Nika Gorič Video
Ultimo aggiornamento
2024-05-15
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Giuseppe Verdi Sodi Francesco Rosa Martin Sušnik Nika Gorič Irena Petkova Bajić Pivovarov Potočnik
Sofisticirana muzikalnost, poglobljena dramatičnost oziroma tragičnost in tako rekoč ljudska spevnost te Verdijeve opere so najočitnejši razlogi za njeno izredno priljubljenost, ki ne pojenja niti po 170-ih letih po njeni prvi izvedbi. Zagotovo ni naključje, da to popularno Verdijevo odrsko-glasbeno delo sodi med največkrat uprizorjena na slovenskih opernih odrih. Od skupno 24 uprizoritev jih polovica odpade na Maribor, tokratno že trinajsto uprizoritev pa je podpisal režiser Pier Francesco Maestrini. Predstava je v prvi vrsti klasična, a vsebuje nekaj primesi sodobnih režijskih konceptov. Mizanscena Juana Guillerma Nove in kostumi Luce dall'Alpija se spogledujejo z bohotnim obdobjem italijanske renesanse. Primerno temu so zgodba in kostumi umeščeni v tisti čas. Zbor in orkester mariborske opere bo vodil Francesco Rosa, nastopajo pa: Marian Pop v vlogi naslovnega junaka, Martin Sušnik kot vojvoda mantovski, Nika Gorič kot Gilda, Irena Petkova kot Magdalena, Dragoljub Bajić kot Sparafucile, Valentin Pivovarov kot grof Monterone, Mojca Potrč kot Giovanna, Bogdan Stopar kot Borsa, Sebastijan Čelofiga kot Marullo, Marko Mandir kot grof Ceprano, Petra Crnjac kot grofica Ceprano, Bojan Hinteregger kot sodni sluga in Terezija Potočnik-Škofič kot Paž.
Christoph Willibald Gluck Ranieri Barbara Kozelj Devos Nika Gorič Rus Zupan Crane
Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama. Orpheus: Barbara Kozelj Eurydice: Liesbeth Devos Amor: Nika Gorič ORCHESTRA MATUTINA Conductor: Matej Šarc AVE CHOIR Chorus master: Gregor Klančič First violins: Janez Podlesek, Jerica Kozole, Vera Belič, Ana Mezgec Second Violins: Irina Kevorkova, Mojca Menoni Sikur, Jelena Šarc, Beti Bratina Viola: Sam Burstin, Tomaž Malej, Eva Kacjan Violoncello: Milan Hudnik, Martin Sikur Contrabass: Grega Rus Flutes: Aleš Kacjan, Laura Felicijan Oboe: Sorin Crudu, Nina Tafi Clarinet: Jurij Jenko, Dušan Sodja Bassoon: Leonardo Calligaris Horns: Erik Košak, Metod Tomac Cornet: Miha Petek Trumpets: Franc Kosem, Miha Petek Trombones: Domen Jeraša, Žan Tkalec, Matej Krajter Timpani: Špela Cvikl Harp: Urška Križik Zupan Cembalo: Tomaž Sevšek Natural sound effects: Matevž Bajde Production crew: Sound design: Danilo Ženko Light design: Janez Kocjan Cameras: Gašper Pongračič Rok Misson Andraž Žigart Tadej Pernuš Nejc Soklič Dejan Deki Dobnik Gal Nagode Juš Hrastnik Dolly grip: Dan Ažman Crane: Matej Zagorc Tajnica režije: Vesna Kačanski Videomix: Jasmin Ajkič Technical lead Dan Ažman Production manager: Juš Hrastnik (video) Gal Nagode (light and sound) Scenography and floral: Tomaž Smrtnik TAJUS and PPZ production director: Primož Zevnik recorded in Slovenian Philharmonic Hall in September 2020
Christoph Willibald Gluck Ranieri Barbara Kozelj Devos Nika Gorič Zweden Richard Egarr Neeme Järvi Paul McCreesh Montgomery Stefan Soltesz Reinbert Leeuw Antony Hermus Gabrieli Iván Iván Fischer Fischer Bach Mozart Mendelssohn Robert Schumann Wordsworth Haydn Reutlingen Rus Zupan Crane Academy Ancient Music Slovenian Philharmonic Orchestra Orchestra Age Enlightenment Royal Concertgebouw Orchestra Budapest Festival Orchestra Gulbenkian Orchestra Arts Florissants Brussels Philharmonic Concertgebouw Orchestra Carnegie Hall Bbc Proms
Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama. more: (http•••) Orpheus: Barbara Kozelj Eurydice: Liesbeth Devos Amor: Nika Gorič Barbara Kozelj, soprano Slovenian mezzo-soprano Barbara Kozelj has established herself as a charismatic and versatile soloist and musician. Her performances have brought her to the leading international stages and continue to captivate audiences around the world. Throughout her career, Barbara has collaborated with conductors including Jaap van Zweden, Richard Egarr, Neeme Järvi, Paul McCreesh, Kenneth Montgomery, Stefan Soltesz, Reinbert de Leeuw, Cristian Măcelaru, Antony Hermus, and with orchestras including Academy of Ancient Music, Essener Philharmoniker, Gabrieli Consort and Players, Orquestra Sinfonica de Barcelona, Orchestra of St Luke’s, Slovenian Philharmonic Orchestra, The Orchestra of the Age of Enlightenment, and most of the Dutch orchestras including the Royal Concertgebouw Orchestra. Barbara also has a close rapport with conductor Iván Fischer with whom she made her Carnegie Hall debut performing Bach’s St Matthew Passion as well as her BBC Proms debut in Mozart’s Requiem. She subsequently joined the Budapest Festival Orchestra on European tours and US tours, including Mendelssohn’s A Midsummer Night’s Dream (subsequently released on disc by Channel Classics). Liesbeth Devos, soprano Belgian singer Liesbeth Devos has established herself as a stylistically highly versatile soprano. At first trained as an oboist, she later studied singing at the Antwerp Conservatory. Liesbeth’s recent engagements have included Kate Pinkerton (Madame Butterfly) for a cd recording with Gulbenkian Orchestra, Belinda (Dido and Aeneas) and Galatea (Acis and Galatea), Zerlina (Don Giovanni) and Euridice (Orfeo ed Euridice) with the Belgian Opera Company; The Ministry of Operatic Affairs, Galatea (Aci, Galatea e Polifemo) and Vagaus (Juditha Triumphans) with the Slovenian Philharmonic Orchestra, Danica (Svadba) at the Aix-en-Provence Festival and Melpomène (Atys) with Les Arts Florissants. Her recent recording of Liesbesfrühling (songs and duets by Clara and Robert Schumann) for Phaedra CD was acclaimed worldwide. Liesbeth Devos has made regular appearances in all three Belgian Opera Houses. She sang Despina (Così fan tutte), Marie (Guillaume Tell), Elvira (L’italiana in Algeri Papagena (Die Zauberflöte), Miss Wordsworth (Albert Herring), Barbarina (Le Nozze di Figaro), Lucia (The Rape of Lucretia), First Niece (Peter Grimes) and the leading role of Helena (Rage of Life) and many other roles.In concert, Liesbeth Devos has sung solo parts with many symphonic orchestras such as the Amsterdam Sinfonietta , Les Arts Florissants, the Antwerp Symphonic Orchestra, the Brussels Philharmonic, the Orchestre de Dijon Bourgogne, the Young Symphonic Orchestra Belgium, the Boston Händel & Haydn Society, the Württembergische Philharmonie Reutlingen and Gulbenkian Orchestra. ORCHESTRA MATUTINA Conductor: Matej Šarc AVE CHOIR Chorus master: Gregor Klančič First violins: Janez Podlesek, Jerica Kozole, Vera Belič, Ana Mezgec Second Violins: Irina Kevorkova, Mojca Menoni Sikur, Jelena Šarc, Beti Bratina Viola: Sam Burstin, Tomaž Malej, Eva Kacjan Violoncello: Milan Hudnik, Martin Sikur Contrabass: Grega Rus Flutes: Aleš Kacjan, Laura Felicijan Oboe: Sorin Crudu, Nina Tafi Clarinet: Jurij Jenko, Dušan Sodja Bassoon: Leonardo Calligaris Horns: Erik Košak, Metod Tomac Cornet: Miha Petek Trumpets: Franc Kosem, Miha Petek Trombones: Domen Jeraša, Žan Tkalec, Matej Krajter Timpani: Špela Cvikl Harp: Urška Križik Zupan Cembalo: Tomaž Sevšek Natural sound effects: Matevž Bajde Production crew: Sound design: Danilo Ženko Light design: Janez Kocjan Cameras: Gašper Pongračič Rok Misson Andraž Žigart Tadej Pernuš Nejc Soklič Dejan Deki Dobnik Gal Nagode Juš Hrastnik Dolly grip: Dan Ažman Crane: Matej Zagorc Tajnica režije: Vesna Kačanski Videomix: Jasmin Ajkič Technical lead Dan Ažman Production manager: Juš Hrastnik (video) Gal Nagode (light and sound) Scenography and floral: Tomaž Smrtnik TAJUS and PPZ production director: Primož Zevnik recorded in Slovenian Philharmonic Hall in September 2020
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- cronologia: Cantanti lirici.
- Indici (per ordine alfabetico): G...