Alphonse Pellet Video
compositore francese
- opera
- Francia
- compositore
Ultimo aggiornamento
2024-05-10
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Delsarte Fogg Witt George Berg Berg Signac Pellet Rothschild Hofer Krasner Pollock Straus 1653 1754 1894 1945 1969 1995 2007 2011 2018 2020 2021
Join curator Elizabeth Rudy for a preview of the upcoming exhibition, “States of Play: Prints from Rembrandt to Picasso,” to open at the Harvard Art Museums in September 2021. Joined in conversation with print curator and scholar Jerry Cohn, they will take an informative look at the iterative nature of printmaking as they explore the variable meaning of a “print state” from the 17th-21st centuries. Multiple states, or versions, of individual prints illuminate the artists’ creative processes and even the lives of prints beyond those of their creators. Director Martha Tedeschi, herself a former curator of prints and drawings at the Art Institute of Chicago, offers welcoming remarks. TAKE A CLOSER LOOK: + Take a virtual tour of "States of Play:" (http•••) + Exhibition—”States of Play: Prints from Rembrandt to Delsarte”: (http•••) + Giuseppe Longhi, Italian, “Bonaparte Crossing the Alps,” 19th century. Etching on off-white laid paper. Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1148NA: (http•••) + Marco Alvise Pitteri, Italian, “Carlo Goldoni,” 1754. Engraving on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Henry George Berg Bequest Fund, Gift in gratitude to John Coolidge, M21453: (http•••) + Paul Signac, printed by Auguste Clot, edited by Gustave Pellet, French, “La Bouée (Port of St. Tropez),” 1894. Color lithograph on off-white wove paper, annotated by Signac. Harvard Art Museums/Fogg Museum, Gift of Robert and Margaret Rothschild, 2011.509: (http•••) + Rembrandt Harmensz. van Rijn, Dutch, “Christ Crucified between the Two Thieves,” 1653. Drypoint on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Philip Hofer, M12864: (http•••) + Louis Delsarte, American, “Unity (mylar/separation 1),” 1995. Ink on mylar. Harvard Art Museums/Fogg Museum, Gift of Brandywine Workshop and Archives, Philadelphia, Pennsylvania, 2018.33.6.1. Estate of Louis Delsarte: (http•••) + Lee Krasner, American, “Long Lines for Lee Krasner,” 1969. Portfolio of 9 lithographs on white wove paper. Harvard Art Museums/Fogg Museum, Walter A. Compton, Jr., Bequest Fund, M24398-M24400. Pollock-Krasner Foundation / Artists Rights Society (ARS), NY. (http•••) + André Racz, American, “Perseus beheading Medusa IV,” 1945. Softground etching, engraving, and aquatint with gauffrage on white, wove paper. Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman, 2007.67. 1945 Estate of Andre Racz. (http•••) / Speakers: + Elizabeth Rudy, Carl A. Weyerhaeuser Associate Curator of Prints; + Marjorie (Jerry) Cohn, Carl A. Weyerhaeuser Curator of Prints, Emerita. In a long career at the Harvard Art Museums, she was also director of the Center for Conservation and Technical Studies (now the Straus Center), and twice served as acting director of the museums; + Martha Tedeschi, Elizabeth and John Moors Cabot Director of the Harvard Art Museums. This conversation was made possible by our generous supporters; an international community of art lovers who generously support the Harvard Art Museums’ mission to promote knowledge about and appreciation of art through exhibitions, teaching, research, professional training, and public education. Learn more (http•••) Recorded October 7, 2020. President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at •••@•••.
Opéra Avignon Jacques Offenbach Favre Pons Gaillard Reimann Martel Pellet Paulin Frick Pujol Favier 1819 1866 1880 2011
Projet pédagogique de production : "La Vie Parisienne" (1866) Opérette en 4 actes de Jacques OFFENBACH +••.••(...)) à l'Opéra-théâtre d'Avignon pour la Fête de la Musique le 21 juin 2011. Professeurs d'éducation musicale et chant choral : Odile SICK-PLANTEVIN et Thibaut PLANTEVIN. Mise en scène : Nadine DUFFAUT Piano d'accompagnement : Anna PECHKOVA Régisseur : Patrice BLANCKE Lumières : Philippe GROSPERRIN Décors : Emmanuelle FAVRE Préparation vidéo : Frédéric PONS Costumes : Gérard AUDIER Responsable costumes enfants : Fatima BAKIR Coiffeuse-perruquière : Sandrine DEGIOANNI Maquilleuse : Laurence LABROUSSE Responsable service éducatif opéra : Sylvie ROGIER Avec la participation des élèves de la chorale du Collège A. Malraux de Mazan et des élèves de l’option Arts Musique du lycée T. Aubanel d’Avignon : - Bobinet : Loïc ANSELME et Lucien CRAVIATTO - Raoul de Gardefeu : Valentin TARDY et Teddy MALACHIER - Métella : Théa FOSSAT, Aurore GAILLARD et Clémentine M-S. - Gontran : Paul NATOLI - La Baronne de Gondremarck : Alexia MORNET, Loua-Flor REIMANN et Léa MARTEL - Le Baron de Gondremarck : Jules PELLET et Charlie PACHEU - Le Brésilien : Paulin REYNARD - Gabrielle (la gantière) : Kritsa BRANDAO et Lisa NANNUCCI - Frick (le bottier) : Louis CHASSILLAN - Pauline : Marina VILLAVERDE - Les nièces du concierge : Clara GOURDIN, Amélie PUJOL et Iman YOUSFI - Madame de Quimper-Karadec : Ninon DURON - Mademoiselle de Folle-Verdure : Lucie FAVIER - Le clochard, Joseph et Prosper : Antoine CORNOLLE - Urbain : Maïa PATIN - Le douanier : Enora DESAPHY Et le Choeur bien sûr ! Partenariat : Opéra d'Avignon.
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- cronologia: Compositori (Europa).
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