Georges Caussade Video
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Claude Arrieu Johann Sebastian Bach Igor Stravinsky Gabriel Fauré Claude Debussy Maurice Ravel Marguerite Long Georges Caussade Noël Gallon Jean Roger Ducasse Ducasse Paul Dukas Pierre Schaeffer Jean Pierre Rampal Roussel Frédéric Chopin Johannes Brahms Wolfgang Amadeus Mozart Sergei Rachmaninov Franz Liszt Astor Piazzolla Beethoven Georges Bizet Gioachino Rossini Antonio Vivaldi Niccolò Paganini Pyotr Ilyich Tchaikovsky Johann Strauss John Dowland Franz Joseph Haydn Ralph Vaughan Williams Giovanni Battista Pergolesi Antonín Dvořák Giacomo Puccini Franz Schubert Giuseppe Verdi Opéra Marseille 1924 1932 1934 1935 1936 1937 1938 1943 1944 1945 1946 1947 1949 1953 1955 1957 1958 1960 1961 1962 1964 1965 1970 1974
Relax and enjoy with the best classical music of all times! Subscribe: (http•••) Claude Arrieu - Quintette en Ut, pour flute, hautbois, clarinette, cor et basson (1955) 1 Allegro 2 Andante 3 Allegro Scherzando 4 Adagio 5 Allegro vivace Claude Arrieu was a classically trained musician from an early age. She became particularly interested in works by Bach and Mozart, and later, Igor Stravinsky. However, Gabriel Fauré, Claude Debussy, and Maurice Ravel provided her the most inspiration. Dreaming of a career as a virtuoso, she entered the Conservatoire de Paris in 1924. She became a piano student of Marguerite Long and took classes from Georges Caussade, Noël Gallon, Jean Roger-Ducasse and Paul Dukas. In 1932, she received first prize for composition. From this point on, she developed her personal style. She was particularly interested in the evolution of musical language and various technical means available. In 1935, she joined the French Radio Broadcasting Program Service (« Service des programmes de la Radiodiffusion française »), where she was employed to 1947. She participated in the development of a wide range of programming, including Pierre Schaeffer’s experimental radio series, La Coquille à planètes (1943–1944). In 1949, she won the Prix Italia of the RAI for her score Frédéric Général. She wrote music in all styles, composing works of "pure music" as well as music for theatre, film, radio, and music hall, contributing her own voice to every situation, dramatic or comic, with a particular taste for rhythm and imagery. Her musical gift is typified by its ease of flow and elegance of structure. Vivacity, clarity of expression, and a natural feel for melody are her hallmarks. Arrieu composed concertos for piano (1932), two pianos (1934), two concertos for violin (1938 and 1949), for flute (1946), trumpet and strings (1965). She also wrote Petite suite en cinq parties (1945), "Concerto for wind quintet and strings" (1962), Suite funambulesque ("Tightrope Walker's Suite") (1961), and "Variations for classical strings" (1970). Among her important chamber music compositions are her "Trio for Woodwinds" (1936), "Sonatina for Two Violins" (1937), and "Clarinet Quartet" (1964). Her "Sonatine for flute and piano" made a big impression at its first radio performance in 1944 by Jean-Pierre Rampal and H. Moyens. Although Arrieu’s instrumental works strongly contributed to her legacy, it is vocal music that most markedly distinguish her career. Voice inspired her to set many poems to music, including those by Joachim du Bellay, Louise Levêque de Vilmorin, Louis Aragon, Jean Cocteau, Jean Tardieu, Stéphane Mallarmé, and Paul Éluard. Examples include Chansons Bas for voice and piano based on poems by Mallarmé (1937); Candide, radio music on texts by Jean Tardieu based on Voltaire; and À la Libération, cantata of seven poems on love in war, on poems by Paul Éluard Her first opéra bouffe, Cadet Roussel with a libretto by André de la Tourasse after Jean Limozin, was presented at