Simon Sakharov Video
direttore d'orchestra, insegnante di musica
- musica tradizionale, opera
- Unione Sovietica
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2024-05-10
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Gidon Kremer Alois Posch Posch Sakharov Astor Piazzolla Leonid Desyatnikov 1998
Provided to YouTube by Warner Classics María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María) · Gidon Kremer · Alois Posch · Julia Zenko · Maria Fedotova · Marta Sudraba · Per Arne Glorvigen · Peter Sadlo · Ula Zebriunaite · Vadim Sakharov Piazzolla: Maria de Buenos Aires ℗ 1998 Teldec Classics, a Warner Music UK Division Double Bass: Alois Posch Conductor, Violin: Gidon Kremer Vocals: Julia Zenko Flute: Maria Fedotova Cello: Marta Sudraba Bandonéon: Per Arne Glorvigen Percussion: Peter Sadlo Viola: Ula Zebriunaite Piano: Vadim Sakharov Composer: Astor Piazzolla Arranger: Leonid Desyatnikov Auto-generated by YouTube.
Tchaikovsky Mercy Sakharov 1878 1879 1880 1891
Tchaikovsky: Liturgy of Saint John Chrysostom, Op. 41 (1878) Amen. And With Your Spirit, Lord Have Mercy (Амин. И со духом твоим, Господи, помилуй) ...After the exclamation "And Grant That With Our Mouths" (После возглашения: «И даждь нам единеми усты») Liturgy of Saint John Chrysostom (Литургия святого Иоанна Златоуста), Op. 41 (TH 75 ; ČW 77), is a setting for unaccompanied voices of fifteen numbers from the Russian Orthodox Liturgy for unaccompanied voices, made by Tchaikovsky in 1878. Instrumentation: Scored for unaccompanied mixed chorus (SATB). Movements and Duration: The fifteen numbers are intended to be sung at specific points in the liturgy service. A complete concert performance lasts around 50 minutes. Text: Tchaikovsky adapted the text from the Russian Orthodox Liturgy service. Composition: The idea of composing the Liturgy dates from the end of April 1878. The Liturgy was composed between 4/16 May and 27 May/8 June 1878, together with four of the Six Romances, Op. 38, and the violin pieces Souvenir d'un lieu cher. The composer's letters between 21 July/2 August and 29 July/10 August the same year show that it was sent together with the other manuscripts to Pyotr Jurgenson. Arrangements: Tchaikovsky made a piano arrangement of the score which was intended to be published as an aid to rehearsals only, and not for separate performance. Performances: The first performance of the Liturgy took place in Kiev University Church in June 1879. In Moscow it was first heard in a private concert of church music at the Conservatory in November 1880, and later at a special concert of the Russian Musical Society at the Nobles' Club on 18/30 December 1880, performed by Pyotr Sakharov's Chudovsky Chorus. Its success with the public was great, although the opinion of the press was divided. Tchaikovsky also conducted the Lord's Prayer (No. 13) on his American tour, at the Carnegie Music Hall in New York on 26 April/8 May 1891. Publication: On 1/13 and 2/14 November 1878, while stopping in Moscow on his way from Saint Petersburg to Kamenka, Tchaikovsky corrected the proofs of the Liturgy. When the Liturgy appeared in print early in 1879 its appearance on sale in Moscow and Saint Petersburg caused protests from the offices of the Director of the Imperial Chapel Choir, Nikolay Bakhmetyev, who began legal proceedings against Jurgenson, accusing him of publishing the Liturgy without the approval of the director of the chapel, and of violating a number of government and synodal decrees. Jurgenson had 143 of his plates of the Liturgy confiscated. and Bakhmetyev prosecuted him for allegedly breaking the law. Autographs: Tchaikovsky's manuscript score (which includes his piano reduction for rehearsal purposes) is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 124).
Tchaikovsky Sakharov 1878 1879 1880 1891
Tchaikovsky: Liturgy of Saint John Chrysostom, Op. 41 (1878) Blessed is He Who Comes in the Name of the Lord (Благословен грядый во имя Господне) ...After the Exclamation "In the Fear of God" (После возглашения «Со страхом Божиим») Liturgy of Saint John Chrysostom (Литургия святого Иоанна Златоуста), Op. 41 (TH 75 ; ČW 77), is a setting for unaccompanied voices of fifteen numbers from the Russian Orthodox Liturgy for unaccompanied voices, made by Tchaikovsky in 1878. Instrumentation: Scored for unaccompanied mixed chorus (SATB). Movements and Duration: The fifteen numbers are intended to be sung at specific points in the liturgy service. A complete concert performance lasts around 50 minutes. Text: Tchaikovsky adapted the text from the Russian Orthodox Liturgy service. Composition: The idea of composing the Liturgy dates from the end of April 1878. The Liturgy was composed between 4/16 May and 27 May/8 June 1878, together with four of the Six Romances, Op. 38, and the violin pieces Souvenir d'un lieu cher. The composer's letters between 21 July/2 August and 29 July/10 August the same year show that it was sent together with the other manuscripts to Pyotr Jurgenson. Arrangements: Tchaikovsky made a piano arrangement of the score which was intended to be published as an aid to rehearsals only, and not for separate performance. Performances: The first performance of the Liturgy took place in Kiev University Church in June 1879. In Moscow it was first heard in a private concert of church music at the Conservatory in November 1880, and later at a special concert of the Russian Musical Society at the Nobles' Club on 18/30 December 1880, performed by Pyotr Sakharov's Chudovsky Chorus. Its success with the public was great, although the opinion of the press was divided. Tchaikovsky also conducted the Lord's Prayer (No. 13) on his American tour, at the Carnegie Music Hall in New York on 26 April/8 May 1891. Publication: On 1/13 and 2/14 November 1878, while stopping in Moscow on his way from Saint Petersburg to Kamenka, Tchaikovsky corrected the proofs of the Liturgy. When the Liturgy appeared in print early in 1879 its appearance on sale in Moscow and Saint Petersburg caused protests from the offices of the Director of the Imperial Chapel Choir, Nikolay Bakhmetyev, who began legal proceedings against Jurgenson, accusing him of publishing the Liturgy without the approval of the director of the chapel, and of violating a number of government and synodal decrees. Jurgenson had 143 of his plates of the Liturgy confiscated. and Bakhmetyev prosecuted him for allegedly breaking the law. Autographs: Tchaikovsky's manuscript score (which includes his piano reduction for rehearsal purposes) is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 124).
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