Herbert Sanders Video
direttore d'orchestra, compositore, insegnante di musica, pianista, critico musicale
- organo, pianoforte
- Canada
Ultimo aggiornamento
2024-05-13
Aggiorna
Jascha Heifetz Itzhak Perlman Sanders Isaac Albéniz 1989
Provided to YouTube by Warner Classics Suite española No. 1, Op. 47: III. Sevilla "Sevillanas". Allegro (Arr. for Violin and Piano by Jascha Heifetz) · Itzhak Perlman · Samuel Sanders Violin Encores: Perlman ℗ 1989 Warner Classics, Warner Music UK Ltd Violin: Itzhak Perlman Piano: Samuel Sanders Composer: Isaac Albeniz Composer: Isaac Albéniz Arranger, Composer: Jascha Heifetz Auto-generated by YouTube.
Paul Kochanski Itzhak Perlman Sanders Manuel Falla 1990
Provided to YouTube by Warner Classics 7 Canciones populares españolas: No. 4, Jota (Arr. Kochanski for Violin and Piano) · Itzhak Perlman/Samuel Sanders · Samuel Sanders The Spanish Album ℗ A Warner Classics release, ℗ 1990 Parlophone Records Limited Violin: Itzhak Perlman Piano: Samuel Sanders Composer: Manuel de Falla Arranger: Paul Kochanski Auto-generated by YouTube.
Ivan Tcherepnin Tcherepnin Alexander Tcherepnin Playford Johnston Sanders Stern Mily Balakirev Devoe Ars Musica 1873 1897 1924 1962 1977 1995 1996 2000
"Alexander & Ivan Tcherepnin, The Music of Father and Son" is a program of works written by Alexander and Ivan Tcherepnin. These performances are studio recordings of music previously presented at a Tcherepnin memorial program offered at DePaul University on May 21, 2000 by Ars Musica Chicago. ~0:01 / ‘Processional for Organ’, composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii. ~4:47 / ‘String Quartet No. 1’, Op. 36 (“Love Offering to St. Theresa of the Child Jesus”), composed by Alexander Tcherepnin; performed by Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Albert Arias has written that this piece "was originally a cantata for narrator, tenor solo, flute, organ, and string quintet on a text of Ernesta Stern. In 1924, the music was reworked as a string quartet. Tcherepnin was moved by the spiritual autobiography of Saint Thérèse of Lisieux +••.••(...)) and used it as the inspiration for this quartet." ~13:10 / ‘There Was No Wind’, composed by Ivan Tcherepnin; performed by Carol LoVerde, soprano; Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Alberto Arias wrote this about the piece: "Composed in 1996, Ivan Tcherepnin's 'There Was No Wind' ('Point n'était de vent') was commissioned by M.P. Belaieff Music Publishers to celebrate its 100th Anniversary. Tcherepnin chose a theme based on a type of Russian folk song known as a 'platsch'. This particular 'platsch' with the French title 'Point n'était de vent' appeared in a 19th-century collection by Mily Balakirev, who collected the tunes and their texts in the Caucasus and supplied simple harmonizations. Tcherepnin used the essentials of this Russian melody and the original harmonies as the basis for a complex work with sumptuous texture and often tonal harmony." The text of ‘There Was No Wind’ is as follows, with translation by Ivan Tcherepnin: Not a stir of wind But watch out, here it comes! Not a soul around Here they come in droves. Not a stir of wind.... She expects no guests, But quickly they come. The whole place is now full. Fine horses in front Brimming all the rooms, Bustling all the rooms, Full of handsome young men. Bustling, all the rooms, Full of pretty young girls. Sparkling halls now full. All the rooms destroyed! Her eyes fill with tears. Oh dear soul Varioushka! Mother come near. Oh Mother come near. She consoles her Saying “Please don't cry, Varioushka. Please don't cry, Varioushka. Don't cry Varioushka. My heart, please don't cry. Please don't cry, my heart. I'll have new halls built! Sparkling new halls!” The gold cup she strikes, She breaks the gold cup With its precious blue gem. “Oh please don't cry, Varioushka, my heart Oh please don't cry. I'll buy you a gold cup With a precious blue gem.” Not a stir of wind.... ~26:43 / ‘Pensamiento’, composed by Ivan Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; David Witten, piano. Enrique Alberto Arias has written: “Ivan Tcherepnin wrote 'Pensamiento' in 1995 for Duo Clasico flutist Sue-Ellen Hershman-Tcherepnin and pianist David Witten, as part of the State Department 40th Anniversary celebration of the Fulbright program in Ecuador. The premiere was given that year in Quito, Ecuador." Ivan Tcherepnin wrote: "'Pensamiento' is about uniting North and South. My love of Ecuador and its people is reflected in the opening, which is a mini 'Condor Song'. After an encounter with the Eagle and ensuing conflicts, the Condor peacefully soars away above the highest Andean peaks.” ~30:01 – ‘Duo for Two Solo Flutes’, Op. 108, composed by Alexander Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; Jacqueline Devoe, flute. The work's sections are: ~30:01 Moderato ~32:32 Lento ~34:47 Cadenza ~37:46 Sostenuto ~40:34 Presto Enrique Alberto Arias writes of this work, "The 'Duo for Two Solo Flutes' was Alexander Tcherepnin's last completed work. The Swiss duo flautists Dominique Hunziger and Anne Utagawaya commissioned this score, which was completed 8 September 1977, just three weeks before the composer's death. Highly contrapuntal, the due emphasizes interpoint (a technique in which a melodic line is split between the melodic parts) and motivic variation based on the 9-step scale." ~42:02 / ‘Recessional for Organ’ (1962), composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii.
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