Georg Anthes Video
violinista, regista, cantante lirico, attore teatrale
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2024-05-02
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Johanna Gadski Georg Anthes Luise Reuss Belce Richard Wagner 1901 1903 2011
Provided to YouTube by NAXOS of America Lohengrin: Act IV: Duet: Sein Adel wohl bewahrt · Johanna Gadski The Grau Regime at the Metropolitan +••.••(...)) ℗ 2011 Symposium Released on: 2011-07-05 Artist: Johanna Gadski Artist: Georg Anthes Artist: Luise Reuss-Belce Conductor: Alfred Hertz Orchestra: Studio orchestra Composer: Richard Wagner Auto-generated by YouTube.
Maria Nemeth Puccini Georg Anthes László Giannina Russ Fernando Lucia Karl Goldmark Vienna State Opera 1897 1923 1925 1928 1931 1946 1967
Maria Nemeth sings 'In diesem Schlosse,' recorded in Berlin in 1928. From Wikipedia: Maria Nemeth (March 13, 1897 – December 28, 1967) was a Hungarian soprano, particularly associated with the Italian repertory, one of the leading dramatic sopranos of the inter-war period. Nemeth was born in Körmend. She studied first in Budapest with Georg Anthes and Géza László, in Milan with Giannina Russ, in Naples with Fernando de Lucia, and Vienna with Kaschowska. She made her stage debut in Budapest, as Sulamith in Karl Goldmark's The Queen of Sheba, in 1923. She began her career by singing lyric and high soprano roles, gradually adding dramatic roles to her repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the Abduction from the Seraglio, and at the Royal Opera House in London, as Turandot, in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success. She died in Vienna. I transferred this side from Grammophon 66623.
Maria Nemeth Korngold Georg Anthes László Giannina Russ Fernando Lucia Karl Goldmark Vienna State Opera 1897 1923 1925 1928 1931 1946 1967
Maria Nemeth sings 'Mariettes Lied,' recorded in Berlin in 1928. From Wikipedia: Maria Nemeth (March 13, 1897 – December 28, 1967) was a Hungarian soprano, particularly associated with the Italian repertory, one of the leading dramatic sopranos of the inter-war period. Nemeth was born in Körmend. She studied first in Budapest with Georg Anthes and Géza László, in Milan with Giannina Russ, in Naples with Fernando de Lucia, and Vienna with Kaschowska. She made her stage debut in Budapest, as Sulamith in Karl Goldmark's The Queen of Sheba, in 1923. She began her career by singing lyric and high soprano roles, gradually adding dramatic roles to her repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the Abduction from the Seraglio, and at the Royal Opera House in London, as Turandot, in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success. She died in Vienna. I transferred this side from Grammophon 66623.
Maria Nemeth Georg Anthes László Giannina Russ Fernando Lucia Karl Goldmark Vienna State Opera 1897 1923 1925 1928 1931 1946 1967
Maria Nemeth - Aida - I sacri nomi di padre- Polydor 66625 enregistré ca 1928 Maria Nemeth (March 13, 1897, Körmend - December 28, 1967, Vienna) was an Hungarian soprano, particularly associated with the Italian repertory, one of the leading dramatic sopranos of the inter-war period. Nemeth studied first in Budapest with Georg Anthes and Géza László, in Milan with Giannina Russ, in Naples with Fernando de Lucia, and Vienna with Kaschowska. She made her stage debut in Budapest, as Sulamith in Karl Goldmark 's The Queen of Sheba, in 1923. She began her career by singing lyric and high soprano roles, gradually adding dramatic roles to her repertoire. Star soprano at the Vienna State Opera from 1925 until 1946, she also appeared at the Paris Opéra in 1928, as Constanze in the Abduction from the Seraglio, and at the Royal Opera House in London, as Turandot, in 1931. Her amazing voice and remarkable technique enabled her to excel in roles as diverse as Constanze and Queen of Night, Amelia and Aida. Considered one of the best Donna Anna, Tosca, and Turandot of her time. She also tackled Wagner roles, such as Brünnhilde, with success.
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- cronologia: Cantanti lirici (Europa). Interpreti (Europa).
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