Yasuo Shinozaki Video
Ultimo aggiornamento
2024-05-14
Aggiorna
Cape Philharmonic Orchestra Yasuo Shinozaki
Jonathan Oshry (http•••) (http•••) Cape Philharmonic Orchestra conducted by Yasuo Shinozaki
To buy our latest album Scrapyard Exotica: (http•••) Subscribe to our channel: bit.ly/1RHyaF5 Follow us on Facebook: (http•••) Follow us on Twitter: (http•••) Donate to DSPAO: (http•••) The Del Sol String Quartet (Benjamin Kreith, Rick Shinozaki, Charlton Lee, Kathryn Bates) share their favorite 2015 memories. Support the Del Sol Performing Arts Organization today: delsolquartet.com/support/donate
Manabe Tokunaga Kawaguchi Ishigame Kameda Machi Kikuchi Shimaoka Watanabe Endo Suzuki Sakamoto Hayashi Araki Ishikawa Yamada Toyoda Yamagishi Yoon Ito Shinozaki Yamamoto Murata Nakagawa
Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train Music Collection Available on: (http•••) Tracklist: 00:00 M15 01:19 M06 02:45 M20 03:34 M26 05:38 M27 06:53 M28 08:13 M28 09:36 M28 10:45 M29 11:41 M30 13:42 M31 16:01 M32 18:37 M39 20:10 M07 21:55 M01 25:06 M16 27:33 M24 32:54 M34 33:39 M45 35:20 M36 38:41 M36 41:22 M37 43:00 M38 Music Composed & Arrangement: Go Shiina Arrangement & Orchestrator: Sachiko Miyano (Shangri-la Inc.) Strings: Manabe Strings Violin: Yu Manabe, Tomomi Tokunaga, Shizuka Kawaguchi, Ayaka Notomi, Ayaka Jomoto, Makiko Murakoshi, Eriko Ukimura, Mino Fujisaki, Toshiro Murai, Yasuhiro Morimoto, Yuri Kamei, Natsumi Okimasu, Masahiko Todo, Osamu Iyoku, Kyoko Ishigame, Akane Irie, Natsue Kameda, Kanako Higashiyama, Satoshi Morioka, Machi Okabe, Ken Okabe, Satoko Jinbo Viola: Masaki Shono, Mikiyo Kikuchi, Tomoko Shimaoka, Misato Futaki, Hyojin Kim, Atsushi Nagaishi, Tsubasa Ariyoshi, Tomomi Watanabe Cello: Masami Horisawa, Masutami Endo, Tomoki Tai, Masateru Nishikata, Toshiyuki Muranaka, Takayoshi Okuizumi, 日下部杏奈, Sonoko Muraoka Contrabass: Jun Saitoh, Satoshi Suzuki, Kento Takasugi, Masashi Kimura, Hisami Tamaki, Naohiro Nasuno Flute/Alto Flute/Recorder/Shinobue/Quena: Kei Sakamoto Flute/Piccolo: Hiromasa Hayashi Oboe: Kanami Araki Oboe/English Horn: Yuka Asahara Clarinet/Bass Clarinet: Hidehito Naka Clarinet: Yuka Takashi Fagott: Akira Ishikawa Fagott/Contra Fagott: Norihito Yamada Horn: Tatsuo Nippashi, Mika Toyoda, Rio Yamagishi, Kenta Yano, Yu Kumai, Maki Toyoda Trumpet: Kenichi Tsujimoto, Cheonho Yoon, Shun Ito Trombone: Hikaru Koga, Shinsuke Torizuka Bass Trombone/Contrabass Trombone: Ryota Fujii Tuba: Shinpei Tsugita Harp: Kazuko Shinozaki Percussion: Akihiro Oba Drums/Percussion: Maoki Yamamoto A&E Guitar: Kazuto Baba (SLOTH MUSIC) Bass Guitar: Goro Murata (SLOTH MUSIC) Band Contractor: Tomonori Ohgushi (SLOTH MUSIC) Pf: Sachiko Miyano (Shangri-la inc.) Synth: Go Shiina Chorus, Eth.Voc, sop: Nami Nakagawa Chorus, Tenor: Isao Teramoto (AONI PRODUCTION) Vocal Editor: 菅原奈月, 伊藤実紗, 井手口雅 Special Thanks: Roland Film Scoring Engineer: Yuta Tateishi Recording Engineer: Shigeo Sakurai Recording & Balance Engineer: Hiroyuki Akita Recording Support: Takeshi Muramatsu Mixing & Editing Engineer: Yuta Tateishi Assistant Engineer: Seiya Kawagoe (AVACO STUDIO), Sho Ando (AVACO STUDIO), Tsuguhito Hachiya (ONKIO HAUS) Music Contractor: Tsutomu Satomi, Aki Haruyama (Shangri-la Inc.)
Yasuo Shinozaki Weiner Johannesburg Philharmonic Orchestra 2017
“Drop” for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, double bass & orchestra Performed by the Decoda Ensemble Flute: Catherine Gregory Oboe: James Austin Smith Clarinet: Alicia Lee Bassoon: Brad Balliett Horn:Laura Weiner Violin: Siwoo Kim Viola: Meena Bhasin Cello: Sæunn Thorsteinsdóttir Double Bass: Chris Saebo The Johannesburg Philharmonic Orchestra Conducted by Yasuo Shinozaki Recorded in rehearsal, Linder Auditorium, 2017. While “Drop” is not programmatic as such, there are many elements within it that depict the various definitions of the word itself. The very beginning is based on enormous water drop building up, falling and hitting the ground with a thud. This leads straight into a bass solo with the performance instruction “like a medicine ball being dropped.”. While a lot of the piece is modelled on electronic dance music gestures, the middle section is a huge tip of the hat to how “drop” is used in that particular genre – a drop being a colloquial term to describe the moment where, after a prolonged build up, the beat kicks back in. The climax itself can be seen, on the one hand, as the heavens opening and it finally raining, after a prolonged period of drought, however, on the otherhand, while I was writing it, I had an image in my head of someone falling, in slow motion, for miles and miles (almost from the perspective of the rain drop itself), not necesseraly in any danger, but stuck in a perpetual loop of dropping. I think that it's almost impossible at this particular time in history to write something that doesn't reflect the current global political climate, or echo the frustrations that are building up on either side (a little bit like the enormous water drop mentioned above) and it would be amiss of me to say that this hasn't worked it's way into “Drop”. While the section just before the climax can be seen as hundreds of water droplets eroding away at a rock and finally breaking through, I'm reminded of all the protesting happening around the world and how one person, just like one little droplet of water, can have an impact, be it for good or bad. Eventually, something has to “give”.
o
- cronologia: Direttori d'orchestra (Asia).
- Indici (per ordine alfabetico): S...