Milij Alekseevič Balakirev Video
compositore, pianista e direttore d'orchestra russo
- pianoforte
- sinfonia
- Impero russo
- compositore, direttore d'orchestra, pedagogista, musicologo, pianista, insegnante di musica
streaming
Ultimo aggiornamento
2024-04-27
Aggiorna
Musin Levina Kozlov Alexey Ivanov Ivanov Maxim Mironov Gavrilov Balakirev Rosenfeld Egorova Volkov
Video directed by Kate Koroleva and produced by 'Wordshop Music Video' by Andrey Musin and Alena Koukoushkina in Moscow, Russia. Credits / Участники ENG Wordshop Music Video by Andrey Musin and Alena Koukoushkina Director – Kate Koroleva DOP – Pavel Krikunov Producer – Anastasia Levina Cameraman – Konstantin Kozlov 1AD – Evgeniy Lutsenko Art director – Mikhail Khlechan Art director assistant – Elena Tsukanova Costume designer – Nadezhda Levitina Make-up artist – Kseniya Vishnyakova Gaffer – Alexander Andreev Editor – Alexey Ivanov Sound director – Evgeniy Rvyanin Color correction – Maxim Mironov Many thanks to incredible bar Delicatessen in the person of Vyacheslav Lankin and Sergey Pushkin. Thank you for help in and outer frame Kirill Minaev, Ekaterina Mashkova, Thomas Baudouin, Vladimir Kasymov, Anastasia Kasymova, Nikita Gavrilov, Antonina Korochkina, Evgenia Lutsenko, Anton Balakirev, Elizaveta Tsekhanovskaya, Alexandra Khilko, Nikolay Novokovsky, Valentin Rosenfeld, Ekaterina Yevtushenko, Kira Egorova, Vladislav Volkov, Mikhail Demchuk, Irina Shcherbakova. Marina Tolstobrova, thanks for the backstage photos. РУС Wordshop Music Video, мастерская Андрея Мусина и Алёны Кукушкиной Режиссер-постановщик – Катя Королева Оператор-постановщик – Павел Крикунов Продюсер – Анастасия Левина Оператор – Константин Козлов 2ой режиссер – Евгений Луценко Художник-постановщик – Михаил Хлечан Ассистент художника-постановщик – Елена Цуканова Художник по костюмам – Надежда Левитина Художник по гриму – Ксения Вишнякова Гафер – Александр Андреев Монтаж – Алексей Иванов Звукорежиссер – Евгений Рвянин Цветокоррекция – Максим Миронов Спасибо за чудесный локейшн бару Delicatessen в лице Вячеслава Ланкина и Сергея Пушкина. Спасибо за помощь в кадре и за его пределами Кирилл Минаев, Екатерина Машкова, Томас Бодуэн, Владимир Касымов, Анастасия Касымова, Никита Гаврилов, Антонина Корочкина, Евгения Луценко, Антон Балакирев, Елизавета Цехановская, Александра Хилько, Николай Новоковский, Валентин Розенфельд, Екатерина Евтушенко, Кира Егорова, Владислав Волков, Михаил Демчук, Ирина Щербакова. За backstage фото спасибо Марина Толстоброва.
Ivan Tcherepnin Tcherepnin Alexander Tcherepnin Playford Johnston Sanders Stern Mily Balakirev Devoe Ars Musica 1873 1897 1924 1962 1977 1995 1996 2000
"Alexander & Ivan Tcherepnin, The Music of Father and Son" is a program of works written by Alexander and Ivan Tcherepnin. These performances are studio recordings of music previously presented at a Tcherepnin memorial program offered at DePaul University on May 21, 2000 by Ars Musica Chicago. ~0:01 / ‘Processional for Organ’, composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii. ~4:47 / ‘String Quartet No. 1’, Op. 36 (“Love Offering to St. Theresa of the Child Jesus”), composed by Alexander Tcherepnin; performed by Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Albert Arias has written that this piece "was originally a cantata for narrator, tenor solo, flute, organ, and string quintet on a text of Ernesta Stern. In 1924, the music was reworked as a string quartet. Tcherepnin was moved by the spiritual autobiography of Saint Thérèse of Lisieux +••.••(...)) and used it as the inspiration for this quartet." ~13:10 / ‘There Was No Wind’, composed by Ivan Tcherepnin; performed by Carol LoVerde, soprano; Carl Johnston, Phyllis Sanders, violins 1, 2; Renée Baker, viola; Ingrid Krizan, cello. Enrique Alberto Arias wrote this about the piece: "Composed in 1996, Ivan Tcherepnin's 'There Was No Wind' ('Point n'était de vent') was commissioned by M.P. Belaieff Music Publishers to celebrate its 100th Anniversary. Tcherepnin chose a theme based on a type of Russian folk song known as a 'platsch'. This particular 'platsch' with the French title 'Point n'était de vent' appeared in a 19th-century collection by Mily Balakirev, who collected the tunes and their texts in the Caucasus and supplied simple harmonizations. Tcherepnin used the essentials of this Russian melody and the original harmonies as the basis for a complex work with sumptuous