Amalie Stalheim Video
Ultimo aggiornamento
2024-05-21
Aggiorna
Tandberg Dundas Cavalli Blunt Soria Pauli Prytz Ahlström Jacobsen Gustafsson Backer Dahl Stalheim Munch 1842 1881 1883 1884 1893 1894 1896 1899 1900 1904 1906 1914 1931 1936 1949 1954 1956 1958 1961 1962 1963 1970 1975 1976 1998 2003 2012 2013 2014 2015 2016 2017 2018 2019 2021 2022
Versjon uten tegnspråktolkning: (http•••) Version with audioguide in English: (http•••) Bli med inn i Nasjonalmuseet for kunst, arkitektur og design, og opplev utvalgte høydepunkter fra samlingen. Dette er en helt ny måte å gå på museum! Baldisholteppet, Edvard Munchs «Skrik», Hannah Ryggen, Sverre Fehn-rommet, Harriet Backers «Blått interiør», «Undo» av Vibeke Tandberg, og Norges ‘nasjonalmaleri’ «Vinternatt i Rondane» av Harald Sohlberg. Lyd fra audioguide: Svarttrost produksjoner AS Tegnspråktolking ved Kathrine Goborg Rehder og Marianne Bjerg Musikk: Nasjonalmuseet og Universal Production Music Video: NEP/Hi5 Opphavsrett til kunstverk: Verkene er gjengitt etter avtale med BONO (Billedkunst Opphavsrett i Norge) – 2022 Verksliste Máret Ánne Sara, “Pile o’Sápmi Supreme”, 2017 Unidentified artist, “The Baldishol Tapestry”, 1040–1190 Vernon, Silkehuset, “Coronation Dress for Queen Maud”, 1906 Archive photo: DigitaltMuseum Archive photo: Nasjonalbiblioteket Peter Dundas, “Ciaras dress for The Met Gala 2019. Camp: Notes on Fashion”, 2019 Peter Dundas, Emilio Pucci, “Poppy Delevingne’s Dress”, 2014 Peter Dundas, Emilio Pucci, “Gala Dress for H.R.H. Crown Princess Mette-Marit”, 2012 Peter Dundas, Roberto Cavalli, “Kim Kardashian‘s Gala Dress”, 2015 Peter Dundas, “Emily Ratajkowski’s jumpsuit”, 2017 Peter Dundas, “Emily Blunt’s gold outfit”, 2018 Sol LeWitt, “Wall Drawing #839”, 1998/2021 Theodor Kittelsen, “Far, far away Soria Moria Palace shimmered like Gold”, 1900 Theodor Kittelsen, “The Water Sprite”, 1904 Hanna Pauli, “The Princess”, 1896 Theodor Kittelsen, “The Sea Monster”, 1881 Dyre Kristofer Vaa, “The Fairy Tale”, 1931 Theodor Kittelsen, “Illustration for ‘The Bear and the Fox’”, 1884 Sverre Fehn, “Norwegian Pavilion for the World Exposition in Brussels”, 1956–58 Sverre Fehn, “Nordic Pavilion for the Venice Biennale”, 1962 Pavilion in Venice, 1962. Foto: Ferruzzi Pavilion in Brussels, 1958. Foto: Lucien Hervé Sverre Fehn, “Venice Chair”, 1963 Enrico Ciuti, Marco Del Corno, “Decima Triennale di Milano”, 1954 Arne Korsmo, Grete Prytz Kittelsen, “The Herring Table”, 1954 Arne Korsmo, Grete Prytz Kittelsen, prod. J. Tostrup, Server, “Lazy Susan”, 1954 Prod. PLUS, Table runner, ca. 1970 Terje Ekstrøm, prod. Tandbergs radiofabrikk, Speaker, “Fasett, serie 2”, 1975 Hans Ehrich og Tom Ahlström, prod. Checkpoint Systems Inc., Queue ticket dispenser, “D 80”, 1976 Jac. Jacobsen, prod. Luxo ASA, Desk lamp, “Luxo L-1P”, 1961 Mathias Molden, Safety light, “Bluss”, 2018 Emil Gustafsson, Brooch, “Social Distance Alert”, 2015 Prod. Earin AB, Wireless earbuds, “Earin M-1”, 2015 Christian Lockenwitz, prod. Oticon Medical, Hearing aid, “Neuro 2”, 2017 Snø Designstudio AS, No Isolation AS, Robot, “AV1”, 2016 Vibeke Tandberg, “Undo # 4”, 2003 Vibeke Tandberg, “Undo # 7”, 2003 Torbjørn Kvasbø, “Tube Forms Floor”, 2012–2013 Hannah Ryggen, “Daybreak”, 1936 Hannah Ryggen, “Horror”, 1936 Hannah Ryggen, “The Use of Hands”, 1949 Harriet Backer, “Blue Interior”, 1883 Johan Christian Dahl, “View From Stalheim”, 1842 Harald Sohlberg, “Winternight in the Mountains”, 1914 Edvard Munch, “The Scream”, 1893 Edvard Munch, “Madonna”, 1894 Edvard Munch, “Death in the Sickroom”, 1893 Edvard Munch, “Dance of Life”, 1899–1900
