Jean-Henri d'Anglebert Video
compositore, organista e clavicembalista francese
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- compositore, clavicembalista, organista
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2024-05-21
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François Couperin Gervais Louis Couperin Michel Richard Delalande Thomelin Guérin Jean Henri Anglebert Radziwill 1679 1685 1689 1713 1715 1716 1717 1723 1724 1728 1730 1733 1741
???? SUBSCRIBE FOR MORE ETERNAL CLASSICS! ???? PRESS ???? IF YOU LIKE THIS VIDEO François Couperin - "La lugubre" (Sarabande) from "Pièces de clavecin" (Troisième ordre) Couperin was born into a prominent musical family. His father Charles was organist at the Church of Saint-Gervais in Paris, a position previously held by Charles's brother Louis Couperin, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679. The church council at Saint-Gervais hired Michel Richard Delalande to serve as new organist on the understanding that François would replace him at age 18. The 11-year-old was taken care of and taught, meanwhile, by organist Jacques-Denis Thomelin, who served both at court and at the church of St Jacques-de-la-Boucherie. Biographer Évrard Titon du Tillet wrote that Thomelin treated the boy extremely well, becoming a second father to him. François' talent must have shown itself early on because by 1685 the church council began providing him a salary, although he had no contract. At twenty-one Couperin also lost his mother, Marie (née Guérin), but otherwise his life and career were accompanied by good fortune. In 1689 he married one Marie-Anne Ansault, daughter of a prosperous family. The next year saw the publication of his Pièces d'orgue, a collection of organ masses praised by Delalande, who may have assisted with the project. In three more years Couperin succeeded Thomelin at Louis XIV's court. The appointment brought him in touch with some of the finest composers of the day as well as the aristocracy. His earliest chamber music dates from this time. Couperin met his court duties in tandem with those he now had as organist at Saint-Gervais, while also composing. He obtained a 20-year royal privilege to publish in 1713 and used it immediately to issue the first volume (out of four) of his harpsichord works, Pieces de clavecin. A harpsichord playing manual followed in 1716, as well as other collections of keyboard and chamber music. In 1717 Couperin succeeded one of his most eminent colleagues, Jean-Henri d'Anglebert, as ordinaire de la musique de la chambre du roi pour le clavecin, one of the highest possible appointments for a court musician. However, his involvement in the musical activities at the court may have lessened after Louis XIV's death in 1715. Couperin's health declined steadily throughout the 1720s. The services of a cousin were required by 1723 at Saint Gervais, and in 1730 Couperin's position as court harpsichordist was taken up by his daughter Marguerite-Antoinette. Couperin's final publications were Pièces de violes (1728) and the fourth volume of harpsichord pieces (1730). The composer died in 1733. The building where Couperin and his family lived since 1724 still stands and is located at the corner of the rue Radziwill and the rue des Petits Champs. The composer was survived by at least three of his children: Marguerite-Antoinette, who continued working as court harpsichordist until 1741, Marie-Madeleine (Marie-Cécile), who became a nun and may have worked as organist at the Maubuisson Abbey, and François-Laurent, who according to contemporary sources left the family after François died. #Couperin #lugubre #Pièces_de_clavecin #classical #classicalmusic #classicalpiano #piano #eternal #classics #baroque #romantic #tutorial
Jean Henry Jean Henry Anglebert Rondeau
Jean-Henry d'Anglebert Pièces de clavecin, Suite en sol majeur-Chaconne Rondeau
Andreas Staier Johann Jacob Froberger Jean Henry Anglebert Johann Caspar Ferdinand Fischer Fischer Georg Muffat Louis Couperin Couperin Schubert Schumann Mendelssohn Beethoven Brahms Concerto Koln Freiburger Barockorchester