texture and often tonal harmony." The text of ‘There Was No Wind’ is as follows, with translation by Ivan Tcherepnin: Not a stir of wind But watch out, here it comes! Not a soul around Here they come in droves. Not a stir of wind.... She expects no guests, But quickly they come. The whole place is now full. Fine horses in front Brimming all the rooms, Bustling all the rooms, Full of handsome young men. Bustling, all the rooms, Full of pretty young girls. Sparkling halls now full. All the rooms destroyed! Her eyes fill with tears. Oh dear soul Varioushka! Mother come near. Oh Mother come near. She consoles her Saying “Please don't cry, Varioushka. Please don't cry, Varioushka. Don't cry Varioushka. My heart, please don't cry. Please don't cry, my heart. I'll have new halls built! Sparkling new halls!” The gold cup she strikes, She breaks the gold cup With its precious blue gem. “Oh please don't cry, Varioushka, my heart Oh please don't cry. I'll buy you a gold cup With a precious blue gem.” Not a stir of wind.... ~26:43 / ‘Pensamiento’, composed by Ivan Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; David Witten, piano. Enrique Alberto Arias has written: “Ivan Tcherepnin wrote 'Pensamiento' in 1995 for Duo Clasico flutist Sue-Ellen Hershman-Tcherepnin and pianist David Witten, as part of the State Department 40th Anniversary celebration of the Fulbright program in Ecuador. The premiere was given that year in Quito, Ecuador." Ivan Tcherepnin wrote: "'Pensamiento' is about uniting North and South. My love of Ecuador and its people is reflected in the opening, which is a mini 'Condor Song'. After an encounter with the Eagle and ensuing conflicts, the Condor peacefully soars away above the highest Andean peaks.” ~30:01 – ‘Duo for Two Solo Flutes’, Op. 108, composed by Alexander Tcherepnin; performed by Sue-Ellen Hershman-Tcherepnin, flute; Jacqueline Devoe, flute. The work's sections are: ~30:01 Moderato ~32:32 Lento ~34:47 Cadenza ~37:46 Sostenuto ~40:34 Presto Enrique Alberto Arias writes of this work, "The 'Duo for Two Solo Flutes' was Alexander Tcherepnin's last completed work. The Swiss duo flautists Dominique Hunziger and Anne Utagawaya commissioned this score, which was completed 8 September 1977, just three weeks before the composer's death. Highly contrapuntal, the due emphasizes interpoint (a technique in which a melodic line is split between the melodic parts) and motivic variation based on the 9-step scale." ~42:02 / ‘Recessional for Organ’ (1962), composed by Alexander Tcherepnin; performed by Louis Playford, organist. This work was written in 1962 for the double wedding of Tcherepnin's nephews in Hawaii.
Mechetina Lyadov Glinka Balakirev Lark Arensky Borodin Tchaikovsky 1885 2021
"RUSSIAN PICTURES" Lyadov. Prelude in h minor op.11 No.1 Glinka-Balakirev. "The Lark" Arensky. "In The Fields" op.36 No.24 "Forest Stream" op.36 No.15 Borodin. Scherzo in A flat major op. (1885) Tchaikovsky. Dumka op.59 Theme and Variations in F major
Kashperova Gubaidulina Ustvolskaya Firsova Alexander Tcherepnin Tcherepnin Anton Rubinstein Rubinstein Balakirev Glazunov Lyapunov Prokofiev 1872 1918 1922 1940
1 - Andante; 2 - Allegro moderato / There are several prominent female Russian composers of the post-war era - Gubaidulina, Ustvolskaya and Firsova come to mind - but here in the UK one rarely hears of Russian woman composers prominent in earlier eras. One exception seems to have been Leocadia Kashperova ( Леокадия Александровна Кашперова )+••.••(...)). She is probably remembered now - if at all - for having been a piano teacher of Alexander Tcherepnin at the St. Petersburg conservatory, but she herself had studied there with Anton Rubinstein, and was an associate of Balakirev and Glazunov, some of whose works she premiered. She married a revolutionary and moved to Rostov-on-Don in 1918, but settled in Moscow in 1922. Kashperova wrote a piano concerto, a cantata, and two cello sonatas, as well as piano music. These pieces - 'Two Autumn Leaves' - come from a collection called СРЕДИ ПРИРОДЫ (= 'In Nature' - the published French title is used for the video), dedicated to the composer's sister. The first piece seems reminiscent of Lyapunov, but the energy and directness of expression of the second piece looks ahead to the Prokofiev of the 'Visions Fugitives'. / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
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