Samuel Dale Johnson Video
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Benjamin Britten William Shakespeare Donald Runnicles Huffman Siobhan Stagg Padraic Rowan Annika Schlicht Samuel Dale Johnson Tucker James Platt Platt Newton Feldmann Deutsche Oper Berlin 2020
To hear Shakespeare sung … Video prelude with Donald Runnicles (conductor) and Ted Huffman (director) for the new production of Benjamin Britten´s A MIDSUMMER NIGHT´S DREAM after William Shakespeare's comedy with the same title. Premiere at the Deutsche Oper Berlin on 26 January 2020 – with James Hall, Siobhan Stagg, Jami Reid-Quarrell, Padraic Rowan, Annika Schlicht, Gideon Poppe, Samuel Dale Johnson, Karis Tucker, Jeanine De Bique, James Platt, Timothy Newton, Michael Kim, Patrick Guetti, Matthew Peña, Matthew Cossack, Markus Kinch, Lola Violetta Haberstock, Selina Isi, Chiara Annabelle Feldmann, Children chorus, chorus and orchestra of Deutschen Oper Berlin. Video by Chris and the FATSOX/ Join us and stay connected Subscribe ∞ (http•••) Instagram ∞ (http•••) Facebook ∞ (http•••) Twitter ∞ (http•••)
Deutsche Oper Berlin Covent Garden Komische Oper Komische Oper Berlin Kirill Karabits Richard Jones Ain Anger Ronnita Miller Dong Hwan Lee Watson Annika Schlicht Matthew Newlin Andrew Harris Harris Andrew Dickinson Dickinson Samuel Dale Johnson Modest Mussorgsky Alban Berg English National Opera 2004 2017
Premiere at Deutsche Oper Berlin on 17 June 2017 Conductor: Kirill Karabits; Director: Richard Jones; Revival director: Elaine Kidd; Stage: Miriam Buether; Costume: Nicky Gillibrand; Light: Mimi Jordan Sherin; Movement Director: Silke Sense; Chorus: Raymond Hughes; Children chorus: Christian Lindhorst With Ain Anger, Philipp Ammer, Alexandra Hutton, Ronnita Miller, Burkhard Ulrich, Dong-Hwan Lee, Ante Jerkunica, Robert Watson, Alexei Botnarciuc, Annika Schlicht, Jörg Schörner, Matthew Newlin, Andrew Harris, Andrew Dickinson, Stephen Bronk, Samuel Dale Johnson; Chorus, children chorus a dn orchestra of Deutsche Oper Berlin/ Political processes and the special dynamic associated with them are at the core of BORIS GODUNOV, Modest Mussorgsky’s only completed opera. Having created, in Czar Boris, one of the most striking characters in the history of opera - an intelligent ruler and benevolent father, who came to the throne by dint of sound leadership, a smart marriage but also the murder of a child -, Mussorgsky then portrays the ruler’s demise, with Boris in the end succumbing to his own bad conscience, under pressure from his external enemies. The Boris we are shown is not an autonomous individual who is proactive in steering and influencing politics but meets an heroic end as a result of tragic ensnarement. Rather he is subject to the imperatives of political processes, imperatives that he is only marginally more able to influence than his own people, whom Mussorgsky depicts as a kind of second protagonist through his impressive chorus scenes. In their suffering at the hands of an absolutist czar and aristocracy and also in their manifestation as riotous mob in the final revolution scene in the opera, the people are presented as an anonymous mass, devoid of an awareness of their own role, power and responsibility. Yet the composer allows individual characters to stand out from the crowd. He manages, often with great economy of dialogue, to confer on these characters contours of personality and destinies as a way of painting a nuanced and ambivalent picture of the power and impotence behind individual actions. The piece was staged by the English director Richard Jones, who is a regular at the Royal Opera House Covent Garden and has also worked at the New York City Opera, the English National Opera, the opera houses of Amsterdam and Frankfurt and the Bregenz Festival. He gave his Berlin debut in 2004 at the Komische Oper Berlin with Alban Berg’s WOZZECK. BORIS GODUNOV was his first directorial project at the Deutsche Oper Berlin. A Video by Chris and the FATSOX (www.fatsox.de)
Kirill Karabits Richard Jones Ain Anger Ronnita Miller Dong Hwan Lee Watson Annika Schlicht Matthew Newlin Andrew Harris Harris Andrew Dickinson Dickinson Samuel Dale Johnson 2017
Kirill Karabits über seine Sicht auf die Handlung, ihre Protagonisten sowie den Komponisten Musikalische Leitung: Kirill Karabits; Inszenierung: Richard Jones; Szenische Einstudierung: Elaine Kidd; Bühne: Miriam Buether; Kostüme: Nicky Gillibrand; Licht: Mimi Jordan Sherin; Movement Director: Silke Sense; Chöre: Raymond Hughes; Leitung Kinderchor: Christian Lindhorst; Dramaturgie: Sebastian Hanusa Mit Ain Anger, Philipp Ammer, Alexandra Hutton, Ronnita Miller, Burkhard Ulrich, Dong-Hwan Lee, Ante Jerkunica, Robert Watson, Alexei Botnarciuc, Annika Schlicht, Jörg Schörner, Matthew Newlin, Andrew Harris, Andrew Dickinson, Stephen Bronk, Samuel Dale Johnson; Chor, Kinderchor und Orchester der Deutschen Oper Berlin Premiere an der Deutschen Oper Berlin am 17. Juni 2017 Ein Trailer von Chris and the Fatsox (www.fatsox.de)
Samuel Dale Johnson Tchaikovsky Gebhardt 2020
"My heart is at odds with itself" Many may know the situation well from their personal youth, when their own confession of love does not trigger the hoped-for reaction from the other person. This is also what happened at the end of Act 1 of Pyotr I Tchaikovsky's EUGENE ONEGIN: the title character explains by his aria "Kogda bi zhizn“ to Tatiana, who is in love, that he feels touched, but that he honors her far more like a brother and is simply not that far along. In the further course of the opera he regrets this, but then it's too late. Listen to baritone Samuel Dale Johnson in this aria, accompanied here by Tilman Wildt on the grand piano and introduced by dramaturge Lars Gebhardt. All of "Our favourites“ at one glance: (http•••) Video by Chris and the FATSOX/ Join us and stay connected: Subscribe ∞ (http•••) Instagram ∞ (http•••) Facebook ∞ (http•••) Twitter ∞ (http•••)
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