Harpsichordist Andreas Staier performed a program focused on Aristotle's notion of the "melancholic" temperament. On the program were Johann Jacob Froberger's "Suite - Plainte faite a Londres pour passer la Melancholie, laquelle se joue lentement aver discretion," selections from Jean Henry D'Anglebert's "Pieces de Clavecin, Livre premier," selections from Johann Caspar Ferdinand Fischer's "Musicalischer Parnassus" and "Ariadne Musica," selections from Louis-Nicolas Clerambault's "1er Livre de Pieces de Clavecin," Georg Muffat's "Passacaglia" from "Apparatus Musico-Organisticus," and selections by Louis Couperin. Speaker Biography: Andreas Staier is a world renowned keyboardist from Germany. He performs throughout Europe, the United States and Asia with orchestras such as Concerto Koln, Freiburger Barockorchester, the Akademie fur alte Musik Berlin and the Orchestre des Champs-Elysees Paris. He has also collaborated with world renowned actresses and pianists. His musical partnership with the tenor Christoph Pregardien produced numerous lieder recordings (Schubert, Schumann, Mendelssohn, Beethoven and Brahms), all acclaimed by international critics. Staier's recordings have been awarded the Diapason d'Or, Preis der Deutschen Schallplattenkritik, the Baroque Instrumental Gramophone, BBC Music Magazine's Disc of the Month. For more information, visit (http•••)
François Couperin Rossignol Wanda Landowska Jean Philippe Rameau Louis Claude Daquin Jean Baptiste Lully Jean Henri Anglebert Jacques Champion Chambonnières Rondeau 1668 1733
François Couperin +••.••(...)) Harpsichord Works by Wanda Landowska. Qobuz (http•••) Tidal (http•••) Spotify (http•••) Youtube Music (http•••) Apple Music (http•••) Amazon Music (http•••) Deezer (http•••) Soundcloud (http•••) Napster (http•••) Awa日本 (http•••) LineMusic日本 (http•••) QQ音乐 (http•••) *Click to activate the English subtitles for the presentation* (00:00-02:16) 00:00 Les Folies Françoises ou les Dominos - Livre 3, 13e Ordre in B minor, n°4 09:44 Le Dodo ou l’Amour au Berceau - Livre 3, 15e Ordre in A minor 12:56 La Musette de Taverny - Livre 3, 15e Ordre in A minor 14:34 Les Vergers Fleuris - Livre 3, 15e Ordre in A minor 17:02 Soeur Monique - Livre 3, 18e Ordre in F minor 21:34 Les Calotins et les Calotines ou La Pièce à Trétoux - Livre 3, 19e Ordre in D minor 24:03 Les Tambourins - Livre 4, 20e Ordre in G minor 25:11 Passacaille - Livre 2, 8e Ordre in B minor 32:17 La Favorite - Livre 1, 3e Ordre in C minor 36:59 Les Moissonneurs - Livre 2, 6e Ordre in B flat minor 39:03 Les Langueurs Tendres - Livre 2, 6e Ordre in B flat minor 41:26 Le Gazouillement - Livre 2, 6e Ordre in B flat minor 43:25 Les Bergeries - Livre 2, 6e Ordre in B flat minor 46:46 La Commère - Livre 2, 6e Ordre in B flat minor 47:52 Le Moucheron - Livre 2, 6e Ordre in B flat minor 49:08 Les Fastes.., Les Vieleux.., Les Jongleurs.. - Livre 2, 11e Ordre in B minor, n°5 54:00 Le Rossignol en Amour - Livre 3, 14e Ordre in D Major Bonus: 56:47 La Joyeuse - Suite in D Major (Jean-Philippe Rameau) 57:52 Les Tricotets - Suite in G Major (Jean-Philippe Rameau) 59:28 Menuet Majeur et Menuet mineur - Suite in G Major (Jean-Philippe Rameau) 1:01:19 La Poule - Suite in G Major (Jean-Philippe Rameau) 1:04:29 Les Sauvages - Suite in G Major (Jean-Philippe Rameau) 1:06:08 L’Hirondelle (Louis-Claude Daquin) 1:08:13 Le Coucou (Louis-Claude Daquin) 1:10:13 Les Songes Agréables d’Athis (Jean-Baptiste Lully, arr. Jean-Henri d’Anglebert) 1:12:08 Chaconne in F Major (Jacques Champion de Chambonnières) 1:16:01 Rondeau in F Major (Jacques Champion de Chambonnières) Harpsichord: Wanda Landowska FOLLOW US on SPOTIFY (Profil: CMRR) : (http•••) Download CMRR's recordings in High fidelity audio (QOBUZ) : (http•••) What would the harpsichord be today without the persevering efforts of Wanda Landowska? The irresistible attraction of the piano and the seductions of Romanticism had relegated the harpsichord to the status of a relic of a bygone era and reduced the richness of its immense repertoire to a mere field of musicological investigation. In the early years of the following century, a new interest began to emerge in this so-called early music, written for orchestra, voice and organ. However, it was not until the pioneer Wanda Landowska that the harpsichord awoke to a second existence. Thanks to her, an essential part of Western musical history found its original rhythms and colours on instruments close to the ones that saw its birth. Better still, Wanda Landowska inspired the composition of new works for her instrument, thus unexpectedly acclimatising the ancient plucked strings to the language of the creators of her time. She also gave rise to an entire generation of harpsichordists, each of whom, in his or her own way, continued her aesthetic adventure and led to the rediscovery of the entire Baroque literature. Louis et François Couperin PLAYLIST (reference recordings): (http•••) Jean-Philippe Rameau PLAYLIST (reference recording): (http•••)
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