the Opéra de Marseille on 2 October 1953. In 1960, La princesse de Babylone ("Princess of Babylon"), an opéra bouffe after the work of Voltaire adapted by Pierre Dominica, was praised for its lyrical originality and spectacle. Noteworthy film scores include: Les Gueux au paradis (1946), Crèvecoeur (1955), Niok l'éléphant (1957), Marchands de rien (1958), Le Tombeur (1958), and Julie Charles (for television, 1974). Pierre Schaeffer writes: "Claude Arrieu is part of her time by virtue of a presence, an instinct of efficiency, a bold fidelity. Whatever the means, concertos or songs, music for official events, concerts for the elite or for a crowd of spectators, she delivered emotion through an impeccable technique and a spiritual vigilance, finding the path to the heart." Listen Fantastic Piano, Violin and Orchestral Masterpieces by the greatest composers of all time. Claude Debussy, Frédéric Chopin, Johannes Brahms, Wolfgang Amadeus Mozart, Sergei Rachmaninov, Franz Liszt, Astor Piazzolla, Johann Sebastian Bach, Ludwig van Beethoven, Georges Bizet, Gioachino Rossini, Antonio Vivaldi, Niccolò Paganini, Wagner Richard, Pyotr Ilyich Tchaikovsky, Johann Strauss, John Dowland, Franz Joseph Haydn, Ralph Vaughan Williams, Giovanni Battista Pergolesi, Antonín Dvořák, Giacomo Puccini, Igor Stravinsky, Franz Schubert, Giuseppe Verdi, and others… Subscribe: (http•••)
Henri Tomasi Berger Philippe Gaubert Vincent Indy Indy Georges Caussade Paul Vidal Schumann Debussy Doll 1901 1921 1927 1941 1948 1952 1971 1976 2017 2018
00:00 - I. Réveil du Petit Soldat 00:38 - II. Poupée Triste: Andantino 01:15 - III. Berceuse Pour la Petite Cousine Arabe 01:49 - IV. Le Petit Cheval: Vif 02:20 - V. Le Clown et l'Ecuyère: Mouvement de Valse 02:57 - VI. Le Petit Jésus et sa Maman: Lent 03:30 - VII. Berger, Bergère: Andantino 04:00 - VIII. La Boite à Musique: Andantino 04:40 - IV. Concert des Petits Anges Musiciens: Andantino 05:13 - X. La Berceuse à Claudinet: Andante 05:54 - XI. Les Rois Mages: Largamento 06:25 - XII. Les Tambourinaires: Vif / Piano: Emilie Capulet Year of Recording: 2017-2018 / "Henri Tomasi was a French classical composer and conductor. He was born in Marseille on 17 August 1901 to a family who originated from Corsica. At the age of seven he entered the Conservatoire de Musique de Marseille, and during those early summers he stayed with his grandmother in Corsica, where he learned traditional Corsican songs. World War I delayed his entrance into the Paris Conservatoire, but in 1921 he eventually began his studies there. His teachers included Philippe Gaubert, Vincent d'Indy, Georges Caussade, and Paul Vidal. In 1927 he won the ‘Prix de Rome’. World War II marked a turning point in Tomasi’s fortunes. He began to achieve international recognition, when previously his reputation had been confined to his native France. He now became one of the foremost French composers of his day. He was drawn especially towards opera, composing twelve in all between 1941-1971. Yet, instrumental music also seemed to stir a passion. He wrote twenty concertos for some of the most eminent soloists around at the time. A car accident in 1952, in which he broke one of his legs, put an end to his conducting career four years later. He also had to contend with encroaching deafness. His remaining years were devoted to composition. He died in 1971. The wide-eyed innocence of childhood is the subject of Le Coin de Claudinet (1948), a suite of twelve pieces cast in the vein of Schumann’s Album for the Young, Debussy’s Children’s Corner and other such cycles. It was composed for his son’s fourth birthday, with each of the pieces lasting under a minute. The cameos depict such things as trumpet calls of tin soldiers, a sad song of a doll, a galloping toy horse and a musical box." (Stephen Greenback) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Henri Tomasi Halphen Gaubert Vincent Indy Indy Georges Caussade Paul Vidal Marcel Mule Jean Pierre Rampal Chvála Opéra Comique 1901 1913 1916 1921 1925 1927 1929 1930 1931 1935 1936 1939 1940 1944 1946 1948 1949 1956 1966 1971 1996
