Frederich Lamond Video
pianista e compositore scozzese (1868-1948)
- pianoforte
- Regno Unito, Regno Unito di Gran Bretagna e Irlanda
- compositore, pianista, direttore d'orchestra, organista
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2024-04-27
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Frederic Lamond Liszt Eugen Albert Beethoven Brahms Schnabel 1868 1936 1948
Frederic Lamond was another of Liszt's pupils from the 1880s. He was born in Glasgow, like his fellow student Eugen d'Albert. Unlike his fellow Liszt students who made records, Lamond made a speciality in the music of Beethoven (with an almost equal enthuisiam for Brahms), and recorded most of the piano sonatas. For around 50 years he was regarded as the greatest interpreter of Beethoven's piano music, and before Schnabel made his complete recording of the sonatas, Lamond's records were the benchmark. He did, however, also record the music of other composers, and laid down a good number of tracks by his teacher, Liszt. This recording of Liszt's famous Liebestraum was made in 1936.
Frederic Lamond Beethoven Brahms Chopin Glinka Liszt Hahn Rubinstein Balakirev 1868 1927 1928 1929 1930 1936 1941 1948
Dedicated to my dearest best friend & greatest among artists Laetitia Hahn (http•••) • Beethoven: Piano Sonata No. 21 in C Major, Op. 53 "Waldstein" (R. 5 March 1930) • Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110 (R. 14 December 1927 & 8 March 1928) • Beethoven: Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto (R. 29 March 1927) • Beethoven: Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 "La chasse" (R. 5 March 1930 & 29 March 1927) • Beethoven: Rondo in G Major, Op. 51 No. 2 (R. 6 May 1936) • Brahms: 8 Klavierstücke, Op. 76: No. 2, Capriccio in B Minor (R. 8 March 1928) • Chopin: Nocturne in A-Flat Major, Op. 32 No. 2 (R. 12 June 1929) • Rubinstein: 6 Characteristic Pictures, Op. 50: No. 3, Barcarolle in G Minor (R. 4 February 1929) • Glinka- Balakirev: L'Alouette (R. 29 March 1927) • Liszt: 3 Concert Études, S. 144: No. 3 in D-Flat Major "Un sospiro" (R. 16 May 1941) • Liszt: 2 Konzertetüden, S. 145: No. 2, Gnomenreigen (R. 16 May 1941) Frederic Lamond, piano For other great productions have a look at: (http•••) & (http•••)
Franz Liszt Eugen Albert Frederic Lamond Kellermann
Gerard Carter plays Franz Liszt's Valse Impromptu. I heard this piece on ABC radio some years back and promised myself then and there that I would include it in my repertoire. It was only some years later that I found the sheet music in a small Hungarian edition of several of Liszt's shorter piano pieces. The Valse Impromptu was popular in Liszt's day and his pupils Eugen d'Albert and Frederic Lamond recorded it. They were each quite different interpretations, I might add. Liszt pupil Berthold Kellermann used to tell the following story of the origin of the Valse-Impromptu: "'On one occasion Liszt attended a festive ball in Berlin. Feeling weary and depressed he slipped away from the ball-room, wandered down a corridor into a conservatory and, hidden by ferns and shrubs, sat alone, listening to the distant voices and the hum of the merry throng. Suddenly a strain of music reached his ears, a familiar theme which took him back to his boyhood days, to a certain night when he had danced with a golden-haired girl and told her of his love, and then how she had laughed and mocked at him. The echo of her laughter came back clearly after all those years. Liszt left unobserved, went back to his rooms, and wrote the Valse-impromptu."
Ervin Nyiregyházi Liszt Dohnányi Eugen Albert Frederic Lamond Arnold Schoenberg
Ervin Nyiregyházi, piano: Liszt: Ballade No. 2 in B minor, S. 171 Composer: (http•••) Composition: (http•••) Performer: (http•••) Ervin Nyiregyházi was a direct pianistic descendant of Liszt, as he studied with: - Erno Dohnányi, a pupil of Eugen d'Albert, who was a pupil of Liszt - Frederic Lamond, who was a pupil of Liszt Arnold Schoenberg wrote the following about Ervin Nyiregyházi: "...a pianist who appears to be something really quite extraordinary... I must say that I have never heard such a pianist before... What he plays is expression in the older sense of the word, nothing else; but such power of expression I have never heard before. You will disagree with his tempis as much as I did. You will also note that he often seems to give primacy to sharp contrasts at the expense of form, the latter appearing to get lost. I say appearing to; for then, in its own way, his music surprisingly regains its form, makes sense, establishes its own boundaries. The sound he brings out of the piano is unheard of... And such fullness of tone, achieved without ever becoming rough, I have never before encountered... as a whole it displays incredible novelty and persuasiveness. ...it is amazing what he plays and how he plays it". Subscribe: (http•••) Channel: (http•••) Ervin Nyiregyházi playlist: (http•••)
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
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