Sigmund Lebert Video
pianista tedesco
Commemorazioni 2024 (Morte: Sigmund Lebert)
- pianoforte
- Regno del Württemberg
- pianista, compositore, musicologo, insegnante di musica, professore universitario
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2024-04-27
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Giacomo Puccini Markus Poschner Lebert Reibel Matjaž Stopinšek Martin Achrainer Mayr Tomaz Kovacic Kovacic Raab Bruckner Salgado Romero Bruckner Orchester Linz
Giacomo Puccinis Oper La Bohème überwältigt ihr Publikum immer wieder aufs Neue mit ihrer emotionalen Aufrichtigkeit. Die Geschichte von der Liebe der von Krankheit gezeichneten Mimì und des erfolglosen Dichters Rodolfo berührt nicht zuletzt deshalb so unmittelbar, weil Puccini und seine Librettisten auf jeglichen Distanz schaffenden ideologischen Überbau verzichten: Zwei junge Menschen, die sich ineinander verlieben und wieder trennen, ist eine allen Zuschauer*innen zutiefst vertraute Handlungsführung. Doch durch den viel zu frühen Tod Mimìs erhält diese alltägliche Begebenheit eine tragische Tiefendimension, die Puccini in seiner Partitur so ergreifend zum Ausdruck bringt, dass die existenzielle Bedeutung dieser so einfachen wie traurigen Geschichte in all ihrer Direktheit erfahrbar wird. Inszenieren wird diesen Klassiker Georg Schmiedleitner, der dem Linzer Landestheater seit vielen Jahren künstlerisch verbunden ist. In der vergangenen Spielzeit führte er bei Nestroys Der böse Geist Lumpazivagabundus im Schauspielhaus Regie. Tickets & infos: (http•••) Musikalische Leitung Markus Poschner Inszenierung Georg Schmiedleitner Bühne Sabine Mäder Kostüme Martina Lebert Dramaturgie Christoph Blitt Chorleitung Elena Pierini Leitung Kinder- und Jugendchor Olga Bolgari Nachdirigat Enrico Calesso Marc Reibel Mimì Erica Eloff Musetta Ilona Revolskaya Fenja Lukas Rodolfo, Dichter Rodrigo Porras Garulo Matjaž Stopinšek Marcello, Maler Adam Kim Schaunard, Musiker Martin Achrainer Colline, Philosoph Dominik Nekel Reinhard Mayr Parpignol, fahrender Händler Grégoire Delamare Petar Asenov Stefanov Benoît, Hausbesitzer Reinhard Mayr Tomaz Kovacic Alcindoro, Staatsrat Reinhard Mayr Tomaz Kovacic Sergeant der Zollbeamten Markus Raab Marius Mocan Zollwächter Boris Daskalov Marius Mocan Verkäufer Domen Fajfar Jin Hun Lee Live-Kamera Oliver Lasch Chor des Landestheaters Linz Kinder- und Jugendchor des Landestheaters Linz Statisterie des Landestheaters Linz Bruckner Orchester Linz Video: Jonatan Salgado Romero
Andante is the second movement in the G Major Piano Sonata by Beethoven, Op. 79, no. 25. The movement has been described as the “prototype of the modern Song Without Words” (Lebert and others, Sonata Album for the Piano, p. 135). Tempi used in Beethoven pieces are widely debated, because the composer provided only general indications (e.g. andante). Editors’ markings for the Andante movement range from *mm=40 to mm= 66 (Gordon, Beethoven Piano Sonatas). The performance presented here has taken the given marking of *mm= 56 for a dotted quarter note (Lebert and others, Sonata Album for the Piano) and varies from 52-57 with the use of expression in tempo and phrasing.. Note *Mm refers to a setting of beats per minute on a metronome, a device used to tick the musical pulse. Thus, mm=40 is 40 beats per minute. References Gordon, Stewart, ed. Beethoven Piano Sonatas. Alfred Masterwork. Alfred Publishing Co., Inc, 2010. Lebert, Dr. Sigmund, and others, eds. Sonata Album for the Piano. Vol. 329. Schirmer Library of Musical Classics. G. Schirmer, Inc., 1895.
Franz Liszt Sigmund Lebert Ludwig Stark Stark 1862
F.Liszt - Concert etude in D-flat major "Waldersrauschen" (4k) Yliana Storotchuk Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule.It consists of two parts: "Waldesrauschen" (Forest Murmurs) and "Gnomenreigen" (Dance of the Gnomes). "Waldesrauschen", in D-flat major, is the first of the two pieces in this set. It is known for its beauty and imitation of wind in the forest. "Gnomenreigen" is in F-sharp minor. It is known for its technical difficulty in its fast and soft passages, where the pianist imitates the sound of gnomes. It first has a theme in F-sharp minor consisting of grace notes followed by eights. Then it goes to a fast, playful theme in A major. It repeats themes, and also has a theme with repeating bass notes, such as the fifty-four consecutive low Ds. Finally, the A major theme is repeated for a climactic part of the étude, this time in F-sharp major.
Beethoven Haydn Sigmund Lebert Schirmer Gale 1750 1770 1820 1827 1939 1998 2017
In this video, I am playing the first movement of "Two Easy Sonatas" (Opus 49, No. 2) by Ludwig van Beethoven. This is a Classical Period +••.••(...)) piece. If you're interested, read below to learn more about Beethoven. Ludwig van Beethoven was born on December 16, 1770 in Bonn, Germany and died on March 26, 1827 in Vienna, Austria (“Ludwig van Beethoven”). Beethoven’s work has been crucial to the development of all music in history (“Ludwig van Beethoven”). One interesting fact about him is that as he got older, he became deaf. In fact, it got so bad that, at one point, he contemplated suicide (“Ludwig van Beethoven”). Thanks for watching! Please like, comment, and subscribe! P.S. Sorry for the sloppy page turn! The first citation below is for the book of music from which I played this piece. The second one is for the article cited in the video description. Haydn, Joseph, et al. "Sonata Album For the Piano". Edited by Sigmund Lebert et al., vol. 329, G. Schirmer, Inc., 1939. “Ludwig van Beethoven.” Encyclopedia of World Biography, Gale, 1998. Biography in Context, link.galegroup.com/apps/doc/K1631000534/BIC1?u=bloomhhs&xid=3248d98e. Accessed 18 Sept. 2017.
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