Anna Maria Peruzzi Video
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2024-05-21
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Giuseppe Antonio Paganelli Padova Peruzzi Brunswick Wilhelmine Bayreuth 1703 1710 1731 1732 1733 1735 1736 1737 1738 1743 1763 1770
Autor: Giuseppe Antonio Paganelli (1710-c.1763) Obra: Concerto pour chalumeau et cordes Intèrprets: EnsеmbIe Mеnsa Sοnοra Pintura: François Boucher +••.••(...)) - Les petits oiseleurs, Les enfants musiciens Comprar/Purchase: (http•••) / Giuseppe [Gioseffo] Antonio Paganelli (Padua, 6 March 1710 - ?Madrid, c1763) Italian composer. Although there is little information on his early years, his membership of the Accademia dei Geniali (which in 1731–2 performed his oratorio Il figliuol prodigo and his cantatas Narciso al fonte and Apoteosi di Alcide) has been taken as evidence that his family was respectable and his education good. This is consistent with the contemporary description of him as a ‘virtuoso dilettante di Padova’. Reports that he studied with Tartini remain to be confirmed. He made his début as an opera composer at Venice in 1732 with La caduta di Leone, imperator d'Oriente. Five further operas by him were staged there, the last being La forza del sangue (1743). Meanwhile, Paganelli travelled widely; in 1733 he appeared as a harpsichordist with the opera troupe of Antonio Maria Peruzzi in Augsburg, displaying his skills as a virtuoso at musical gatherings there. He visited Prague in 1735 for the performance of his opera La pastorella regnante. In 1736 he was in Rheinsberg and Brunswick, where he produced several operas during the next three years. Although Paganelli liked to describe himself as ‘compositeur des opéras italiens de S.A.S. Monseigneur le duc régnant de Brunswick Lunebourg’ on title-pages of later Parisian publications, no direct evidence of such an appointment has been found. In 1737 he became director of chamber music to the Margravine Wilhelmine of Bayreuth, a post which he left at the end of 1738. His career thereafter is less easy to trace. Apparently, he kept up connections with various German courts including that of Baden-Durlach. His output in the smaller instrumental forms was considerable and won him a lasting popularity.
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- cronologia: Cantanti lirici.
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