Shōichirō Tahara Video
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Alexander Scriabin Tahara 2009
Lisa Tahara performs the beautiful and evocative Piano Sonata No.2, Op.19 in G# Minor by Russian composer Alexander Scriabin at the University of Toronto's Walter Hall in Toronto, Ontario. The live performance took place in May 2009. Subscribe to stay up to date with all the latest videos: (http•••) Become a patron: (http•••) For more information on Lisa Tahara, please visit: Website: (http•••) Facebook: (http•••) Instagram: (http•••) Twitter: (http•••) #Scriabin #ScriabinSonata #BeautifulMusic
Bach Nodaira Tahara Piazzolla 1530 1600 2014
J.S.BACH : Chaconne for 4 violas (arranged by Ichiro Nodaira) Viola 1 / Rena Kohara Viola 2 / Sakuya Watabe Viola 3 / Enchi Cheng Viola 4 / Ayako Tahara Viola Master Class 2014 10th Anniversary Concert I "BACH and PIAZZOLLA" Date: January 12, 2014 (16:00 start /15:30 open) Place: Otaru citizens center Marine hall Copyright 2014 Viola Master Class Organizing Committee. All rights reserved. (http•••)o/index.html
Teizo Matsumura Inoue Shirai Adachi Tahara Okamoto Ito 1929 1987 2007 2017
Teizo Matsumura (1929~2007, Japan) 弦楽のためのプネウマ Pneuma for Strings Kei Shirai, Ami Yumoto, Nobuhiro Suyama, Nao Maeda, Ai Takeuchi, Tadashi Machida, Kanako Yanagida, violin Mari Adachi, Ayako Tahara, viola Hiroki Kadowaki, Kei Yamazawa, cello Jun Okamoto, double bass Sho Ito, conducting Recorded: September 6, 2017 (Live) at the Blue Rose of Suntory Hall in the Suntory Foundation for Arts' Summer Festival 2017 From NHK FM "Gendai no ongaku (Music of our time)" "Pneuma" is a Greek word meaning "wind" and "breath" and "spirit". Engaku Shonin (円覚上人) preached that wind enters the body and becomes a breath. Blowing the wind to everything, although the wind itself has no sound, these emit their own sounds. In the wind without sounds, sounds are hidden infinitely. Zhuangzi (荘子) preached that this is the "Tenrai [天籟]." When I visited around Dunhuang, I stood on the desert of Yangguan Pass and heard faint wind sound that was in the far higher place. Since I knew the word "Pneuma" by the writing of Yoji Inoue (井上洋治), this word has always lived inside of me. A considerable amount of time has passed from the time on I decided pursuing ups and downs of sounds and reverberation by using a string orchestra. At today's Tokyo National University of Fine Arts and Music Centennial Memorial Concert, I decided to realize it. The work is a single movement, less than 10 minutes. [Teizo Matsumura] (Reproduced from the program of the first performance) First performance: September 19, 1987, Suntory Hall, Tokyo National University of Fine Arts and Music Orchestra conducted by Teizo Matsumura from the Program Note of the Suntory Foundation for Arts' Summer Festival 2017 "プネウマ"はギリシャ語で、「風」と「息」と「霊」という三つの意味がある。円覚上人は、風が体内に入って息となる、と説かれている。風自体は音をもたないが、万物に吹きつけると、万物が夫々固有の音を発する。音のない風に無限に音が秘められている。これが天籟である、と荘子も説いている。且つて私は敦煌周辺を訪れた時、陽関祉の砂漠に立って、遙か天上の微かな風の音を聴いたことがある。 "プネウマ"という言葉を井上洋治氏の著作から知り、その時以来、この言葉は私の中に棲みついている。 弦楽合奏によって、音と響きの消長を私なりに追求してみたいと思いついてかなりの時間を経過している。今回、東京芸術大学百周年の記念演奏会を機に実現することにした。 曲は単一楽章、十分たらずのものである。 [松村禎三] (初演時のプログラムより転載) 初演:1987年9月19日 サントリーホール 松村禎三指揮 東京芸術大学オーケストラ (サントリー芸術財団サントリーサマーフェスティバル2017 プログラムノートより)
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