Heinrich Scheidemann Video
compositore e organista tedesco
- organo a canne, organo
- Ducato di Holstein
- organista, compositore
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2024-04-28
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Tomita Buxtehude Scheidemann Sweelinck Pachelbel Frescobaldi 2021
【00:00】- Titel 【00:14】- 幻想曲 (Fantasie) 【06:49】- フーガ (Fuge) 【13:29】- End J.S.バッハ : 幻想曲とフーガ ト短調 BWV542「大フーガ」 パイプオルガン : 冨田一樹 ((http•••) J.S.Bach - Fantasie und Fuge g-moll BWV542 Orgel - Kazuki Tomita 収録 : 豊田市コンサートホール 2021年12月21日(火) 使用楽器 : ジョン・ブランボー社製 パイプオルガン (4段鍵盤ペダル付 62ストップ パイプ総数-3922本) 豊田市コンサートホール 「Stand on Stage 動画配信」入選企画 冨田 一樹 (Tomita Kazuki) / パイプオルガン 大阪音楽大学オルガン専攻を最優秀賞を得て首席で卒業。同大学音楽専攻科オルガン専攻を修了。 ドイツ・リューベック音楽大学大学院オルガン科修士課程を最高得点で修了。 ライプツィヒ第20回バッハ国際コンクールのオルガン部門にて日本人初となる第一位と聴衆賞を受賞。 「咲くやこの花賞」「坂井時忠音楽賞」を受賞。 ドキュメンタリー番組「情熱大陸」に出演。 (一社)日本オルガニスト協会会員。 ((http•••) J.S.Bach: BWV 540 (http•••) BWV 582 (http•••) BWV 541 (http•••) BWV 731 (http•••) BWV 537 (http•••) BWV 547 (http•••) BWV1080 (http•••) BWV653b (http•••) (http•••) Buxtehude: BuxWV 161 (http•••) BuxWV 140 (http•••) BuxWV 155 (http•••) BuxWV 211 (http•••) BuxWV 208 (http•••) BuxWV 173 (http•••) (http•••) Scheidemann: WV38 (http•••) WV37 (http•••) WV36 (http•••) Sweelinck: SwWV 272 (http•••) SwWV 272 (http•••) SwWV 315 (http•••) (http•••) Pachelbel: Fantasia g (http•••) Choral (http•••) (http•••) F.Tunder: Choral (http•••) Choral (http•••) Frescobaldi: Toccata (http•••) Canon(unendlich): (http•••) meine Improsation: (http•••) GameMusic: (http•••) verschiedene Musiken: (http•••)
Tomita Buxtehude Scheidemann Sweelinck Een Pachelbel Reger Frescobaldi 2016
J.S.Bach - Von Gott will ich nicht lassen BWV.658 Orgel - Kazuki Tomita J.S.バッハの「ライプツィヒ・コラール」より「われ神より離れじ」BWV.658です。 楽譜には「ペダルに定旋律を」と書かれていますが、音域が指定されていないので、演奏されるのがテノールなのかアルトなのかが分からないという、謎の残る作品です。 オルガン:冨田一樹 冨田 一樹 (Tomita Kazuki) / パイプオルガン 大阪音楽大学オルガン専攻を最優秀賞を得て首席で卒業。同大学音楽専攻科オルガン専攻を修了。 ドイツ・リューベック音楽大学大学院オルガン科修士課程を最高得点で修了。 オルガンを土橋薫、アルフィート・ガスト(聖ヤコビ教会オルガニスト)、古楽をハンス・ユルゲン・シュノールの各氏に師事。 ライプツィヒ第20回バッハ国際コンクールのオルガン部門にて日本人初となる第一位と聴衆賞を受賞。 「咲くやこの花賞」「坂井時忠音楽賞」を受賞。 ドキュメンタリー番組「情熱大陸」(2016年12月)に出演。 (一社)日本オルガニスト協会会員。 ホームページ : (http•••) J.S.Bach: BWV 541 (http•••) BWV 731 (http•••) BWV 537 (http•••) BWV 539 (http•••) BWV 654 (http•••) BWV1080 (http•••) BWV653b (http•••) (http•••) Buxtehude: BuxWV 140 (http•••) BuxWV 155 (http•••) BuxWV 211 (http•••) BuxWV 168 (http•••) BuxWV 173 (http•••) (http•••) Scheidemann: Praeambulum WV33 (http•••) Fantasia in C (http•••) Sweelinck: Fantasia Chromatica (http•••) Onder een linde groen (http•••) Toccata a (http•••) Toccata C (http•••) (http•••) Pachelbel: (http•••) Reger: Op.59 (http•••) F.Tunder: Choral (http•••) Frescobaldi: Tccata (http•••) Canon(unendlich): (http•••) meine Improsation: (http•••) GameMusic: (http•••) verschiedene Musiken: (http•••)
Franz Tunder Heinrich Scheidemann Matthias Weckmann Dietrich Buxtehude Bach
At the request of Kaiuk Yaroslav Praeludium for Organ in G Minor by Franz Tunder Along with Heinrich Scheidemann and Matthias Weckmann, Tunder was one of the most important members of the North German organ school; however, few of his works are preserved. His surviving output suggests a marked preference for the chorale fantasia style, though he is also known for chorale versets, such as his setting of Jesus Christus unser Heiland, notable in particular for the opening pedal flourish (probably the earliest surviving example of an opening pedal solo in an organ work), a technique that was to be more fully exploited by Dietrich Buxtehude. JS Bach - Organ Pieces (http•••)
Heinrich Scheidemann John Dowland Sweelinck Johann Sebastian Bach 1596 1629 1663
1) Pavana Lachrymae d’apès Dowland: 00:00 2) Galliarda ex D: 5:33 Heinrich Scheidemann was a north German composer, organist and music teacher. In 1629, he became the organist at the St. Katherinen church in Hamburg, and held that position till his death 34 years later. In his playing, as in his compositions, he combined the styles of older German masters with that of Sweelinck of the Netherlands, and thus played an important role in the development of the organ style that would later culminate in the works of Johann Sebastian Bach. Scheidemann, like most organists of that time, also wrote works for the harpsichord; the two in this recording are my favorites. The “pavane & galliarda” coupling was nothing new; we have many examples of this in (for example) the Fitzwilliam Virginal Book. There are also other elaborations of the well-known “pavana lachrymae” of John Dowland. However, these two works by Scheidemann show him to be an exceptional master of his art, one whose creations should receive considerable more attention from all lovers of 17th century music! Please... Do check out my books at Amazon.. 1) How to Memorize Music – A Practical Approach for Non-Geniuses (http•••) 2) How to overcome Stage Fright − The ultimate Guide for performing Musicians (http•••) 3) Play it with Feeling! - Expressing Emotion in Musical Performance (http•••) All available at Amazon.com Please subscribe to my channel! P.S. You might want to join my Facebook Group: "The Digital Harpsichordist": (http•••)
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- cronologia: Compositori (Europa). Interpreti (Europa).
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