Henri Tomasi: Ballade - Anna Šteklová saxofon: Anna Šteklová dirigent: Petr Vronský Severočeská filharmonie Teplice obraz a zvuk: Jaroslav Hudec Henri Tomasi se narodil v dělnické čtvrti Marseille ve Francii 17. srpna 1901. Jeho otec Xavier Tomasi a matka Josephine Vincensi byli původem z La Casinca na Korsice . Když mu bylo pět, rodina se přestěhovala do Mazargues ve Francii, kde Xavier Tomasi pracoval jako poštovní pracovník. Tam svého syna zapsal do hudební teorie a klavíru. V sedmi letech vstoupil Tomasi na Conservatoire de Musique de Marseille. Pod nátlakem svého otce hrál pro rodiny z vyšší třídy, kde se cítil „ponížený být na výstavě jako cvičené zvíře“. V roce 1913 se rodina přestěhovala zpět do Marseille. Tomasi snil o tom, že se stane námořníkem , a vynechal mnoho svých hudebních kurzů. Přes léto pobýval u babičky na Korsice a učil se tradiční korsické písně. V roce 1916 získal první cenu v harmonii spolu se svým přítelem Zino Francescattim , slavným houslistou . První světová válka oddálila jeho nástup na pařížskou konzervatoř , a tak hrál na klavír v Marseille, aby si vydělal peníze. Vystupoval na různých místech, jako jsou luxusní hotely , restaurace , nevěstince a kina. Jeho talent pro kompozici se vyvinul během této doby, protože vynikal v improvizaci na klávesy. Rané filmy Charlieho Chaplina ho také zaujaly a ovlivnily jeho díla. V roce 1921 zahájil studium na Conservatoire de Paris se stipendiem magistrátu Marseille a stipendiem od právníka Maitre Levy Oulmana. Stále vystupoval po kavárnách a v kinech, aby si vydělal peníze. Jeho přítel Maurice Franck popsal Tomasiho jako dříče: "Týdně se objevoval s fugou, byl neunavitelný - zarytý workoholik." V roce 1925 jeho první kus, dechový kvintet s názvem 'Variations sur un Theme Corse', vyhrál Prix Halphen . Mezi jeho učitele na pařížské konzervatoři patřili Gaubert , Vincent d'Indy , Georges Caussade a Paul Vidal . V roce 1927 vyhrál druhýGrand Prix de Rome za jeho kantátu „Coriolan“ a první cena za orchestrální dirigování, které byly obě uděleny jednomyslně. Téhož roku potkal svou budoucí manželku Odette Campovou v Opéra-Comique . Vzali se v roce 1929. Tomasi začal svou kariéru jako dirigent pro Concerts du Journal . V letech 1930 až 1935 Tomasi působil jako hudební ředitel Koloniálního rozhlasového orchestru ve Francouzské Indočíně , který založil Julien Maigret během Koloniální výstavy v Paříži v roce 1931 . Tomasi se stal jedním z prvních rozhlasových dirigentů a průkopníkem „radiofonní“ hudby. Během třicátých let byl spolu s Prokofjevem , Milhaudem , Honeggerem a Poulencem jedním ze zakladatelů skupiny soudobé hudby v Paříži s názvem Triton . Skládání a dirigování věnoval stejný čas. Byl jedním z dirigentů pro studiová vysílání Orchestre Radio Symphonique de la Radiodiffusion Francaise. Svou nejpamátnější nahrávku natočil v roce 1936 s mimořádnou francouzskou mezzosopranistkou Alice Raveau v Gluckově Orfeovi , oceněném Grand Prix du Disque . V roce 1939 byl Tomasi odveden do francouzské armády a byl jmenován dirigentem pochodové kapely v pevnosti Villefranche sur Mer . V roce 1940 byl propuštěn a převzal taktovku v Orchestre national de la Radiodiffusion française. Jako skladatele je důležitá jeho orchestrální hudba, ale především ho přitahovalo divadlo. V oblasti instrumentální hudby preferoval komponování pro dechové nástroje. Složil koncerty pro flétnu , hoboj , klarinet , saxofon , fagot , trubku , lesní roh a pozoun . Složil také koncerty pro housle a violu . V roce 1944 se mu narodil syn