Amalie Stalheim James Gaffigan Stavanger Symphony Orchestra 2021
Hillborg Cello concerto | Amalie Stalheim | Stavanger Symphony Orchestra | James Gaffigan March 2021
Michael Daugherty Stalheim Liberace 1972 1991 1993 1994 1996 1997 1998
MICHAEL DAUGHERTY SINATRA SHAG for Solo Violin & Chamber Ensemble (1997) —————————— Publisher: Michael Daugherty Music For more information, visit www.halleonard.com To purchase the score and to rent performance materials, visit www.billholabmusic.com For more information on Michael Daugherty and his music, visit ww.michaeldaugherty.net Instrumentation: Flute, bass clarinet, violin, cello, percussion and piano Duration: 4 minutes, 30 seconds —————————— SINATRA SHAG was commissioned and premiered on October 7, 1998, by Present Music, conducted by Kevin Stalheim, at the 32nd Contemporary Music Festival, Indiana State University, Terre Haute, Indiana. The composition is scored for flute, bass clarinet, percussion (piccolo snare drum, small tom-tom, splash cymbal, ride cymbal, hi-hat), piano, violin solo, and cello. Duration is four minutes, 30 seconds. SINATRA SHAG (1997) is part of my series of compositions inspired by the seminal 1972 book on American architecture entitled Learning from Las Vegas by Robert Venturi, Denise Scott Brown, and Steven Izenour. For these authors Las Vegas was to the strip what Rome was to the piazza. Las Vegas was the final refutation of the “Either/Or” of traditional high culture. Architecturally, Learning From Las Vegas revealed the strip as a complex neon landscape of symbol and iconography in space. In SINATRA SHAG the seven members of the combo are divided into various rhythmic groups to create layers of pulse and complexity. The performers play chromatically ascending passages to the groove of a “col legno battuto” bass line in the cello. Swinging lounge instrumental riffs and swirling glisses are looped and layered virtuosically throughout the composition, like a multi-colored shag carpet. The composition evokes the Las Vegas era when leading American popular music entertainers of the 1960s such as Frank Sinatra, and his daughter Nancy, performed at the Sands Hotel, known for its luxurious shag carpeting. Other works in my Las Vegas series include ROUTE 66 (1998) for orchestra, the piano concerto LE TOMBEAU DE LIBERACE (1996), DEAD ELVIS (1993) for bassoon soloist and small chamber ensemble, LOUNGE LIZARDS (1994) for two pianos and two percussion, and FIRECRACKER (1991) for oboe soloist and small chamber ensemble. –Michael Daugherty
Mais concertos e outros conteúdos: (http•••) ️ Sobre o concerto: (http•••) PROGRAMA Orquestra Gulbenkian Nuno Coelho Maestro Amalie Stalheim Violoncelo Joseph Haydn (1732 – 1809) Concerto para Violoncelo e Orquestra n.º 1, em Dó maior, Hob.VIIb:1 – Moderato – Adagio – Allegro molto Felix Mendelssohn-Bartholdy (1809 – 1847) Sinfonia n.º 3, em Lá menor, op. 56, Escocesa – Andante con moto – Allegro un poco agitato – Scherzo: Vivace non troppo – Adagio cantabile – Finale: Allegro vivacissimo – Allegro maestoso assai
o
- cronologia: Interpreti.
- Indici (per ordine alfabetico): S...