3. Solo (barítono) e coros - "Herr, lehre doch mich" - Andante moderato 10:22 4. Coros: "Wie lieblich sind Deine Wohnungen" - Massig bewegt - Moderadamente rápido 5:15 5. Solo (soprano) e coros - "Ihr habt nun Traurigkeit" - Langsam - Lento 8:29 6. Solo (barítono) e coros - "Denn wir haben hie keine bleibende Statt" - Andante - Vivace - Allegro 11:03 7. Coros: "Selig sind die Toten, die in dem Herren sterben" - Feierlich - Solemne 12:14 For more: (http•••) #MusicHistory #ClassicalMusic #Brahms
Johannes Brahms Selig Robert Schumann Clara Schumann Johann Herbeck Julius Stockhausen Stockhausen Suter Weber Friedrich Hegar Carl Reinecke Wagner Franz Krückl Charlotte Margiono Rodney Gilfry Monteverdi John Eliot Gardiner Tonhalle Orchester Zürich Monteverdi Choir Gewandhaus 1854 1856 1865 1866 1867 1868 1869 1991
Complete version with orchestral score. 0:00 Selig sind, die da Leid tragen 9:56 Denn alles Fleisch es ist wie Gras 23:10 Herr, lehre doch mich 32:07 Wie lieblich sind deine Wohnungen 37:34 Ihr habt nun Traurigkeit 44:53 Denn haben wir hie keine bleibende Statt 56:16 Selig sind die Toten Brahms's mother died in February 1865, a loss that caused him much grief and may well have inspired Ein deutsches Requiem. Brahms's lingering feelings over Robert Schumann's death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain. His original conception was for a work of six movements; according to their eventual places in the final version, these were movements I–IV and VI–VII. By the end of April 1865, Brahms had completed the first, second, and fourth movements. The second movement used some previously abandoned musical material written in 1854, the year of Schumann's mental collapse and attempted suicide, and of Brahms's move to Düsseldorf to assist Clara Schumann and her young children. Brahms completed all but what is now the fifth movement by August 1866. Johann Herbeck conducted the first three movements in Vienna on 1 December 1867. This partial premiere went poorly due to a misunderstanding in the timpanist's score. Sections marked as pf were played as f or ff, essentially drowning out the rest of the ensemble in the fugal section of the third movement. The first performance of the six movements premiered in the Bremen Cathedral six months later on Good Friday, 10 April 1868, with Brahms conducting and Julius Stockhausen as the baritone soloist. The performance was a great success and marked a turning point in Brahms's career. In May 1868 Brahms composed an additional movement, which became the fifth movement within the final work. The new movement, which was scored for soprano soloist and choir, was first sung in Zürich on 12 September 1868 by Ida Suter-Weber, with Friedrich Hegar conducting the Tonhalle Orchester Zürich. The final, seven-movement version of A German Requiem was premiered in Leipzig on 18 February 1869 with Carl Reinecke conducting the Gewandhaus Orchestra and Chorus, and soloists Emilie Bellingrath-Wagner and Franz Krückl. Source: wikipedia Charlotte Margiono, soprano Rodney Gilfry, bass Monteverdi Choir Orchestre Révolutionnaire et Romantique John Eliot Gardiner Philips - 1991
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