Giuseppe Porsile Video
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2024-04-27
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Turina Giuseppe Porsile Angelo Ragazzi Francesco Paolo Supriano Nicola Matteis 1670 1678 1680 1714 1737 1750 1753
ATRIUM Ensemble Cecilia Clares i Roger Junyent Violins Guillermo Turina Violoncel Mostra Programa "Els músics de l'Arxiduc" Giuseppe Porsile +••.••(...)) Partita II Entrée Angelo Ragazzi +••.••(...)) atr. Allegro Francesco Paolo Supriano +••.••(...)) Toccatta V Nicola Matteis +••.••(...)) Fantasia con discretione
Turina Supriani Giuseppe Porsile Alessandro Scarlatti Scarlatti Boix Matsuoka 1678 1708 1710 1730 1753 2012
Principles to learn to play the cello Little is known about Francesco Supriani’s life. Born in the city of Conversano on July 11th 1678, it was probably where he began his musical studies. In 1708 he was appointed rst cello of the Real Capilla de Barcelona, recently founded by violinist Giuseppe Porsile for Archduke Charles of Austria. In this way, Francesco Supriani became the rst musician in Spain to be considered a cellist. After two years of service in the Real Capilla, Supriani returned to Naples in 1710 and joined the Real Cappella until 1730. There he shared music with some of the great musicians of the time, such as kapellmeister Alessandro Scarlatti. After his service in the court, he retired, keeping his wages as retirement pension, although he was allowed to play in solemn occasions. Francesco Supriani died in Naples on August 28th 1753. The limited amount of his works that have survived to our days are very interesting due to the light it sheds on the technical possibilities of an instrument which was, until that time, focused fundamentally to the basso continuo. The present recording is the rst monography dedicated to Francesco Supriani’s music and is a perfect example of the variety of his small catalogue. Baroque cellist Guillermo Turina, soprano Eugenia Boix and harpsichordist Tomoko Matsuoka have been playing together since 2012 in several Spanish ensembles. Since then, the discovery and study of Francesco Supriani’s marvelous music led Guillermo Turina to direct this project, with the strong intention of bringing his music to its well-deserved position in the History of Music as one of the most important antecessors of cello playing. Available as download in any (extreme high) definition or on CD (http•••) (http•••)
Giuseppe Porsile Marco Beasley Morini 1680 1700 1710 1750
“Cantata sopra l'Arcecalascione” di Giuseppe Porsile (Napoli, 1680-Vienna, 1750). Tenore: Marco Beasley. Ensemble Accordone, Guido Morini. Statua a grandezza naturale in Via San Gregorio Armeno, Napoli. Dal manoscritto del 1700-1710 ca. conservato presso il Conservatorio "San Pietro a Majella" di Napoli: (Recitativo) “Sfogandose no juorno co’ n’arcecalascione, Ambruso lo chiaiese accordato ch’avette lo cordone cossì strellando a gualeià se mese” (Aria e romanella) “Schiaresce l’arba nsino dello maro è l’accqua ch’è salata scumma argiento. Se ncrespa l’onda, è s’auza lo viento che porta à galla à nuie nò calamaro lo calamaro, e Aniello chi vò lo purpo addoruso e moscariello.” [Si sona la romanella] “All’aria de lo maro, e a la marina me chiamma l’aucelluzzo nnammorato che ncoppa canta à la rosamarina porta lo core mmocca ch’e cecato aie ch’è cecato, e bella aie marenaro mio Foretanella.” (Recitativo) “E scomputo ch’avette chisto Lotano a chella sgrata soia che le stea accanto reprecaie chisto canto” (Arietta) “Mannaggia Amore e chi lo secota ca nce persecota e fa arraggià pe’ chesto sbaria, vace pe’ l’aria st’affritto core senza piatà.” Play using HD setting (1080p). If you think this video is affecting your musical property rights, please tell me and I will remove it. Thank you.
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