Claude a Tomasi začal skládat Requiemvěnované „mučedníkům hnutí odporu a všem, kteří zemřeli za Francii“. Tomasi byl rozčarován událostmi druhé světové války a následně odmítl veškerou víru v Boha. Jeho Requiem bylo odloženo a znovu objeveno a nahráno až v roce 1996. V roce 1946 se Tomasi ujal postu dirigenta Opery de Monte Carlo . V roce 1948 napsal svou nejoblíbenější skladbu, Koncert pro trubku . V roce 1949 koncert pro saxofon provedl Marcel Mule . V roce 1956 složil Koncert pro klarinet a Koncert pro pozoun. Tentýž rok přinesl dlouho očekávanou světovou premiéru jeho opery Don Juan de Mañara na text básníka OV de L. Miloše. Tato opera „L'Atlantide“ a komická opera „Le Testament di Pere Gaucher“ společně prokázaly jeho pověst operního skladatele. V květnu 1956 v Bordeaux měla premiéru jeho opera Sampiero Corso. V roce 1966 zahrál Jean-Pierre Rampal svůj Koncert pro flétnu s Orchestre des Concerts Classiques v Marseille . Jeho poslední kus pro divadlo, „In Chvála šílenství (nukleární éra)“, je kříženec opery a baletu a obsahuje odkazy na nacismus a napalm . Během svého posledního skladatelského období byl motivován politickými událostmi a napsal skladby jako Třetí světová symfonie a Chant pour le Vietnam. 13. ledna 1971 pokojně zemřel ve svém bytě na Montmartru v Paříži. zdroj článku: (http•••) (http•••) (http•••) (http•••)
Henri Tomasi Philippe Gaubert Vincent Indy Indy Georges Caussade Paul Vidal Jean Doyen Borne Woodland Glade Fabric Messiaen 1901 1921 1927 1930 1941 1952 1971 1976 2017 2018
00:00 - I. Marine (Mouettes): Librement, sans rigueur dans le rhythme 04:00 - II. Clairière (Matin d'été): Andantino 07:00 - III. Forêt (Chants d'oiseaux): Allegretto / Piano: Emilie Capulet Year of Recording: 2017-2018 / "Henri Tomasi was a French classical composer and conductor. He was born in Marseille on 17 August 1901 to a family who originated from Corsica. At the age of seven he entered the Conservatoire de Musique de Marseille, and during those early summers he stayed with his grandmother in Corsica, where he learned traditional Corsican songs. World War I delayed his entrance into the Paris Conservatoire, but in 1921 he eventually began his studies there. His teachers included Philippe Gaubert, Vincent d'Indy, Georges Caussade, and Paul Vidal. In 1927 he won the ‘Prix de Rome’. World War II marked a turning point in Tomasi’s fortunes. He began to achieve international recognition, when previously his reputation had been confined to his native France. He now became one of the foremost French composers of his day. He was drawn especially towards opera, composing twelve in all between 1941-1971. Yet, instrumental music also seemed to stir a passion. He wrote twenty concertos for some of the most eminent soloists around at the time. A car accident in 1952, in which he broke one of his legs, put an end to his conducting career four years later. He also had to contend with encroaching deafness. His remaining years were devoted to composition. He died in 1971. Paysages are three short pieces dating from 1930 and were premiered a year later by Jean Doyen one of its dedicatees. The first piece Marine evokes the soaring of seagulls, borne on gusts of wind. Clairière savours the teeming life of the woodland glade. Birdsong, enveloped in luminous hues are sewn into the fabric of the third piece Forêt, pointing the way to Messiaen’s Catalogue d’oiseaux which was to come some decades later." (Stephen Greenback) / Note: I am not completely sure that the cover in the presentation slide actually corresponds to the score; it was hard to find anything. / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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- cronologia: Compositori (Europa). Interpreti (Europa).
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