Licinio Refice Video
compositore italiano (1883-1954)
Commemorazioni 2024 (Morte: Licinio Refice)
- opera
- Italia, Regno d'Italia
- compositore, religioso cristiano
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2024-05-11
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Licinio Refice Palacios Fernández Caballero Arregui Cerone Canticum Novum 1912 2022
Licinio Refice - Missa Cantate Domino Canticum Novum (1912) - KYRIE. Video grabado en la Cripta de la Basílica del Santísimo Sacramento de Buenos Aires el 08/04/2022. Todos los derechos reservados. Video recorded in the Crypt of the Basilica of the Blessed Sacrament of Buenos Aires on 08/04/2022. All rights reserved. Ensamble Vocal de la Fundación Prometheus Una creazione di Augusto Bovio INTEGRANTES Ailín Palacios, soprano Marta Rossi, soprano Natalia Raselli, soprano Alicia Alduncin, alto Anahí Fernández Caballero, alto Adriana Arregui, alto * Martín Diaz, tenor Ricardo González Dorrego, tenor Matías Tomasetto, tenor * Roberto Ochova, barítono Alejandro Cerone, barítono * Guillermo Gutkin, bajo * Refuerzos Director Giovanni Panella
Tancredi Pasero Giuseppe Verdi Vincenzo Bellini Ferrando Ezio Pinza Umberto Giordano Modest Mussorgsky Mascagni Ildebrando Pizzetti Gino Vanelli Donizetti Giacomo Puccini Bassano Ruggero Leoncavallo Ashton Palma Costanzi Maria Gay Felice Lattuada Ottorino Respighi Campana Alfredo Casella Licinio Refice Giulio Viozzi Scala Teatro Donizetti Teatro Olimpia Teatro Sociale Cairo Opera House Alhambra Teatro Real Madrid Teatro Principal Teatro Opera Roma Teatro Colón Arena Verona Arena Verona Festival Wexford Festival Opera Fenice Teatro Carlo Felice Teatro Comunale Bologna Teatro Municipal Rio Janeiro Theatro Municipal São Paulo Teatro Regio Teatro Regio Parma Metropolitan Opera 1893 1896 1917 1918 1919 1920 1922 1923 1924 1925 1926 1927 1928 1929 1932 1933 1934 1935 1941 1950 1951 1952 1954 1955 1969 1983
Tancredi Pasero et G.Vanelli - I Puritani - Il rival salvar - Suoni la tromba - Columbia GQX 10248 enregistré le 13 février 1928 Tancredi Pasero (January 11, 1893, Turin - February 17, 1983, Milan) was an Italian bass who enjoyed a long and distinguished singing career in his native country and abroad. After studying with the baritone Arturo Pessina in Turin, Pasero made his debut in Turin, during 1917, as Ramphis in Verdi's Aida—although he always considered his official operatic debut to have taken place in Vicenza, on December 15, 1918, as Rodolfo in Vincenzo Bellini's La sonnambula. According to The Concise Oxford Dictionary of Opera, Pasero went on to make guest appearances in London, Paris, Barcelona, Berlin, Hamburg, Brussels, Buenos Aires and New York City. La Scala, Milan, where he made his debut in 1926, would become his main artistic home, but American audiences did get to hear him from 1929 until 1933, when he sang at the Metropolitan Opera. His roles at the Met included Oroveso, Raimondo, Ferrando, Fiesco, Padre Guardiano and Alvise. A performance of Don Giovanni with Pasero singing Leporello and Ezio Pinza singing the Don was broadcast in 1932. Unfortunately, no recording exists of this performance. Pasero notably sang the role The Miller in the world premiere of Umberto Giordano's Il re on the 12 January 1929 at La Scala. He also enjoyed considerable success in such Wagner roles (sung in Italian) as Heinrich, Marke, Pogner, Hagen, Gurnemanz. Pasero appeared, too, in the title part in Modest Mussorgsky's Boris and participated in the first performances of several other operas, notably, Mascagni's Nerone, in Milan, and Pizzetti's Orseolo, in Florence. In 1950, when only 58, Pasero abandoned the stage. Pasero was widely regarded as having one of the finest basso voices of his era, He died in Milan at the age of 90. Gino Vanelli (26 March 1896, Bergamo - 9 April 1969, Monza) was an Italian operatic baritone who had an active international career from 1917 until his retirement in 1955. He made several recordings for HMV and Columbia Records, including complete recordings of the operas La boheme, Pagliacci, and Madama Butterfly Born in Bergamo, Vanelli studied at the Donizetti Conservatory in his native city and with Dante Lari in Milan. He made his professional opera debut in Bergamo in 1917 as Perichaud in Giacomo Puccini's La Rondine at the Teatro Donizetti. In 1919 he portrayed Barone Douphol in Giuseppe Verdi's La traviata and the Count di Luna in Verdi's Il trovatore at the Teatro Olimpia in Bassano del Grappa. In 1920 he sang the role of Don Carlos in Verdi's La forza del destino in Lodi and the role of Lescaut in Puccini's Manon Lescaut at the Teatro Sociale in Casalmonferrato. and in 1922 he sang Sharpless in Puccini's Madama Butterfly at the Politeama Verdi in Cremona. In 1923 he performed the role ofTonio in Ruggero Leoncavallo's Pagliacci at the Teatro all'Aperto in L'Aquila. In 1924 he toured Egypt where he appeared at the Cairo Opera House and at the Teatro Alhambra of Alessandria in ‘’Lucia di Lammermoor’’ as Lord Enrico Ashton. That same year he toured to Brazil. In 1925 he performed at the Teatro Real in Madrid and appeared as Marcello in Puccini's La bohème at the Teatro Principal in Palma di Majorca. In 1926 Vanelli made his debut at the Teatro Costanzi in Rome as Escamillo in Carmen with Maria Gay in the title role. That same year he made his debut at La Scala in Milan as Ping in Puccini's Turandot. He remained committed to La Scala as a resident artist for the next 20 years. From 1926-1928 he made numerous appearances at the Teatro Colón in Buenos Aires, including starring roles in the world premieres of Rafael Peacan del Sar's Chrysantheme (1927) and Raúl Espoile's Frenos (1928). Other operas he sang in Buenos Aires were Turandot, Ildebrando Pizzetti's Fra Gherardo, Felice Lattuada's "Le preziose ridicole", and Ottorino Respighi's La campana sommersa. In 1932 Vanelli appeared in the world premiere of Alfredo Casella's La donna serpente at the Teatro dell'Opera di Roma. He returned there in 1934 to perform in the world premiere of Licinio Refice's Cecilia. In 1935 and 1941 he toured in Holland, and in 1951 he appeared at the Arena di Verona Festival. In 1952 he portrayed Belcore in Donizetti's L'elisir d'amore at the Wexford Festival Opera. In 1954 he performed in the world premiere of Giulio Viozzi's Allamistakeo at the Teatro delle Novità in Bergamo; a role which he subsequently performed in Venice. His last appearance was as Alessio in Vincenzo Bellini's La Sonnambula at the Teatro Donizetti in Bergamo in October 1955. Other opera houses he appeared at during his career included La Fenice, Teatro Carlo Felice, Teatro Comunale di Bologna, the Teatro Municipal in Rio de Janeiro, the Theatro Municipal in São Paulo, the Teatro Regio in Parma, and the Teatro Regio in Turin. Source: Wikipedia
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