Vіktor Stepanovyč Kosenko Video
compositore ucraino
- pianoforte
- musica classica, valzer, preludio, notturno, mazurca
- Impero russo, Unione Sovietica
- compositore, pianista
Ultimo aggiornamento
2024-05-21
Aggiorna
Bach Kossenko Rasmussen Les Ambassadeurs Hesperus 1765
Les Ambassadeurs Alexis Kossenko, flute Zefira Valova, violin Tormod Dalen, cello Allan Rasmussen, harpsichord [00:00] I. Allegretto [05:19] II. Andante [09:10] III. Vivace Painting: Hesperus as Personification of the Evening by Anton Raphael Mengs. ca. 1765
Johann Sebastian Bach Werner Güra Benoit Arnould Dorothee Mields Pilati Mol Alex Potter Thomas Hobbs Hobbs Stephan Macleod Macleod Matthew Brook Kossenko Laporte Andres Chanu Stein Millischer Köll Boesch Guerrero Zoon Fournier Kaufmann Ramos Gura Gli Angeli Genève 1685 1750 2020
Matthäus-Passion, BWV 244 Johann Sebastian Bach +••.••(...)) 52. Aria "Können Tränen meiner Wangen" (Alto II) Marine Fribourg The Playlist: (http•••) Release date: 10.04.2020 Distribution Gli Angeli Genève Werner Güra, Evangéliste Benoit Arnould, Jésus Dorothee Mields, soprano I (Ancilla I) Aleksandra Lewandowska, soprano II (Uxor Pilati) Sarah Van Mol (Ancilla II) Alex Potter, alto I | Marine Fribourg, alto II (Testis I) Thomas Hobbs, ténor I | Valerio Contaldo, ténor II (Testis II) Stephan MacLeod, basse I (Judas, Pontifex II, Pilatus) | Matthew Brook, basse II (Petrus, Pontifex I) Solistes instrumentaux Alexis Kossenko, Sarah van Cornewal et Jan Van den Borre, flûtes Emmanuel Laporte et Katharina Andres, hautbois Leila Schayegh et Eva Saladin, violons Romina Lischka, viole de gambe Continuo Tomasz Wesołowski, basson Ageet Zweistra et Dorine Lepeltier, violoncelles Michaël Chanu et Cléna Stein, contrebasses Francis Jacob et Maude Gratton, orgues Bertrand Cuiller, clavecin Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genève, Petits Chanteurs de la Schola de Sion, Maîtrise Musique Ecole du Conservatoire de Lausanne Stephan MacLeod, direction Choeur I Solos Dorothee Mields, soprano (Ancilla I) | Alex Potter, alto | Thomas Hobbs, ténor | Benoit Arnould, basse (Jesus) | Stephan MacLeod, basse (Judas, Pontifex II, Pilatus et airs) Ripienos Sarah Van Mol, soprano (Ancilla II) | Christelle Monney, alto | Olivier Coiffet, ténor Orchestre I Solos Leila Schayegh, violon | Alexis Kossenko, Sarah van Cornewal, traversos, flûtes à bec | Emmanuel Laporte, Katharina Andres, hautbois, hautbois d’amour, hautbois de chasse | Romina Lischka, viole de gambe Continuo Ageet Zweistra, violoncelle | Michaël Chanu, violone | Tomasz Wesołowski, basson | Francis Jacob, orgue | Bertrand Cuiller, clavecin Tutti Adrien Carré, Anne Millischer, Coline Ormond, Nadia Rigolet, violons | Caroline Cohen-Adad, Murielle Pfister, altos | Oleguer Aymami, violoncelle Choeur II Solos Aleksandra Lewandowska soprano (Uxor Pilati) Marine Fribourg, alto (Testis I) | Valerio Contaldo, ténor (Testis II) | Matthew Brook basse (Petrus, Pontifex I) Ripienos Aleksandra Turalska, soprano | Bart Uvyn, alto Thomas Köll, ténor | Frederik Sjollema, basse Orchestre II Solos Eva Saladin violon | Jan Van den Borre, traverso Seung-Kyung Lee-Blondel et Claire Thomas, hautbois Romina Lischka, viole de gambe Continuo Dorine Lepeltier, violoncelle | Cléna Stein, violone | Tomasz Wesołowski, basson | Maude Gratton, orgue | Bertrand Cuiller, clavecin Tutti Sara Boesch, traverso | Rachel Cartry, Birgit