Ivan Zajc Video
compositore e direttore d'orchestra croato
Commemorazioni 2024 (Morte: Ivan Zajc)
- opera
- Impero austriaco
- direttore d'orchestra, musicista accademico, compositore, musicologo, insegnante di musica, docente
Ultimo aggiornamento
2024-05-08
Aggiorna
Diana Haller Haller Cezar Zajc Handel
[ZAJC UZ VAS 2: KAZALIŠTE U VRIJEME DISTANCE] Večeras vam predstavljamo duet "Caro! Bella!" iz opere "Julije Cezar u Egiptu" Georga Friedricha Händela. Izvode ga počasna članica Opere Diana Haller i prvakinja Kazališta Anamarija Knego. Klavirska pratnja: Nataliya Marycheva Opera HNK Ivana pl. Zajca #hnkzajc #zajcuzvas2 #operahnkzajc #online #kazaliste #julijecezaruegiptu #handel #carobella #dianahaller #anamarijaknego #epk2020 #ecoc2020 #rijeka2020
Blagoje Bersa Goran Filipec Ivan Zajc Julius Epstein Robert Fuchs Gustav Mahler Hugo Wolf Jean Sibelius Kunc Boris Papandopulo Bruno Bjelinski 1747 1873 1893 1896 1899 1901 1903 1919 1934 2019
Goran Filipec - Piano 00:00 Ballade Op.65 07:13 Theme and Variations Op.15 13:02 Nocturne Op.38 17:47 Fantasie Breve Op.56 20:19 Minuett Op.11 24:39 Ora triste Op.79 29:50 Melancolie Blagoje Bersa or Benito Bersa +••.••(...)) was a Croatian Composer. From 1893 to 1896, Blagoje was a student at the Music School of the National Music Institute in Zagreb, where his teachers were Ivan Zajc (piano and composition), Anton Stöckl (music theory) and Hinko Geiger (cello). At the end of his apprenticeship in Zagreb, he began work on the opera Jelka based on the libretto by his brother Josip, which he completed for five years, but to this day it has not been performed entirely on stage. From 1896 to 1899, Blagoje Bersa was a student at the Vienna Conservatory where he studied piano with Julius Epstein and composition with Robert Fuchs, who was also a professor at Gustav Mahler, Hugo Wolf, Jean Sibelius and Alexander Zemlinski. While still a Viennese student, he composed the symphonic song Hamlet and a number of piano works. After graduating from Vienna, he did not find a job and left for Sarajevo. After, he moved to Split and got married in 1901. After Split, Bersa tried to get a job in Zagreb, but without success. In an unpublished manuscript autobiography, he wrote that Split was too narrow a field of work for him, while he was rightly indignant at Zagreb: In Zagreb, 2 places were empty, but foreigners got them! He had no choice but to look for a job abroad. In 1903, he moved back to Vienna. Here, things turned out most fruitful after all. As World War I drew to a close, Bersa embarked on composing some works that expressed his political thinking. He went from a boy who spoke his Italian as a first language, to a composer who wrote both of his operas to German librettos, to a patriot who, like many contemporaries, admired (pan) Slavism and believed in a new state after the collapse of the Austro-Hungarian Monarchy, until a man who in his later years, upon his return to Zagreb, unsparingly emphasized his affiliation with the Croatian people and its musical corpus. Bersa's last period, the one in Zagreb, lasted fifteen years, from 1919 until his death in 1934. As an excellent pedagogue he raised a number of Croatian composers while working at the Music Academy in Zagreb, the most prominent were Rudolf Matz, Božidar Kunc, Boris Papandopulo, Ivan Brkanović and Bruno Bjelinski. Please support this channel and it's ongoing effort :-) (http•••)
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
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