Goris, Raynier Guerrero, Angelina Holzhofer violons Claire Foltzer, Bettina Ruchti, altos | Romina Lischka, viole de gambe Coro in Ripieno Maîtrise du CPMDT de Genève, direction Magali Dami et Fruszina Szuromi | Paloma Arnold, Yan Bossy, Hélin Dunkel, Salomé Feroul, Thomas Puntos, Gaëlle Saliou, Jeanne Sapin, Noémi Zoon Petits Chanteurs de la Schola de Sion, direction Marc Bochud | Ludovic Fournier, Guillaume Kaufmann, Christoph Kronbichler, Sarah Kronbichler, Vasco Louro Ramos, Alexiane Udry Maîtrise Musique Ecole du Conservatoire de Lausanne, direction Pierre-Louis Nanchen | Joseph Chosson, Ilaria Cortazzo, Ermis Curchod, Pierre de Beaudéan, Abel Montabert, Talyah Stähli (http•••) Album N°: CD 3012/13 EAN: 7619931301228 / Find more & orders: (http•••) Contact us: •••@••• / +••.••(...) Press: •••@••• This video is encoded with Youtube's Free video quality and from an Mp3 audio. You can find this album in HR music or better quality with the links below on the platforms and their usual provided products: iTunes: (http•••) GooglePlay: (http•••) Amazon: (http•••) Qobuz: (http•••) Spotify: (http•••) .. / Do you want to synch that? Cézame Musique (http•••) Find a Reseller in your Country (http•••) / Website & Shop: (http•••) Twitter: (http•••) Facebook: (http•••) Spotify: (http•••) #StephanMacLeod #GliAngeliGenève #Bach #Geneva #Switzerland #clavesrecords
Gioacchino Rossini Barber Nicolas Baldeyrou Basset Kossenko Ortega Dubost Rossetto Ganaye 1816
Dear Friends, I hope you’re well ! Today’s video was composed by a composer like no other, who can instantly bring so much joy and hope, the one and only Gioachino Rossini ! Composed in 1816 and premiered in Rome, The Barber of Seville by Gioacchino Rossini established several records:it was composed in only two weeks, by a 24-year old who had already written 16 operas! The music flows forth with breathtaking limpidity. Serenades, duets and ensembles brighten the comedy with vocal flourishes and verbal antics. And yet, the genius of Rossini resides in mastering the physical crescendo, designed to increase tension until the audience is boiling with impatience and ready to explode. The overture immediately offers a surprise: a tutti warns the audience that the show has started and then a delightful melody takes over, is repeated and swells to the breaking point...Laughter and rhythms burst forth and overflow. All the insolence of Beaumarchais’s play is captured in the madcap universe created by Rossini. In this arrangement, I used all my set of period of the early XIXth century, 2 clarinets in A, 2 clarinets in C, one basset clarinet and one basset horn and of course a beautiful natural horn I would like to thank all my super nice and talented friends bringing their period instruments at home to complete the piece: Alexis Kossenko, Gabriel Pidoux, David Douçot d’Ortega, Yann Dubost, Javier Rossetto and Antoine Ganaye ???? I hope you'll like it and don't hesitate to give me ideas Take care and stay safe! ️ #rossini #barberofseville #periodinstruments #clarinet
00:00 - Mov I / 10:32 - Mov II - Yaromyr Babsky (VL) / Yaromyr Bozhenko Original Audio from the Collegium Management channel - (http•••) They do great stuff on preserving Ukrainian Music. Totally recommended ! live here - (http•••) 11 etudes in the form of an old dance - (http•••) There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): K...